When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

"When lives are dominated by hunger, what becomes of love? When people are assaulted by daily acts of violence and untimely death, what happens to trust? Set in the celebrated parched lands of Northeast Brazil, Death Without Weeping is a luminously written, "womanly hearted" account of the everyday experience of scarcity, sickness, and death that centers on the lives of the women and children of a hillside favela. These are the people who inhabit the underside of the once-optimistic Brazilian Economic Miracle and who are being left behind in the shaky transition to democracy." "Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus da Mata, where she has worked on and off for twenty-five years, Scheper-Hughes follows three generations of shanty-town women as they struggle to survive through hard work, cunning, and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires, and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live." "Death Without Weeping is a work of breadth and passion, a nontraditional ethnography charged with political commitment and moral vigor. It spirals outward, taking the reader from the wretched huts of the shantytown into the cane fields and the sugar refinery, the mayor's office and the legal chambers, the clinics and the hospitals, the police headquarters and the public morgue, and finally, the municipal grave-yard of Bom Jesus." "Ethnography and literary sensibility merge to capture the "mundane surrealism" of life in Bom Jesus da Mata. With resonances of such anthropological classics as the writings of Oscar Lewis, Death Without Weeping is a tour de force that will be discussed and debated for many years to come."--BOOK JACKET.

A "womanly hearted" account of the everyday experience of scarcity, sickness, and death that centers on the lives of women and children of a hillside favela in Northeast Brazil.

"Saints, Scholars, and Schizophrenics, in its original form--now integrally reproduced in the new edition--is a most important seminal study of an Irish community."—Conor Cruise O'Brien

The "Sonderkommando of "Auschwitz-Birkenau consisted primarily of Jewish prisoners forced by the Germans to facilitate the mass extermination. Though never involved in the killing itself, they were compelled to be "members of staff" of the Nazi death-factory. This book, translated for the first time into English from its original Hebrew, consists of interviews with the very few surviving men who witnessed at first hand the unparalleled horror of the Auschwitz-Birkenau death camp. Some of these men had never spoken of their experiences before.

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

"Drawing on interviews with artists and poets and on his own experiences in the Brazilian Northeast, Arons has written an account of how drought has impacted the region's culture. He intertwines ecological, social, and political issues with the words of some of Brazil's most prominent authors and folk poets to show how themes surrounding drought - hunger, migration, endurance, nostalgia for the land - have become deeply embedded in Nordeste identity. Through this tapestry of sources, Arons shows that what is often thought of as a natural phenomenon is actually the result of centuries of social inequality, political corruption, and unsustainable land use."--BOOK JACKET.

With rapid developments in reproductive medicine, transplant ethics and bioethics, a new `ethic of parts' has emerged in which the body is increasingly seen as a commodity which can be bartered, sold or stolen. This book combines perspectives from anthropology and sociology to offer compelling new readings of the body.

In the Americas, debates around issues of citizen's public safety--from debates that erupt after highly publicized events, such as the shootings of Jordan Davis and Trayvon Martin, to those that recurrently dominate the airwaves in Latin America--are dominated by members of the middle and upper-middle classes. However, a cursory count of the victims of urban violence in the Americas reveals that the people suffering the most from violence live, and die, at the lowest of the socio-symbolic order, at the margins of urban societies. The inhabitants of the urban margins are hardly ever heard in discussions about public safety. They live in danger but the discourse about violence and risk belongs to, is manufactured and manipulated by, others--others who are prone to view violence at the urban margins as evidence of a cultural, or racial, defect, rather than question violence's relationship to economic and political marginalization. As a result, the experience of interpersonal violence among the urban poor becomes something unspeakable, and the everyday fear and trauma lived in relegated territories is constantly muted and denied. This edited volume seeks to counteract this pernicious tendency by putting under the ethnographic microscope--and making public--the way in which violence is lived and acted upon in the urban peripheries. It features cutting-edge ethnographic research on the role of violence in the lives of the urban poor in South, Central, and North America, and sheds light on the suffering that violence produces and perpetuates, as well as the individual and collective responses that violence generates, among those living at the urban margins of the Americas.

Drawing on the author's experience in Brazil, this text provides a portrait of everyday life among the women of the favelas - a portrait that challenges much of what we think we know about the 'culture of poverty'. It helps us understand the nature of joking and laughter in the shantytown.