The author's decision to leave religion, after experiencing a profound growth crisis, founded itself in the free action of one, who after walking tenaciously, has extinguished an existential possibility and reached a new realm of understanding about the realities of the consciousness and the universe. The inner freedom encountered to make this kind of decision was the result of a gradual self-confrontation. This author perceived the necessity to dispel the fear associated with questioning his habitual suppositions and to look beyond the limits of the indoctrination he had received. For a long time, while still religious, he named this fearlessness "a quest for wisdom" or "the spirituality of an unsettled heart". Nowadays, in light of the experiences had, he prefers to emphasize the courage to evolve, which requires, five years after the abjuration, the assumption of speaking publicly about the dissidence that was effected. When dissidents of ideologies or institutions start talking or writing about their experiences, it is necessary to observe the kind of motivation and intention implicit in the decision made. The former militant, the former integrant, the former partisan, the former something, in spite of the effort to affirm that they are no longer part of the institution to which they once belonged, may continue to define themselves based on the institution. In this case the person is still a "former" in relation to what they intend to deny. Perhaps, in their eagerness to critically speak out about the reasons underlying their abandonment of a certain idea or organization, they still flaunt the previous condition as a trophy, unfurling the pride of being a "former". The ambiguity in question lies in the fact that the person's point of reference continues to be in the no longer desired way of living or thinking.

Written in the "deforming mirror" of a "foreigner's English," Cozarinsky's fourteen verbal postcards translate an exile's personal experience into public "deja vu" while his cinematic novella whisks his character through a political and cultural looking glass by means of special effects that make the world a hemisphere away familiarly strange.

Monir é um jovem que decide abandonar uma vida de luxo e riqueza para viver o grande sonho de ser músico. No caminho encontra privações, humilhação, dor. Será que tudo isso vale a pena em nome desse sonho? Até o momento em que encontra um sábio tecelão, que lhe ajuda a atravessar o Grande Mar de Areia nos dias e noites após deixar Al-Qahira.

Livro que analisa o sistema penal-penitenciário de forma sistemática, analisando-o de forma completa, a partir do crime, entendido como infração às normas penais, às sanções, castigo aplicado aos infratores, e às respectivas intenções recuperativas supostamente intrínsecas às penas.

Based on highly original archival and palaeographical research, this is the first methodological and factual primer in English on the distinctive liturgical tradition of early medieval Spain. It provides clear and approachable blueprints for future work on the description and analysis (musical, theological and cultural) of this and other liturgies. For non-specialists, the authors introduce the main features of Old Hispanic liturgy, its manuscripts, its services and its liturgical genres. For specialists, they model a variety of ways to work with the Old Hispanic materials in depth, incorporating notational, musical, theological and historical perspectives. For those interested in musical notation, the book lays out a method for working with unpitched neumes, with illustrative results, that will inspire and challenge others working on monophonic chant. For historians and liturgists, the texts and melodies are analysed in combination with the theological context that informed their creation.

The Ibero-American Baroque is an interdisciplinary, empirically-grounded contribution to the understanding of cultural exchanges in the early modern Iberian world.