Discusses Weiss's plays, fiction, autobiography, and non-fiction prose. Pp. 22-25 illuminate "Die Ermittlung", an oratorio based on Weiss's 1964 attendance at the Frankfurt war crimes trial. He used actual documents both aesthetically and politically. 18 of the defendants appear with their real names, either defending themselves with the jargon of doing their duty or totally denying their guilt. Among the charges against these Nazis were conducting medical experiments, torture, and murder. Ch. 7 (pp. 107-129) elucidates Weiss's three-volume novel "Die Ästhetik des Widerstands", about resistance to Nazism in thought and action. The characters in the novel are based on members of the Rote Kapelle resistance group. Politics and creative thinking (art) are shown as complementary, not contradictory.

Immortal Austria was the title of a theatrical pageant devised by Austrian refugees in wartime London, the name summarizing their collective memory of their homeland as a country of mountain scenery, historical grandeur and musical refinement. The reality of the country they had left, and the one to which some of them returned, was very different. This volume contains various studies of the representations of their homeland in the cultural production of Austrian exiles, including those projected by émigrés working in the British film industry, those portrayed in the historical novel and in the literary works of such notable authors as Stefan Zweig, Elias Canetti and Robert Neumann. It opens with a survey of the make-up of the Austrian exile community and concludes with a study of attitudes to returning exiles, as reflected in the post-war literary journals. The volume thus offers students and teachers a vital cultural link between the pre-1934 Austria of the First Republic and the post-1945 Austria of the Second.

All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the criteria by which types of prose or verse are ordinarily distinguished. Through close readings of such playwrights as Beckett, Brecht, Büchner, Eliot, Shaw, Wedekind, and Robert Wilson, Benjamin Bennett looks at the relationship between literature and drama, identifying typical problems in the development of dramatic literature and exploring how the uncomfortable association with theatrical performance affects the operation of drama in literary history.Bennett's historical investigations into theoretical works ranging from Aristotle to Artaud, Brecht, and Diderot suggest that the attempt to include drama in the system of Western literature causes certain specific incongruities that, in his view, have the salutary effect of preserving the otherwise endangered possibility of a truly liberal, progressive, or revolutionary literature.

Norman Foster, one of the most consistent advocates of architecture based on modern technology, achieved a world-wide reputation with the headquarters for the Hong Kong and Shanghai Banking Corporation in Hong Kong, Stansted Airport in London, Century Tower in Tokyo and his telecommunications tower in Barcelona. His most important projects in Germany are the conversion of the Reichstag building in Berlin and the new Commerzbank headquarters in Frankfurt am Main.

The flowering of Gothic architecture depended to a striking extent on the use of drawing as a tool of design. By drawing precise "blueprints" with simple tools such as the compass and straightedge, Gothic draftsmen were able to develop a linearized architecture of unprecedented complexity and sophistication. Examination of their surviving drawings can provide valuable and remarkably intimate information about the Gothic design process. Gothic drawings include compass pricks, uninked construction lines, and other telltale traces of the draftsman's geometrically based working method. The proportions of the drawings, moreover, are those actually intended by the designer, uncompromised by errors introduced in the construction process. All of these features make these drawings ideal subjects for the study of Gothic design practice, but their geometry has to date received little systematic attention. This book offers a new perspective on Gothic architectural creativity. It shows, in a series of rigorous geometrical case studies, how Gothic design evolved over time, in two senses: in the hours of the draftsman's labor, and across the centuries of the late Middle Ages. In each case study, a series of computer graphics show in unprecedented detail how a medieval designer could have developed his architectural concept step by step, using only basic geometrical operations. Taken together, these analyses demonstrate both remarkable methodological continuity across the Gothic era, and the progressive development of new and sophisticated permutations on venerable design themes. This rich tradition ultimately gave way in the Renaissance not because of any inherent problem with Gothic architecture, but because the visual language of Classicism appealed more directly to the pretensions of Humanist princes than the more abstract geometrical order of Gothic design, as the book's final chapter demonstrates.

Without question, the East German National People’s Army was a profoundly masculine institution that emphasized traditional ideals of stoicism, sacrifice, and physical courage. Nonetheless, as this innovative study demonstrates, depictions of the military in the film and literature of the GDR were far more nuanced and ambivalent. Departing from past studies that have found in such portrayals an unchanging, idealized masculinity, Comrades in Arms shows how cultural works both before and after reunification place violence, physical vulnerability, and military theatricality, as well as conscripts’ powerful emotions and desires, at the center of soldiers’ lives and the military institution itself.

Jacob Böhme (1575–1624) has been recognized as one of the internationally most influential German authors of the Early Modern period. Even today, his writings continue to impact fields as diverse as literature, philosophy, religion and art. Yet Böhme and his reception remain understudied. As a lay author, his works were often suppressed and circulated underground. Borrowing Böhme’s idea of “three worlds” or planes of existence, this volume traces the transmission of his thought through three stations: from his first underground readers in Central and Eastern Europe, to the Netherlands, where most of his writings were first published, to Britain, where early translations made him a popular author for generations to come. Drawing on the work of both established and younger researchers from around the world, this volume charts new territory. It fills many lacunae and reveals a number of exciting discoveries, especially regarding the production and diffusion of manuscripts and previously overlooked sites of engagement. This book will be of interest to a wide range of scholars interested in the development of philosophical, religious, literary and artistic thought from the 17th century to the present day.

