When the past comes back to haunt you. I thought I was ready for a new adventure in my life, but really, what was I thinking? I should have been dreaming of a vacation with my super-hot boyfriend Riley, but instead another old house that is in desperate need of some love and attention, has charmed me. And guess what? This house has a secret too. Urgh! Who is its owner? Why is he so hard to find? And why does he own nine other deserted homes in Westport? If I can sell the first house of horrors I presently own, find the answer to these questions, and purchase this house before someone else does, then hopefully I can start a new chapter in my life. A much happier one. Of course, my crazy family never make life easy, and Ed the super sexy policeman has just declared his undying love for me which definitely complicates the situation, but I’m determined to put the past behind me. Only that becomes difficult when that past reappears and mixes with my future. Now I need to solve a forty-year-old mystery, dodge a psychopath, placate an irate realtor, and learn if there’s a copycat killer in Westport, all before the star of my nightmares catches up with me. Because if I don’t everything I love will be at stake. So far my next adventure isn’t looking as much fun as I’d hoped. Deathly Desire is the third book in this light-hearted romantic mystery series. If you like crazy families, fun engaging reads, and a sweet romance, all tied together with a ribbon of danger then you'll love this instalment in The Westport Mysteries.

Provocative essays on language, literature, and the aesthetics of embodiment.

Arthur's sexy, suspenseful, "New York Times"-bestselling paranormal romance series continues as half-vampire, half-werewolf Riley Jenson is pitted against a zombie with an unusual appetite. Original.

The time is turn-of-the-century New York City. Society's elite host glittering balls inside sprawling mansions while outside, the teeming street harbor secrets of their own. New York City's Police Commissioner Rick Bragg has been called upon to investigate a shocking crime. Reluctant to pull Francesca into a case that could be very dangerous, Rick also knows the beautiful and brilliant heiress has a natural ability for sleuthing that could aid him--even it if means working side by side with a woman who tempts him like no other. And so Franscesca and Rick begin a harrowing journey through the squalid underworld of the city that plunges them deeper and deeper in a peril neither could have imagined--and a desire that only continues to grow...

This collection of essays by the author of Lady Chatterley’s Loverpresents his musings on literature, politics and philosophy in a newly restored text. Though D. H. Lawrence was one of the great writers of the twentieth century, his works were severely corrupted by the stringent house-styling of printers and the intrusive editing of timid publishers. A team of scholars at Cambridge University Press has worked for more than thirty years to restore the definitive texts of D. H. Lawrence in The Cambridge Editions. Between 1915–1925, D. H. Lawrence wrote a series of “philosophicalish” essays covering topics ranging from politics to nature, and from religion to education. Varying in tone from lighthearted humor to spiritual meditation, they all share the underlying themes of Lawrence’s mature work: “Be thyself.” As far as possible, the editors of the Cambridge Editions series have restored these essays to their original form as Lawrence wrote them. A discussion of the history of each essay is provided, and several incomplete and unpublished essays are reproduced in an appendix.

In Ethics-Politics-Subjectivity, Simon Critchley takes up three questions at the centre of contemporary theoretical debate: What is ethical experience? What can be said of the subject who has this experience? What, if any, is the relation of ethical experience to politics? Through spirited confrontations with major thinkers, such as Lacan, Nancy, Rorty, and, in particular, Levinas and Derrida, Critchley finds answers in a nuanced "ethics of finitude" and defends the political possibilities of deconstruction. Democracy, economics, friendship, and technology are all considered anew in Critchley's bold excursions on the meaning and value of recent French philosophy.

This volume brings together two vibrant areas of Renaissance studies today: memory and sexuality. The contributors show that not only Shakespeare but also a broad range of his contemporaries were deeply interested in how memory and sexuality interact. Are erotic experiences heightened or deflated by the presence of memory? Can a sexual act be commemorative? Can an act of memory be eroticized? How do forms of romantic desire underwrite forms of memory? To answer such questions, these authors examine drama, poetry, and prose from both major authors and lesser-studied figures in the canon of Renaissance literature. Alongside a number of insightful readings, they show that sonnets enact a sexual exchange of memory; that epics of nationhood cannot help but eroticize their subjects; that the act of sex in Renaissance tragedy too often depends upon violence of the past. Memory, these scholars propose, re-shapes the concerns of queer and sexuality studies – including the unhistorical, the experience of desire, and the limits of the body. So too does the erotic revise the dominant trends of memory studies, from the rhetoric of the medieval memory arts to the formation of collective pasts.

This book assesses the untimely relevance of Marx and Freud for Latin America, thinkers alien to the region who became an inspiration to its beleaguered activists, intellectuals, writers and artists during times of political and cultural oppression. Bruno Bosteels presents ten case studies arguing that art and literature—the novel, poetry, theatre, film—more than any militant tract or theoretical essay, can give us a glimpse into Marxism and psychoanalysis, not so much as sciences of history or of the unconscious, respectively, but rather as two intricately related modes of understanding the formation of subjectivity.

From USA Today bestselling author Beth Prentice comes a series full of romance, mystery, laughter, and a house hiding more than one deadly secret... Just when I thought the only problems I had in life were my crazy family and far too many nightmares, the house reveals yet another secret! This time it's a skeleton in the back yard. And it has an extra hand. Urgh! The find isn’t something I can forget easily but maybe if I can learn the truth of how it all got into my garden, I can put the secrets of the house to rest for good. But can life be that easy? Apparently not. Ed the super-hot policeman, a group of sex crazed senior citizens, and Bradley the owner of Westport Tours, are all sending me crazy. Add to that I have far too many near misses with death and I find myself in a race to hammer the For Sale sign into the ground. Can I solve the mystery of the bones, placate my real estate agent, and prove to my gorgeous new boyfriend that I’m perfectly sane? Or will I uncover something much more sinister? I just hope it’s not my body the next owners find! Give Murder A Hand is the second book in this light-hearted romantic mystery series. If you like crazy families, fun engaging reads, and a sweet romance, all tied together with a ribbon of danger then you'll love this instalment in The Westport Mysteries.