An account of an exhibition that brought the Australian public face- to-face for the first time with the experimental art that had been developing in Europe during the early decades of the 20th century. The 1939 Herald Exhibition was the first 'blockbuster' exhibition to come to Australia.

An absorbing exposé of the books we couldn't read, didn't read, didn't know about, and the reasons why. When Nicole Moore discovered the secret 'censor's library' in the National Archives - 793 boxes of books prohibited from the 1920s to the 1980s - so began a journey that resulted in this, the first comprehensive examination of Australian book censorship. For much of the twentieth century, Australia banned more books and more serious books than most other English-speaking or Western countries, from the Kama Sutra through to Huxley's Brave New World and Joyce's Ulysses. Federal publications censorship was a largely secret affair and deliberately kept from the knowledge of the Australian public until the scandals and protests of late last century. Censorship continues to attract heated debate, from the Henson affair to the national internet feed. Combining rigorous scholarship with the narrative tension of a thriller, The Censors Library is a provocative account of this scandalous history. Book jacket.

In this well-illustrated book Professor Bernard Smith, who is often referred to as the father of art history in Australia, condenses the arguments presented in an earlier publication Modernisms History, 1998) into a very accessible and helpful text will prove useful for students and arts-interested readers. He begins by listing and carefully explaining those terms which frequently occur in arts literature dealing with the modern period and then goes on to show that modernism has become an historical period with its art forms both 'institutionalised' and 'globalised'. Now an historical entity, art historys basic tools can be employed to explain and describe it. They include an investigation of the periods 'style', use of 'form' and attitudes to meaning. In his defence of art historys traditions and methodologies he argues that the period that encompasses modernism in the arts might now be known as The Formalesque .

Amid the eulogies and celebrations commemorating the bicentenary of Charles Darwin's birth, the darker side of evolutionary theory should not be forgotten. In The Pure Society, Andr Pichot, one of France's foremost specialists in the history of science, excavates the underside of the Darwinian legacy, where the notions of 'race' and heredity became powerful tools of malign political agendas and instruments of social oppression. Pichot examines the relationship between science, politics and ideology through an analysis of specific cases: from Nazism and the concentration camps to the various eugenicist research programmes launched or financed by eminent scientific organizations. Racist eugenic ideas were once prevalent among the scientific community, despite a patent lack of supporting evidence. As today's scientists and writers applaud the advance of science, the egregious mistakes made along the way are too often forgotten. Now, with the mapping of the human genome and rapid advances in gene therapies, Pichot warns that biologists are increasingly emboldened to venture into the realms of public policy and politics. If moral philosophers abandon these fields, it is all too possible that the lights of a misguided science will resurrect the dream of a 'pure society'.

This essay collection applies wide-ranging optics to myths of LGBT normality. The author compares and contrasts biological, metaphysical, psychological, moral, and social dynamics that define and delimit normal heterosexual duality with elements of the gender confused. He does this in terms that illustrate spiritual and physical absolutes that are denied yet manipulated by postmodern nihilists who serve the occult governance that institutionalizes evil. The heterosexual dyad is rigorously defended as cardinal, essential, existential, naturally hegemonic, and not the least bit ambiguous. Zaid's comprehensive acumen is both frightening and captivating. His race through the Holocene irremediably shakes and changes the reader's world view via this careful amalgamation of Religion, Theology, Scripture, History, Science, Geo-Politics, Human Nature, Magick, Philosophy, and Occult Mystery Systems. Sexology For The Wise is an intense dot-connecting narrative that crosses all bounds of taboo to reveal much we do not wish to acknowledge.