Wir laden Sie ein, das Werk des beliebtesten Autors des Unterhaltungsgenres der 1920er Jahre zu entdecken. Vor allem die Kriminal- und Abenteuerromane sind von den persönlichen Erfahrungen des Autors inspiriert, der als Frontoffizier im Ersten Weltkrieg kämpfte. Diese außergewöhnlichen Erfahrungen haben auch die Figuren des Autors geprägt: Sie sind selbstbewusst und finden immer einen Ausweg aus jeder Situation. Wir haben über 200 seiner berühmtesten Romane für Sie gesammelt. Inhalt: Der Goldschatz der Azoren Die Geheimnisse von Malmotta Die Goldkarawane. Reiseabenteuer in Nordafrika und in der Sahara Die Mumie der Königin Semenostris Die Wolkenkönigin Das Haus der Geheimnisse Die Zauberinsel Die Höhlen von Saint-Pierre Der Mumiensaal Die Schlucht in der Wüste Der Gespensterlöwe Unter den Muka Lari-Zwergen Ibrahim ben Garb, der Pirat der Wüste Die Rätsel des Dschebel el Dachali Die Schätze des Wahhabiten Der versteinerte Wald Der Tempel Salomonis Das Tagebuch des Steuermanns Das Gold der Najade Die Meuterer der Frigga Das Land Gigantea Die Insel im Sargassomeer Das weiße Eiland Die Überlebenden der "Skandinavia" Die Pirateninsel C. 15 Ein Luftschifferabenteuer Kapitän Bergers Kinder Das Piratennest auf Neu-Helgoland Der goldene Geiser Am Ende der Welt Das Loch im Ozean (Fortsetzung von Am Ende der Welt) Gräfin Trixchen Des Schicksals Wunderwege Das Glück unterm Dach Der Millionär ohne Geld Die grüne Wand Die Verschleppten von Krapschaken Die Perle der Königin Das gesperrte Schloß Das Herz von Stein Seine Frau - sein Schicksal Die Fackel des Südpols Der Reiter am Himmel Im Niemandsland Der Erbe von Monte-Christo Das Grab der Namenlosen Die Stadt der Verbannten Die Wunderinsel im Tsad-See Erstarrte Tränen Das Schlangenhaupt der Medusa Der Mäusebussard von Norwood Das Wrack D O XII Die Treppe der Büßer Die Galgenbrüder Das Reich der Toten Das heilige Lächeln Die Säulen des Herkules Die Landstreicher Die blonde Geisha Die Kreuzspinne Der gestohlene Ruhm Das Mädchen für alles Das graue Gespenst Das Katzenpalais Das Geheimnis eines Lebens Das Dogmoore-Wappen Das Geheimnis um die Ginsterschlucht Der Schlingensteller Der Ring der Borgia Auf falscher Fährte Spuren im Neuschnee Der hüpfende Teufel Der Tempel der Liebe Das Haus am Mühlengraben Die Liebespost Das Gift des Vergessens Im Schatten der Schuld Das Haus des Hasses Die blaue Königin Der Doppelgänger Der Kobrakopf Der Obstkahn am Elisabethufer Der Stein der Wangerows Der Tote in der Burgruine Irrende Seelen Thomas Bruck, der Sträfling Das stille Haus Die Hand des Toten Die gelbe Wachskerze Der tote Missionar Die Insel auf dem Wyßtyter See Ming Tschuan Die rote Rose Das Atlantikgespenst Die Schildkröte Die grüne Schlange Das Teekästchen Die Todgeweihten Der Krokodillederkoffer Treff-Aß Der Wilddieb Die leere Villa Der Mann mit der Narbe Die silberne Scheibe Die Billionenbeute Die Tigerinsel John Goodsteaks Hochzeitsreise Das Radiogespenst Das Teufelsriff Der Zauberblick Die Ladygaunerin Zwei Taschentücher Das Geheimnis des Czentowo-Sees Der Sultan von Padagoa Der Fakir ohne Arme Das Kranichnest Das Kreuz auf der Stirn Der Spiritistenklub Die drei Päckchen Der rätselhafte Gast Lydia Salnavoors Testament Traudes Hochzeitsabend Amalgis Ahnengalerie Dämon Rache Einer von der Hammonia Die schwarzen Katzen Der neue Graf von Monte Christo Das Eiland der Toten Auf dem See des Schweigens Wie Doktor Amalgi starb Die Millionenerbin Doktor Amalgis Vermächtnis Timitri, das Leichenschiff Robbenfang Fürst Spinatri Das Urwaldrätsel Jakob Maschel, der Hausierer Die unerforschte Stadt Die Geheimnisse der Prinz Albert-Berge Pension Dr. Buckmüller Vier Tote Dr. Haldens Patient Das Ende einer Mainacht Drei Löwen Moderne Verbrecher Dämon Chanawutu Wer?! Salon Geisterberg Die Talmifabrik...