Dina von Zweck (1933-2012) was a prolific award-winning writer and painter who left a large trove of poetry. Lyrical, graceful, and eminently beguiling, their often dazzlingly concise, cryptic stanzas open larger realms and vistas. Each poem is a portal—like a window with Venetian blinds suddenly opening and revealing startling sights, then closing again. Dina’s immediately engaging poetry also serves as a portal for the rest of her voluminous literary legacy—five novels, several novella, twenty-three stage plays, numerous screen scripts, libretti, operas, and essays. Poets always have something unexpected up their sleeves, being able to perceive and materialize what otherwise eludes our imaginations, to make unlikely and confounding connections. Silly Putty non sequiturs and fractured metaphors juxtaposed with an illumined madcap juggle of tropes create whimsical fissions of logic that can suddenly make more sense than sense.

Softcover Reprint

Levi Johnston—best known as Bristol Palin’s baby daddy and Sarah Palin’s favorite whipping boy—sets out to clear his name and, with any luck, end his run as Alaska’s most hated man. Promising hockey player and Governor Sarah Palin’s almost son-in-law, Levi Johnston was eighteen when Palin became the vice presidential nominee. His unique place as Bristol’s live-in boyfriend provided him a true insider’s view of what was going on behind closed doors at the Palin household. And how Sarah’s public views were often at odds with her home values. It makes it all the more curious that Sarah eventually turned her anger directly on Levi, after losing her ticket to the White House. After being bullied, lied about, and outspent in the courts when he attempted to bond with his new son, Tripp, Levi Johnston now is ready to set the record straight. Deer in the Headlights is a poignant, at times very funny, and fascinating tale of a boy thrust into the media spotlight and now figuring out how to be an adult and a dad. Johnston, ever honest, had a unique window into Palintology at a critical time; he sat in the family’s living room and paid attention. Not bitter and never petty, Johnston shares his story. As Lawrence O’Donnell of MSNBC so aptly put it: “I love that kid. He’s honest, he’s straightforward, he’s not embarrassed.”

A new, beautifully illustrated translation of Felix Salten's celebrated novel Bambi-the original source of the beloved story. Most of us think we know the story of Bambi-but do we? The Original Bambi is an all-new, illustrated translation of a literary classic that presents the story as it was meant to be told. Jack Zipes's introduction traces the history of the book's reception and explores the tensions that Salten experienced in his own life-as a hunter who also loved animals, and as an Austrian Jew who sought acceptance in Viennese society even as he faced persecution. With captivating drawings by award-winning artist Alenka Sottler, The Original Bambi captures the rich emotional meaning of a celebrated story.

This book provides detailed insights into how space and popular culture intersect across a broad spectrum of examples, including cinema, music, art, arcade games, cartoons, comics, and advertisements. This is a pertinent topic since the use of space themes differs in different cultural contexts, and these themes can be used to explore various aspects of the human condition and provide a context for social commentary on politically sensitive issues. With the use of space imagery evolving over the past sixty years of the space age, this is a topic ripe for in-depth exploration. The book also discusses the contrasting visions of space from the late 19th and early 20th centuries and the reality of today, and analyzes space vehicles and habitats in popular depictions of space from an engineering perspective, exploring how many of those ideas have actually been implemented in practice, and why or why not (a case of life imitating art and vice versa). As such, it covers a wide array of relevant and timely topics examining intersections between space and popular culture, and offering accounts of space and its effect on culture, language, and storytelling from the southern regions of the world.

For business people looking to get results and up their income, this book divulges no-nonsense strategies that can turn anyone into a powerful speaker who can overcome challenges and influence the right listeners. In today's high-tech world, there are more ways than ever before to communicate: email, text messaging, voicemails, blogs, tweets, video conference calls, and remote meetings. But one thing is still exactly the same as in the old days: there are effective and ineffective ways to express yourself. All business professionals need to know how to communicate clearly, concisely, and passionately if they want their intended message to impact others. Shut Up and Say Something shows readers how to convincingly communicate their expertise in any business situation. This book demonstrates how to condense complicated concepts, minimize communication mistakes, avoid misinterpretation, convey vision, and quickly influence decision makers. Strategies for expressing yourself succinctly and clearly, dodging "loaded" questions, thinking fast on your feet, humanizing inscrutable information, and using humor to engage an audience are examples of the topics covered. The importance of prioritizing outcomes is emphasized throughout the book.

The bestselling series, a former Richard and Judy bookclub pick, returns with another chilling case.Munch and Kr ger. An unexpected pairing. A brilliant team.Winter 1999. An old man is driving home. It is dark and cold, and his is the only car on the road. Suddenly his headlights catch an animal up ahead. He hits the breaks furiously. Just in front of his bonnet he finds a young boy with a set of deer antlers on his head. Fourteen years later, a woman is found brutally murdered. Her body hidden in the boot of a car. She is the first but she won?t be the last. Holger Munch is glad for the work; his personal life is anything but simple and escape is sweet. Mia Kr ger is a woman on a mission. For the first time in a long time, she is clean. As more victims are reported, each crime scene is a little different to the last. There?s an uncanny resemblance to cases from Mia?s past. And then one day she sees a familiar face on the bus. It is her sister Sigrid, but she knows that?s not possible, she?s got the death certificate to prove it.

Kate Jasper, Marin County, California’s own organically grown amateur sleuth, returns in this eleventh mystery in the series. In Murder, My Deer, Kate and her sweetie’s budding romance has finally flowered into a full‐fledged marriage. But no one ever promised them a rose garden. Deer have gate‐crashed their yard to munch every bud, blossom, and petal. Instead of happily honeymooning, Kate and her sweetie attend the deer‐abused support group for those whose dearly beloved plants have been deerly beheaded. Antlers clash during group discussion, since everyone has their own idea for deer prevention . . . from feeding them to killing them. Dr. Searle Sandstrom, ex‐military, would like to use a gun, napalm, and land mines. But someone bashes in his head first, and no one spots any hoofprints near his dead body. Killing season is open, and Kate is game to flush out the hunter before she becomes the hunted game.

The Deer is a rhythmic, surrealist psychological thriller about a physicist who hits—what appears—to be a deer. As he returns from the scene of the accident to his childhood home, long-forgotten memories flood his consciousness, and he must come to terms with the fact that his past, and reality as he knows it, are not what they appear. Part experimental film, part jazz record, but always lyrical, luminous, and austere, The Deer is a poignant meditation on familial love, loss, and the mystery at the heart of existence.

Lisa Yuskavage: Babie Brood is the first survey of the artist’s small-scale paintings. While Yuskavage is primarily known for larger canvases, these intimate works offer a new window into her transgressive paintings and complex and influential oeuvre. Based on the artist’s imagination, live models, maquettes, and found and staged photographs, the small paintings in this book demonstrate Yuskavage’s methodical exploration of how images are created and their sources. Some of the small works are studies for large paintings, while others revisit preexisting images. Yet others are one-of-a-kind compositions only created on this intimate scale. As places for experimenting with color, form, and characters as well as a variety of formats—including stretched and unstretched linen, canvas boards, wood, and paper—these paintings play a remarkably dynamic role within her work. This catalogue presents the paintings to scale so readers can explore the works as if seeing them in person. Documenting the artist’s exhibition at David Zwirner, New York, in 2018, this catalogue includes an essay by Jarrett Earnest that illuminates Yuskavage’s early influences and explores the constant, often surprising themes that can be found throughout her art.