Desi Dreams focuses on the construction of self and identity by Indian immigrant professional and semi-professional women who live and work in the US. The focus in this anthropological fieldwork is on Indian immigrants in the San Francisco Bay Area. They have often been defined as a model minority. Indian immigrant women who have achieved entry into the current technology based economy in the Silicon Valley value the capital-accumulation, status-transformation, socio-economic autonomy, and renegotiation of familial gender relations that are made possible by their employment. However, this quintessential American success story conceals the psychic costs of uneasy Americanization, long drawn out gender battles, and incessant cross-cultural journeys of selves and identities. The outcome is a diasporic identity through the recomposition of Indian culture in the diaspora and strengthening of transnational ties to India.

South Asian American men are not usually depicted as ideal American men. They struggle against popular representations as either threatening terrorists or geeky, effeminate computer geniuses. To combat such stereotypes, some use sports as a means of performing a distinctly American masculinity. Desi Hoop Dreams focuses on South Asian-only basketball leagues common in most major U.S. and Canadian cities, to show that basketball, for these South Asian American players is not simply a whimsical hobby, but a means to navigate and express their identities in 21st century America. The participation of young men in basketball is one platform among many for performing South Asian American identity. South Asian-only leagues and tournaments become spaces in which to negotiate the relationships between masculinity, race, and nation. When faced with stereotypes that portray them as effeminate, players perform sporting feats on the court to represent themselves as athletic. And though they draw on black cultural styles, they carefully set themselves off from African American players, who are deemed “too aggressive.” Accordingly, the same categories of their own marginalization—masculinity, race, class, and sexuality—are those through which South Asian American men exclude women, queer masculinities, and working-class masculinities, along with other racialized masculinities, in their effort to lay claim to cultural citizenship. One of the first works on masculinity formation and sport participation in South Asian American communities, Desi Hoop Dreams focuses on an American popular sport to analyze the dilemma of belonging within South Asian America in particular and in the U.S. in general.

From agrarian economies to the booming technology industry, Indian immigrants have been a fueling force to the development of today's world. Throughout the intense years of the early 1900s to present day America, they bore the duty of hard labor, political activism against colonizers who have held power in their original home country for 200 years, and the role of pioneers in unfamiliar lands. Readers will discover the journey of the toiling Indian immigrant, the intense political twists, the dark days, and the eventual rise of America's most financially successful and well-educated ethnic group, as told by an Indian immigrant.

What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between stepsiblings, the program of a political party, and everyday shopping in poetry. The book argues that by engaging with that which is perceived as ordinary we also gain understanding of how otherness becomes defined and constituted. The volume seeks new ways to access that which might lie in-between or beyond the opposition between exploitation and emancipation, and contests the hegemonic logic of revealing oppression and rebuilding liberation in contemporary critical theory to create new ways of knowing which grow out of the ordinary.

This book is an in-depth study of Latina girls, portrayed in five coming-of-age narratives by using spaces and places as hermeneutical tools. The texts under study here are Julia Alvarez’s Return to Sender (2009), Norma E. Cantú’s Canícula: Snapshots of a Girlhood en la Frontera (1995), Mary Helen Ponce’s Hoyt Street: An Autobiography (1993), and Esmeralda Santiago’s When I Was Puerto Rican (1993) and Almost a Woman (1998). Unlike most representations of Latina girls, which are characterized by cultural inaccuracies, tropes of exoticism, and a tendency to associate the host society with modernity and their girls’ cultures of origin with backwardness and oppression, these texts contribute to reimagining the social differently from what the dominant imagery offers. By illustrating the vexing phenomena the characters have to negotiate on a daily basis (such as racism, sexism, and displacement), these narratives open avenues for a critical exploration of the legacies of colonial modernity. This book, therefore, not only enables an analysis of how the girls’ development is shaped by these structures of power, but also shows how such legacies are reversed as the characters negotiate their identities. It breaks with the longstanding characterization of young people, and especially Latina girls, as voiceless and deprived of agency, showing readers that this youth group also has say in controlling their lifeworlds.

