The eighteenth-century Bengali poet and religious adept Ramprasad was an important figure in the revival of the worship of the Goddess in Bengal at a time when the previously dominant Vaisnavism was beginning to sustain a decline in popularity. In this book, Malcolm McLean examines the evidence for the life of Ramprasad, and finding little in the historical record, deconstructs the important early biographics, which contain material that is largely legendary in nature. A founder figure emerges whose "life," modeled on that of the earlier saint, Caitanya, became a rallying point for his followers. An analysis of the approximately 350 songs of this "Ramprasad" are analyzed and show how he skillfully combined three important elements of the Hindu tradition into a consistent whole: the classical Puranic Goddess tradition, especially as it is found in the Devi Mahatmya; the indigenous tradition of Bengali fold Goddesses, still enormously popular; and the previously underground esoteric Tantric tradition. This was a powerful and popular mix which allowed a very Tantric Goddess tradition to flourish for the next two hundred years. The book makes a strong case for seeing Ramprasad as basically a Tantrika, and argues that the kind of devotion advocated in the songs is a Tantric devotion of a kind quite different form the current Vaisnavite devotion. The book also looks at how these poems/songs, many of which are translated here, might be read today. The author argues that many have a contemporary relevance which might appeal to many Western readers as they do to Bengalis even today.

2022 CHOICE Outstanding Academic Title Shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible, Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D.W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production.

Pursuing her desire to be a knight, Alanna learns many things in her role as squire to Prince Jonathan, but fears Duke Roger, an ambitious sorcerer with whom she knows she will one day have to deal.

This positive and hip guide to beauty and spirituality shows girls how to unleash the inner goddess with simple messages and tasks that will illuminate mind, body, and soul.

Servants of the Goddess weaves together the heartbreaking, yet paradoxically life-affirming stories of five devadasis—women, in the clutches of an ancient fertility cult, forced to serve the gods. Catherine Rubin Kermorgant sets out attempting to make a documentary film about the lives of present-day devadasis. Through her, we meet and get to know the devadasi women of Kalyana, a remote village in Karnataka. As they grow to trust Kermorgant and welcome her as an honorary sister, we hear their stories in their own words: stories of oppression, discrimination, violence and, most importantly, resilience. Kermorgant becomes a part of these stories and finds herself unwittingly enmeshed in a world of gender and caste bias which extends far beyond Kalyana—all the way to Paris, where the documentary is to be edited and produced. Servants of the Goddess is a testament to women’s strength and spirit, and a remarkably astute analysis of gender and caste relations in today’s rural India.

The religion of the Goddess is emerging from the shadows of the past. This work explores the ancient world of the matriarchy and the re-emergence of Goddess worship in modern women's lives. Drawing on the works of many scholars, scientists and artists, it brings together history, archaeology, mythology and the author's own experiences, and relates how the Goddess was overwhelmed by the patriarchy of Christianity.

This dictionary focuses on more than 9,500 goddesses from hundreds of cultures around the world.

Andra wakes up from a cryogenic sleep 1,000 years later than she was supposed to, forcing her to team up with an exiled prince to navigate an unfamiliar planet in this smart, thrilling sci-fi adventure, perfect for fans of Renegades and Aurora Rising. When Andra wakes up, she's drowning. Not only that, but she's in a hot, dirty cave, it's the year 3102, and everyone keeps calling her Goddess. When Andra went into a cryonic sleep for a trip across the galaxy, she expected to wake up in a hundred years, not a thousand. Worst of all, the rest of the colonists--including her family and friends--are dead. They died centuries ago, and for some reason, their descendants think Andra's a deity. She knows she's nothing special, but she'll play along if it means she can figure out why she was left in stasis and how to get back to Earth. Zhade, the exiled bastard prince of Eerensed, has other plans. Four years ago, the sleeping Goddess's glass coffin disappeared from the palace, and Zhade devoted himself to finding it. Now he's hoping the Goddess will be the key to taking his rightful place on the throne--if he can get her to play her part, that is. Because if his people realize she doesn't actually have the power to save their dying planet, they'll kill her. With a vicious monarch on the throne and a city tearing apart at the seams, Zhade and Andra might never be able to unlock the mystery of her fate, let alone find a way to unseat the king, especially since Zhade hasn't exactly been forthcoming with Andra. And a thousand years from home, is there any way of knowing that Earth is better than the planet she's woken to?

A reader-friendly translation of the medieval Indian text, which presents a powerful, compassionate goddess as ruler of the universe.

Spirituality & Practice "Best Books of 2021" Award Winner Bank Street College of Education "The Best Children’s Books of the Year" Moonbeams Children’s Book Awards "Best Illustrator" Silver Winner Two sisters discover the power of love and the true meaning of compassion in this princess-adventure story based on an ancient Chinese tale. Miao Shan isn't your typical princess. She likes to spend her time quietly meditating with the creatures of the forest or having adventures with dragons and tigers. Miao Shan's heart is so full of love that her dream is to spread happiness throughout the land and help people endlessly. But her father has other plans for her--he intends to have her married and remain in the palace. With the help of her little sister Ling, Miao Shan escapes and begins her journey to discover the true meaning of compassion. During their adventure, Ling and Miao Shan are eventually separated. Ling must overcome doubts, fears, and loneliness in order to realize what her sister had told her all along--that love is the greatest power in the world. After the sisters' reunion, Miao Shan realizes her true calling as Kuan Yin, the goddess of compassion. A princess-adventure story like none other, this ancient Chinese tale of the world's most beloved Buddhist hero is a story of sisterhood, strength, and following your own path.