A riveting drama of guilt, revenge and justice telling the story of two men and the savage crime that binds them. During a robbery, Raffaello Beggiato takes a young woman and her child hostage and later murders them. Beggiato is arrested, tried and sentenced to life. The victim's father and husband plunge into an ever-deepening abyss until the day, years later, when the murderer seeks pardon - and the wounded Silvano turns predator, ruthlessly plotting his revenge.

The author known as an Italian James Ellroy delivers “a raw, extremely dark portrait of a crime and its aftermath” (The Washington Post). During a bungled robbery attempt, Raffaello Beggiato takes a young woman and her eight-year-old child hostage. He later murders both in cold blood. Beggiato is arrested, tried, and sentenced to life. Undone by his loss, the victims’ father and husband, Silvano Contin, plunges into an ever-deepening abyss until the day, fifteen years later, when the murderer seeks his pardon. The wounded Silvano turns predator as he ruthlessly plots his revenge. A riveting story of guilt, revenge, and justice, Massimo Carlotto’s Death’s Dark Abyss tells the tale of two men and the savage crime that irreversibly binds them. Two dramatic stories meet in this stylish, passionate indictment of a legal system that seems powerless both to compensate victims and to rehabilitate perpetrators. “[A] remarkable study of corruption and redemption in a world where revenge is best served ice-cold.” —Kirkus Reviews (starred review) “The master of Mediterranean noir has fashioned a dark, twisted tale of retribution.” —Library Journal (starred review) “[A] subtle and disturbing tale of the effects of violence on its survivors . . . The author manages to make Contin’s descent into hell plausible and heartbreaking, and devises an ingenious and even touching resolution.” —Publishers Weekly

All are equal in death.Tallora's world ends in a single, bloodstained night, and all the world will fall in line unless the gods interfere. But divine aid comes at a price no mortal can pay, except in death . . . and perhaps Death herself has a few tricks of her own.From the author of FALLEN GODS comes a tale of redemption and sacrifice-and the true power of forgiveness.

The field of archaeology continues to face a major crisis of interpretation. The traditional view is that the basic business of archaeology is to reconstruct the history of cultures and civilizations through their material productions. Olivier challenges this view with a new approach to archaeological remains based on the works of French theorists such as Foucault, de Certeaux, and Derrida, with insight from Darwin and Freud. His thesis is that archaeology does not study the past itself but rather what materially remains of the past in our present. Olivier also develops an interpretation of material culture based on Aby Warburg’s and Walter Benjamin’s work in the anthropology of art. With wider implications for history and all social sciences, The Dark Abyss of Time is a major contribution to the theory of time, memory, heritage, and archaeology. This flawless translation makes Olivier’s elegantly written work available in English for the first time.

The story of the fate of two cousins in sixteenth century northern France. The younger, sixteen-year-old Henry Maximilian, has set out to become a soldier and a poet. The elder, twenty-two-year-old Zeno, has left the seminary to make himself an alchemist-philosopher.

Society was rocked when the Cathedral appointed Allegra, Contessa of Marsina, to negotiate the delicate peace talks between the rebelling mage slaves and the various states. Not only was she a highborn mage, she was a nonbeliever and a vocal objector against the supposed demonic origins of witchcraft. Demons weren’t real, she’d argued, and therefore the subjection of mages was unlawful. That was all before the first assassination attempt. That was before Allegra heard the demonic shrieks. All before everything changed. Now Allegra and her personal guards race to stabilize the peace before the entire known world explodes into war with not just itself, but with the abyss from beyond. So much for demons not being real.

"The best living Italian crime writer."-Il Manifesto An unscrupulous womanizer, as devoid of morals now as he once was full of idealistic fervor, returns to Italy, where he is wanted for a series of crimes. To earn himself the guise of respectability, he is willing to go as far as murder.

Cassandra Leung’s been a sea monster trainer ever since she could walk, raising genetically engineered beast to defend ships crossing the NeoPacific ... until pirates snatch her from the blood-stained decks.

From the author of Death’s Dark Abyss and The Goodbye Kiss comes an extraordinary tale of life on the run. Massimo Carlotto’s odyssey began in 1976 when, as a member of a militant leftwing organization that had fallen awry of the ruling powers, he was arrested and falsely accused of murder. Unwilling to play the role of fall guy in a political power struggle, he chose to flee the country rather than wait for a verdict that the whole country knew was a foregone conclusion. He first went into hiding in the French underworld and then made his way to a Mexico embroiled in bloody class conflict. Betrayed by a Mexican lawyer, he returned to Italy in 1985 and spent six years in prison, during which time the “Carlotto case” became Italy’s most famous legal fiasco. Carlotto was finally freed with a presidential pardon in 1993. Subsequently, his case helped bring about significant changes to the Italian criminal code to ensure that similar judicial travesties would never happen again. The Fugitive is the first book that Carlotto wrote as a free man. It tells his story with verve and humor. Virtually a handbook on how to live life on the run, The Fugitive is also a vibrant novel full of vivid underworld characters and breathtaking moments that Carlotto recounts in the cool, lucid prose that has become his trademark.

“Dangerous, edgy noir crime fiction at its absolute finest and certain to be one of my books of the year” featuring PI Marco “The Alligator” Burrati (reviewingtheevidence.com). A woman has gone missing. Her husband, too ashamed to admit to the police that he and his wife were part of a ring of sexual adventurers that organized sadomasochistic orgies, turns instead to the Alligator. Marco Burrati enters a depraved demiworld where ferocious deviates prey upon lonely victims. But the savagery of this world is only the first surprise this investigation holds in store for the Alligator. Encountering such violence and desperation triggers memories of his own time in prison. And while the unwritten rule of ex-cons is that you must never talk about your experiences behind bars, the Alligator and his two longtime associates, Max the Memory and Beniamino Rossini, are forced to confront demons they thought long buried. In The Master of Knots, “the reigning king of Mediterranean noir,” Massimo Carlotto, gives his readers a work of hardboiled noir fiction that is darker than ever before as he digs into the shadowy corners of human experience (The Boston Phoenix). This stunning novel sets a new high-water mark in the literary history of the Mediterranean Noir novel. “Brooding, sexual, and connected to Italy’s socio-political climate . . . Carlotto’s tight prose makes for a quick and satisfying journey into a world absent of clear-cut morality.” —Publishers Weekly “The author shows a sure grasp of the double lives of BDSM devotees for whom unmasking would mean calamity.” —Kirkus Reviews