War poet and artist Isaac Rosenberg composed some of the most powerful poetry from the trenches of war torn Europe, receiving only posthumous praise for his originality in imagery and sensitive verse. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents Rosenberg’s complete works, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Rosenberg's life and works * Concise introductions to the poetry books * Features the original poetry books, as they first appeared * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Rare fragments, available in no other collection * Easily locate the poems you want to read * Rosenberg's plays * Includes Rosenberg's letters - spend hours exploring the poet's personal correspondence * Rosenberg's prose – rare fiction and essays, appearing in digital publishing for the first time * A selection of Rosenberg's paintings- discover Rosenberg's artistic works * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: The Poetry Collections NIGHT AND DAY YOUTH MOSES UNPUBLISHED POEMS FRAGMENTS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Plays MOSES THE AMULET THE UNICORN ADAM The Letters INDEX OF LETTERS BY YEAR OF COMPOSITION The Paintings LIST OF PAINTINGS The Prose LIST OF PROSE WORKS Please visit www.delphiclassics.com to browse through our range of exciting eBooks

This book sheds new light on the colorful personalities including Wilfred Owen, Rupert Brooke, Alan Seeger, Ivor Gurney, Edward Thomas, Isaac Rosenberg, Ralph Vaughan Williams and George Butterworth, all major figures among England's creative artists during the First World War.Thanks to the authors research and knowledge, the book is a very English story about the tragically short spring of English artistic creativity between 1910 and 1920; the greatest such renaissance since Shakespeare and Purcell in the 17th century. It focuses on these exceptional poets, composers and artists' experiences in the front line and what resulted from these.A short personal Preface records that the authors father, Sergeant Major Anthony Geraghty (later anglicized as Garrity) survived one year and 271 days on the front line with the British Expeditionary Force in France and Flanders including the Somme, in which he served alongside the composer Butterworth in 13th Battalion, Durham Light Infantry.

From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.

In William Golding: Some Critical Considerations, fourteen scholars assess various aspects of the Nobel Prize-winning author's writings. Their essays include criticism of individual works, discussion of major themes and technical considerations, and bibliographical studies. Separately, the essays help us understand the intricacies and impact of Golding's art; together they show the breadth of his purpose.

Ed : Brooklyn College and City University of New York, Revised edition, Includesnew texts, introduction, biography, overview.

Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This volume examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and Invasion of the Body Snatchers. Lisboa also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's most fascinating and enduring preoccupations.

UNESCO pub. Monographic compilation of conference papers on cultural industry (mass media) trends and cultural policy issues - discusses the definition, production, distribution, internationalisation, impact of technological change and mass media on cultural change, value system, behaviour and attitudes, benefits, social implications, role of UNESCO and national level governments, place of artists and performers, etc., and includes case studies. References. Conference held in Montreal 1980 Jun 9 to 13.