"Magliola's exposition of Derrida has been acclaimed as the best in English. Indeed, it is the only account I know which brings an alert and independent questioning mind to bear on Derrida's arguments, a mind which at times seems to play Kierkegaard into Derrida's Hegel".--"Japanese Journal of Religious Studies". (Philosophy)

"Magliola's exposition of Derrida has been acclaimed as the best in English. Indeed, it is the only account I know which brings an alert and independent questioning mind to bear on Derrida's arguments, a mind which at times seems to play Kierkegaard into Derrida's Hegel".--"Japanese Journal of Religious Studies". (Philosophy)

The idea that the human body consists of 'subtle bodies' - psycho-spiritual essences - can be found in a variety of esoteric traditions. This radical form of selfhood challenges the dualisms at the heart of Western discourse : mind/body, divine/human, matter/spirit, reason/emotion, I/other. 'Angels of Desire' explores the aesthetics and ethics of subtle bodies. What emerges is an understanding of embodiment not exclusively tied to materiality. The book examines the use of subtle bodies across a range of traditions, yogic, tantric, theosophical, hermetic and sufi. 'Angels of Desire' shows the relevance of the subtle body for religion, philosophy, art history and contemporary feminist religious studies and theories of desire.

Norris demonstrates that Derrida's texts should be understood more as philosophy than as literature. He explains the position of Derrida's writing within the Western philosophical tradition and discusses some of the reasons for the massive institutional resistance that has so far prevented philosophers from engaging seriously with Derrida's work.

Derrida and Theology is an invaluable guide for those ready to ride the leading wave of contemporary theology. It gives theologians the confidence to explore the major elements of Derrida's work, and its influence on theology, without 'dumbing it down' or ignoring its controversial aspects.

The effects of Derrida's writings have been widespread in literary circles, where they have transformed current work in literary theory. By contrast Derrida's philosophical writings--which deal with the whole range of western thought from Plato to Foucault--have not received adequate attention by philosophers. Organized around Derrida's readings of major figures in the history of philosophy, Derrida and Deconstruction focuses on and assesses his specifically philosophical contribution. Contemporary continental philosophers assess Derrida's account of philosophical tradition, with each contributor providing a critical study of Derrida's position on a philosopher she or he has already studied in depth These figures include Plato, Meister Eckhart, Descartes, Kant, Hegel, Nietzsche, Freud, Husserl, Heidegger, Sartre, and Foucault.

Buddhisms and Deconstructions considers the connection between Buddhism and Derridean deconstruction, focusing on the work of Robert Magliola. Fourteen distinguished contributors discuss deconstruction and various Buddhisms—Indian, Tibetan, and Chinese (Chan)—followed by an afterword in which Magliola responds directly to his critics.

In the English-speaking world, Jacques Derrida’s writings have most influenced the discipline of literary studies. Yet what has emerged since the initial phase of Derrida’s influence on the study of English literature, classed under the rubric of deconstruction, has often been disowned by Derrida. What, then, can Derrida teach us about literary language, about the rhetoric of literature, and about questions concerning style, form, and structure? The Derrida Reader draws together a number of Derrida’s most interesting and idiosyncratic essays that treat literary language, the idea of the literary, and questions of poetics and poetry. The essays discuss single tropes or concepts, a figure such as metaphor, the ideas of titles and signatures, proper names, and Derrida’s thinking on such subjects as undecidability or aporia. The editor’s introduction is a demonstration in practice of how Derrida reads and how he adapts the act of reading to the text or figure in question. The introduction also outlines each essay’s main points, its usefulness for reading literary texts, and its particular area of interest. The Derrida Reader thus provides students of literature with a focused, contextualized, and readily understandable volume.