A New York Times Best Art Book of 2018 This generously illustrated book explores the pottery of the Mimbres people and offers new insight into its imagery. Named after a valley in what is now Southwestern New Mexico, the Mimbres culture flourished between the 9th and 12th centuries. Through the exploration of paintings on Mimbres bowls, this book offers revelations about the culture's worldview based on the patterns and shapes depicted in their pottery. Drawing on extensive research as well as photography of the flora and fauna that still thrive in the Mimbres valley, the authors make the case that the pottery's beautiful black-and-white paintings and highly intricate designs are abstractions of visual experiences--some seen in the natural world and others generated by trance-like states brought on by ingesting the datura plant. Presenting a distinctive new interpretation of the iconography of ancient Mimbres painted ceramics, this volume addresses Mimbres culture and how this past civilization lived and communicated with the spirit world. Published in association with the Los Angeles County Museum of Art

A distinguished scholar of Southwestern Native arts for over thirty years, J.J. Brody here returns to his early work on the Mimbres ceramic tradition, which established him as the leading authority on the arts of this ancient people. The Mimbres cultural florescence between A.D. 1000 and A.D. 1140 remains one of the most visually astonishing and anthropologically intriguing questions in Southwest prehistory. In this revised edition, Dr. Brody incorporates the extensive fieldwork done on Mimbres sites since the original publication in 1977, updating his discussion of village life, the larger world in which the Mimbres people lived, and how the art that they practiced illuminates these wider issues. He addresses human and animal iconography, the importance of perspective and motion in perceiving Mimbres artistry, and the technology used to produce the ceramics. Placing the study of ancient art and artifacts in the present, he notes the impact of the antiquities market on archaeological and artistic research.

In Correlative Archaeology, Fumi Arakawa applies correlative thinking practices, which are derived from an East Asian view of the world that stresses connectivity, to archaeological interpretations. Arakawa, a Japanese scholar who was trained in Western archaeology, argues that a correlative paradigm can help archaeologists, as well as scholars and researchers from other disciplines, consider competing paradigms and integrate Native American voices and narratives into interpretations of prehistoric art and landscapes.

This book showcases the theories, methods, and accomplishments of archaeologists who investigate the human mind through material forms. It encompasses the wide spectrum of cognitive archeology, showcasing contributions from scholars globally. It delivers analysis of material culture, from stone tools to ceramic and rock art of the past millennium.

This reissue of three early essays on Mimbres archaeology and design fills a major gap in the literature on the Mimbres, whose pottery has long fascinated students of the prehistoric Southwest. Fewkes, one of the eminent archaeologists of the early twentieth century, introduced Mimbres art to scholars when he published these essays with the Smithsonian Institution between 1914 and 1924, under the titlesArchaeology of the Lower Mimbres Valley, New Mexico, Designs on Prehistoric Pottery from the Mimbres Valley, New Mexico,andAdditional Designs on Prehistoric Mimbres Pottery.Long out-of-print, these essays represent the first analysis and description of the complex abstract and representational designs that continue to fascinate us 2,000 years after they were painted.

"Organic residue analysis is a technical specialty that blends an unusual type of instrumental organic chemistry and archaeology. Because it is considered abstruse, archaeologists of all degrees of experience tend to struggle with how to apply the technology to archaeological questions and how to sample effectively in the field to answer these questions. "Organic Residues in Pottery" uses a case-study approach to explain the methods and application of organic residue analysis to archaeologists in a reader-friendly tone. The case studies come from Reber's more than twenty years of research. Pottery analysis is considered an important component of excavating a site. Organic pottery residues are made up of chemicals that absorb into pots over their use-lifetime. Analysis of the residues can allow fascinating interpretations of human behavior that are only recognizable from this analysis. The analysis allows archaeologists to interpret the ways that people have used pottery. For instance, pottery analysis can help reveal what people ate, whether different types of vessels were used for different cooking or foodstuffs preparation, and whether "elite" vessels were in use. Every residue comprises many different chemicals. Analysis includes a series of steps. Reber starts with basic information, such as how a residue forms in different environments. Other chapters discuss excavation of the residue (including extraction, instrumentation, and analysis), interpreting results, different contaminators, common substances found (e.g., caffeine and nicotine, maize, tree resins, and fish and shellfish), how to sample, how to talk with a lab analyst, and future benefits of residue analysis"--