INSTANT NATIONAL BESTSELLER This delightful debut rom-com follows the adventures of a woman trying to connect with her South Asian roots and introduces readers to a memorable cast of characters in a veritable feast of food, family traditions, and fun. Manny Dogra is the beautiful young CEO of Breakup, a highly successful company that helps people manage their relationship breakups. As preoccupied as she is with her business, she’s also planning her wedding to handsome architect Adam Jamieson while dealing with the loss of her beloved parents. For reasons Manny has never understood, her mother and father, who were both born in India, always wanted her to become an “All-American” girl. So that’s what she did. She knows next to nothing about her South Asian heritage, and that’s never been a problem—until her parents are no longer around, and an image of Manny that’s been Photoshopped to make her skin look more white appears on a major magazine cover. Suddenly, the woman who built an empire encouraging people to be true to themselves is having her own identity crisis. But when an irritating client named Sammy Patel approaches Manny with an odd breakup request, the perfect solution presents itself: If they both agree to certain terms, he’ll give her a crash course in being “Indian” at his brother’s wedding. What follows is days of dancing and dal, masala and mehndi as Manny meets the lovable, if endlessly interfering, aunties and uncles of the Patel family, and, along the way, discovers much more than she could ever have anticipated.

The discourse on migration outcomes in the West has largely been dominated by issues of integration, but it is more relevant to view immigration in non-Western societies in relation to practices of exclusion and inclusion. Exclusion refers to a situation in which individuals and groups are usually denied access to the goods, services, activities and resources associated with citizenship. However, this approach has been criticised in relation to gender issues, which are very relevant to the situation of migrants. The authors in this volume address this criticism. Furthermore, when framed within a North–South discourse, it may be potentially ethnocentric to assume that the experience of exclusion is cross-culturally uniform. Indeed, work on migration issues has invariably been conducted within such a discourse. The contributors go beyond this binary discourse of ‘exclusion versus inclusion’ which has dominated migration research. They examine the situation of migrants in the Middle East and Asia as one that encompasses both exclusion and inclusion, addressing related concepts of empowerment, ethnocracy, the feminisation of migration and gendered geographies of power, liberal constraint and multiculturalism, individual agency, migrant-friendly discourses, spaces of emancipation and spaces of insecurity. The book highlights current research in the Arab Gulf states, and examines multiculturalism in Asia more broadly. It will be of particular interest to students and researchers in international labour migration studies in the Middle East and Asia.

Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity.

Bengalis have been great travellers for centuries and are famous for recreating their way of life wherever they go. This book critically analyses skilled Bengali migration within and beyond India and looks at landscapes created by the Bengali diaspora beyond the terrain of their homeland, ranging from those of nostalgia and imagination (Durga Puja/Saraswati Puja) to those of subjugation and loss of identity. This book demonstrates the relationship between landscape and diaspora in terms of perception, imagination, space and place, ethnicity, race, caste, and class. With case studies from Delhi, Mumbai, Bengaluru, Dehra Dun, Oxford, Aberdeen, New York, and the Bay Area (USA), it brings together themes like evolution of the Bengali diaspora, transnationalism and identity, stratification and segregation, urban social space, adaptation and assimilation, and questions of discrimination from other communities. Drawing on ethnographic accounts of over 300 skilled Bengalis, the book will be an essential read for scholars and researchers of diaspora studies, urban studies, ethnic studies, migration studies, geography, sociology, history, and political studies.

Desi is a witch. And she knows she could be a great witch—if only her mom would teach her any spells. Unfortunately, Desi’s mom is more concerned with keeping them safe and their abilities hidden. When her mom leaves town under mysterious circumstances, it should be Desi’s perfect opportunity to explore magic on her own. But Desi has been left in the care of the most unusual babysitter of all time: her pet cat—also her mom’s familiar—now transformed into a teenage girl named Cat. And Cat has only three goals: Learn how to eat sushi with her new hairless monkey paws, get the awkward boy next door to pay for her sushi, and keep Desi out of trouble. And that means no magic. Yeah, right! This hilarious and high-spirited fantasy is perfect for cat lovers, embattled siblings, and anyone who yearns to find the magic in everyday life.