In this utterly gripping thriller, Sarah, the fearless heroine of indie bestseller Orphan Monster Spy, hunts a rogue German doctor in Central Africa who might be a serial murderer. It's 1940, and Sarah Goldstein is hiding in plain sight as Ursula Haller, the Shirley Temple of Nazi high society. She helps the resistance by spying on Nazi generals at cocktail parties in Berlin, but she yearns to do more. Then the spy she works for, the Captain, gets word of a German doctor who's gone rogue in Central Africa. Rumors say the doctor is experimenting with a weapon of germ warfare so deadly it could wipe out entire cities. It's up to the Captain and Sarah to reach the doctor and seize this weapon--known as "the Bleeding"--before the Nazis can use it to murder thousands. Joining them on their journey, in of the guise of a servant, is Clementine, a half-German, half-Senegalese girl, whose wit and ferocity are a perfect match for Sarah's. As they travel through the areas now known as the Republic of the Congo and Gabon, Clementine's astute observations force Sarah to face a hard truth: that mass extermination didn't start with the Nazis. This unbearably high-stakes thriller pushes Sarah to face the worst that humanity is capable of--and challenges her to find reasons to keep fighting.

In this utterly gripping thriller, Sarah, the fearless heroine of indie bestseller Orphan Monster Spy, hunts a rogue German doctor in Central Africa who might be a serial murderer. It's 1940, and Sarah Goldstein is hiding in plain sight as Ursula Haller, the Shirley Temple of Nazi high society. She helps the resistance by spying on Nazi generals at cocktail parties in Berlin, but she yearns to do more. Then the spy she works for, the Captain, gets word of a German doctor who's gone rogue in Central Africa. Rumors say the doctor is experimenting with a weapon of germ warfare so deadly it could wipe out entire cities. It's up to the Captain and Sarah to reach the doctor and seize this weapon--known as "the Bleeding"--before the Nazis can use it to murder thousands. Joining them on their journey, in of the guise of a servant, is Clementine, a half-German, half-Senegalese girl, whose wit and ferocity are a perfect match for Sarah's. As they travel through the areas now known as the Republic of the Congo and Gabon, Clementine's astute observations force Sarah to face a hard truth: that mass extermination didn't start with the Nazis. This unbearably high-stakes thriller pushes Sarah to face the worst that humanity is capable of--and challenges her to find reasons to keep fighting.

Adventure, suspense, above all violence--these filled the lives of the characters brightening the pulp magazines. From the early 1900s to the 1950s, these magazines of popular fiction offered hard-paced entertainment and high wonder. In "Violent Lives" Robert Sampson calls up a vivid selection of adventurers, spies, and warriors.

The film's troublesome production schedule is brought vividly to life through Tony Earnshaw's enthusiastic style - including new research and original interviews. Earnshaw's book tracks the film's development from the original ghost story Casting the Runes by M R James through the various shooting scripts, alternative titles, and the challenging production work, to the final theatrical release. Along the way there are anecdotes, analysis and fascinating insights into British movie making in the 1950s, as well as previously unseen production designs by Sir Ken Adam, who went on to create the gadgets and secret bases that helped make the Bond series an international phenomenon. With a comprehensive location guide and biographies of all the onstage and backstage players, Beating The Devil - the Making of Night of the Demon is the definitive book on what has been described as "The Casablanca of Horror Films".