First published in 2005, this brief introduction to methods of studying rock art has become the standard text for courses on this topic. It was also selected as a Choice Magazine Outstanding Academic Book in 2005. Internationally-known rock art researcher David Whitley takes the reader through the various processes needed to document, interpret, and preserve this fragile category of artifact. Using examples from around the globe, he offers a comprehensive guide to rock art studies of value to archaeologists and art historians, their students, and rock art aficionados. The second edition of this classic work has additional material on mapping sites, ethnographic analogy, neuropsychological models, and Native American consultation.

This volume examines how pre-Columbian societies in the Americas envisioned their cosmos and iteratively modeled it through the creation of particular objects and places. It emphasizes that American societies did this to materialize overarching models and templates for the shape and scope of the cosmos, the working definition of cosmoscape. Noting a tendency to gloss over the ways in which ancestral Americans envisioned the cosmos as intertwined and animated, the authors examine how cosmoscapes are manifested archaeologically, in the forms of objects and physically altered landscapes. This book’s chapters, therefore, offer case studies of cosmoscapes that present themselves as forms of architecture, portable artifacts, and transformed aspects of the natural world. In doing so, it emphasizes that the creation of cosmoscapes offered a means of reconciling peoples experiences of the world with their understandings of them.

For the first time, a sweeping history of the Diné that is foregrounded in oral tradition. Authors Klara Kelley and Harris Francis share Diné history from pre-Columbian time to the present, using ethnographic interviews in which Navajo people reveal their oral histories on key events such as Athabaskan migrations, trading and trails, Diné clans, the Long Walk of 1864, and the struggle to keep their culture alive under colonizers who brought the railroad, coal mining, trading posts, and, finally, climate change. The early chapters, based on ceremonial origin stories, tell about Diné forebears. Next come the histories of Diné clans from late pre-Columbian to early post-Columbian times, and the coming together of the Diné as a sovereign people. Later chapters are based on histories of families, individuals, and communities, and tell how the Diné have struggled to keep their bond with the land under settler encroachment, relocation, loss of land-based self-sufficiency through the trading-post system, energy resource extraction, and climate change. Archaeological and documentary information supplements the oral histories, providing a comprehensive investigation of Navajo history and offering new insights into their twentieth-century relationships with Hispanic and Anglo settlers. For Diné readers, the book offers empowering histories and stories of Diné cultural sovereignty. “In short,” the authors say, “it may help you to know how you came to be where—and who—you are.”

Daniel Albero Santacreu presents a wide overview of certain aspects of the pottery analysis and summarizes most of the methodological and theoretical information currently applied in archaeology in order to develop wide and deep analysis of ceramic pastes. The book provides an adequate framework for understanding the way pottery production is organised and clarifies the meaning and role of the pottery in archaeological and traditional societies. The goal of this book is to encourage reflection, especially by those researchers who face the analysis of ceramics for the first time, by providing a background for the generation of their own research and to formulate their own questions depending on their concerns and interests. The three-part structure of the book allows readers to move easily from the analysis of the reality and ceramic material culture to the world of the ideas and theories and to develop a dialogue between data and their interpretation. Daniel Albero Santacreu is a Lecturer Assistant in the University of the Balearic Islands, member of the Research Group Arqueo UIB and the Ceramic Petrology Group. He has carried out the analysis of ceramics from several prehistoric societies placed in the Western Mediterranean, as well as the study of handmade pottery from contemporary ethnic groups in Northeast Ghana.