In traditional China, a funeral and the accompanying death rituals represented a critical moment for the immediate family of the deceased to show their filial piety, a core value of the society. At the same time, death rituals were social occasions, and channels for the outward demonstration of belief in a religiously pluralistic society. During the Northern Song period, however, death rituals increasingly became an arena for political contention as attempts were made to transform these practices from a private matter into one subject to state control. Death Rituals and Politics in Northern Song China examines how political confrontations over the proper conduct of death rituals during Northern Song dynasty (960-1127) inaugurated a period of Confucian revivalism. Mihwa Choi interprets Northern Song court politics, family ritual practices, burial practices, and the popular imagination of the afterlife as sites of contest between groups of varying social status, political vision, and religious belief. She demonstrates that the oversight of ritual affairs by scholar-officials helped them gain the political upper hand they sought, and, more broadly, fostered a revival of Confucianism as the dominant value system of Chinese society in the period that followed.

In traditional China, a funeral and the accompanying death rituals represented a critical moment for the immediate family of the deceased to show their filial piety, a core value of the society. At the same time, death rituals were social occasions, and channels for the outward demonstration of belief in a religiously pluralistic society. During the Northern Song period, however, death rituals increasingly became an arena for political contention as attempts were made to transform these practices from a private matter into one subject to state control. Death Rituals and Politics in Northern Song China examines how political confrontations over the proper conduct of death rituals during Northern Song dynasty (960-1127) inaugurated a period of Confucian revivalism. Mihwa Choi interprets Northern Song court politics, family ritual practices, burial practices, and the popular imagination of the afterlife as sites of contest between groups of varying social status, political vision, and religious belief. She demonstrates that the oversight of ritual affairs by scholar-officials helped them gain the political upper hand they sought, and, more broadly, fostered a revival of Confucianism as the dominant value system of Chinese society in the period that followed.

Winner of the 2015 Pierre-Antoine Bernheim Prize for the History of Religion by the Académie des Inscriptions et Belles-Lettres After a century during which Confucianism was viewed by academics as a relic of the imperial past or, at best, a philosophical resource, its striking comeback in Chinese society today raises a number of questions about the role that this ancient tradition might play in a contemporary context. The Sage and the People is the first comprehensive enquiry into the "Confucian revival" that began in China during the 2000s. Based on extensive anthropological fieldwork carried out over eight years in various parts of the country, it explores the re-appropriation and reinvention of popular practices in fields as diverse as education, self-cultivation, religion, ritual, and politics. The book analyzes the complexity of the "Confucian revival" within the broader context of emerging challenges to such categories as religion, philosophy, and science that prevailed in modernization narratives throughout the last century. Exploring state cults both in Mainland China and Taiwan, authors Sébastien Billioud and Joël Thoraval compare the interplay between politics and religion on the two shores of the Taiwan strait and attempt to shed light on possible future developments of Confucianism in Chinese society.

To win the approval of China's native elites, Qing China's new Manchu leaders developed an ambitious plan to return Confucianism to civil society by observing laborious and time-consuming mourning rituals, the touchstones of a well-ordered Confucian society. The first to do so in any language, Norman Kutcher's study of mourning looks beneath the rhetoric to demonstrate how the state--unwilling to make the sacrifices that a genuine commitment to proper mourning demanded--quietly but forcefully undermined, not reinvigorated, the Confucian mourning system.

A syncretistic and millenarian religious movement, the Yiguandao (Way of Pervading Unity) was one of the major redemptive societies of Republican China. It developed rapidly in the 1930s and the 1940s, attracting millions of members. Sébastien Billioud offers an in-depth anthropological and sociological study of the Yiguandao., Repressed and forbidden after 1949, the group is one of the most influential religious movements of the Chinese world and at the same time one of the least known and understood. Reclaiming the Wilderness delves into a Yiguandao community in Hong Kong that serves as a node of circulations between Taiwan, Macau, China and elsewhere. It explores the expansionary dynamics of a group that now now reestablishinges itself in China and elsewhere in Asia. In I, Sébastien Billioud offers the first in-depth anthropological and sociological study of the Yiguandao, focusing on a community in Hong Kong that now plays a central role in the circulation and growth of the movement.

A history of traditional Chinese knowledge, thought and belief from the seventh through the nineteenth centuries with a new approach that offers a new perspective. It appropriates a wide range of source materials and emphasizes the necessity of understanding ideas and thought in their proper historical contexts. Its analytical narrative focuses on the dialectical interaction between historical background and intellectual thought. While discussing the complex dynamics of interaction among the intellectual thought of elite Chinese scholars, their historical conditions, their canonical texts and the "worlds of general knowledge, thought and belief," it also illuminates the significance of key issues such as the formation of the Chinese world order and its underlying value system, the origins of Chinese cultural identity, foreign influences, and the collapse of the Chinese world order in the 19th century leading toward the revolutionary events of the 20th century.

In a society that has seen epochal change over a few generations, what remains to hold people together and offer them a sense of continuity and meaning? In Songs for Dead Parents, Erik Mueggler shows how in contemporary China death and the practices surrounding it have become central to maintaining a connection with the world of ancestors, ghosts, and spirits that socialism explicitly disavowed. Drawing on more than twenty years of fieldwork in a mountain community in Yunnan Province, Songs for Dead Parents shows how people view the dead as both material and immaterial, as effigies replace corpses, tombstones replace effigies, and texts eventually replace tombstones in a long process of disentangling the dead from the shared world of matter and memory. It is through these processes that people envision the cosmological underpinnings of the world and assess the social relations that make up their community. Thus, state interventions aimed at reforming death practices have been deeply consequential, and Mueggler traces the transformations they have wrought and their lasting effects.

These two books offer readers a fresh perspective to re-examine and revaluate the so-called “China Threat” and the non-Western way of conducting foreign relations exercised by Asian countries due to the lasting impact of their traditional cultures on their diplomacy. 此書著為讀者提供全新視角來重新檢驗和評估所謂的”中國威脅論”和亞洲國家之非西方式外交及其傳統文化外交之影響.

The Confucian-Legalist State proposes a new theory of social change and, in doing so, analyzes the patterns of Chinese history, such as the rise and persistence of a unified empire, the continuous domination of Confucianism, and China's inability to develop industrial capitalism without Western imperialism.

From the fifth century BC to the present and dealing with Confucianism, Daoism, Buddhism, and popular religion, this book explores the four periods of paradigm shift in the intertwined histories of Chinese religion, politics, and culture. It serves as the introduction to the eight-volume Early and Modern Chinese Religion.