From the author of the New York Times bestselling Undead novels comes a delightfully addictive new series about past lives and bad habits—and one woman paranormally predisposed to getting at the bottom of both. It’s her job. You couldn’t arrest for murder someone who had killed in his last life. You couldn’t bring a civil suit against such people, either. They could only be legally penalized for what they did this time around—and what a dark circus the legal system had been before that legislation passed! (It was still a dark circus, but perhaps not as dark.) But you could spot them, and watch them. You could set traps for them. Leah Nazir is an Insighter. Reincarnation is her business. But while her clients’ pasts are a mess, Leah’s is nothing short of tragedy. She’s been murdered. A lot. If left to that bitch, destiny, it’ll happen again. Leah wants to know who’s been following her through time, and who’s been stalking her in the present... P.I. Archer Drake has been hired by Leah’s mother to keep an eye on her. But the more time he spends watching, the more he finds himself infatuated. Before long, he even finds himself agreeing to help find the person who wants her dead. Over and over again. Now going full-on “rewind,” Leah hopes it can stave off the inevitable. After all, she’s grown fond of this life—and even fonder of nerdy Archer. But changing her pattern means finding out who her killer is today. And as Leah fears, that could be anyone she has come to know and trust. Anyone.

Ebb & Flow is a collection of poetry and prose inspired by a lifelong journey towards healing, growth, and self-discovery. In her book, Déjà Rae explores the ebb and flow cycle that weaves throughout different seasons of life. Through periods of loneliness and heartbreak, Ebb & Flow highlights the growth that is gained through grief, and the breakthrough that comes from brokenness. Ebb & Flow is authentic, intriguing, and uplifting. It will drive you to new depths and inspire you to chase after your truest self.

It's June in Montreal, and Tempe Brennan, Quebec's director of forensic anthropology, knows she is trailing a serial murderer when a dismembered and stored body turns up in a downtown park.

In a unique visual dialogue, Deja View brings together the work of beloved photographer Martin Parr, master of capturing the art in everyday existence, with The Anonymous Project's archive of unidentified vintage slides, collected from across Europe and America. Surprising and delighting in their similarity, these affectionately matched images celebrate photography's power to capture the small moments of humour, warmth, ennui and absurdity that are in fact our most important of all.

The New York Times bestselling author of the Undead Novels takes on reincarnation in this unforgettable Insighter Novel about the pitfalls in past—and love—lives… Leah Nazir lives in a world where the past can and will come back to bite you in the ass. No, not teething ghosts—reincarnation! As an Insighter, it’s Leah’s job to delve into the murky and (often) deadly former lives of her patients. And she knows a thing or two about danger after killing her mother’s murderer with the help of new beau, Archer Drake. Isn’t he the best? Now, it’s time to take their relationship to the next level, but not in any way Leah could have predicted. She and Archer head to Chicago to meet his parents—and try to figure out why Archer’s dad killed his brother decades ago. When someone tries to sabotage their investigation, Leah must decide if the Drake family past is a deal breaker…

What will Nikki and Deja do when their beloved teacher is out and a clueless substitute takes her place? Deja is dismayed to learn that her teacher has had an accident and a substitute will be taking her place. Under the new sub's care, nothing is the same in Room Ten. A few of the class troublemakers plot to take advantage of the situation, and soon other students join in. Should Nikki and Deja go along with the rest of the kids in tormenting him? Should they help him out by tattling on their classmates? Or is there another way to handle the situation? Here is another charming entry in a chapter book series praised for its accessibility, authenticity, and humor.

After witnessing the murder suicide of her parents at age 10, being mistreated by her grandmother and betrayed in past relationships, Deja finally found peace in her life. Her best friend Jade introduced her to Xavier Jones. He was the partner/cousin of Jade s boyfriend Jay. She got everything a woman could ever want; the man, the ring, and the baby, but Jay s ex Mona felt that was her position and she wouldn't stop until she reclaimed the spot. Xavier and Jay had recently retired from the drug game as millionaires but that came with a price and much drama. Xavier s baby mama Latasha wasn t too happy about him either and about him settling down with Deja . She felt she had the baby, so she should have the man as well and she tried everything in her power to break them up until she realized the joke was on her, but it was too late...

Great writing is timeless, and so it is with Deja Reviews, Fifteen years later, five years, no matter how old her review, no matter how dated the topic of an essay, readers of this hearty collection will find that Miss Florence King's sharp, crafted prose still dazzles, sizzles, and edures, which is why she finds herself in the exclusive company of great American writers and humorists, such as Dorothy Parker, H. L. Mencken, and Westbrook Pegler, renowned for not suffering fools gladly. Deja Reviews is a compilation of the book reviews and essays Miss King wrote between 1991 and 2002 for National Review and The American Spectator, It is a joy--a duty! a service!--to republish these treasured pieces...

Gabrielle Civil mines black dreams and black time to create a vibrant archive of black feminist experiences and creative expressions. Birthed at the intersection of pandemic and protest uprising, the déjà vu encircles forms both new and ancestral, drawing movement, speech, recollection, and essay into memoir. As Civil considers a spectrum of artworks--the poetry of Wanda Coleman, Haitian tourist paintings, her own dance ritual for MLK Day, Montreal street art, the 2019 film Waves--she thinks deeply about expansive black life beyond the white gaze. Full of joyful exuberance, intimacy, and humor, the déjà vu elides the boundaries between memory, dream, grief, and love to imagine the reverberations of a black future.