In her unique guide, Jill Brooke reveals how to cope with grief and turn this time of sadness into an opportunity for positive change and growth. Although they are no longer physically with us, we can keep our loved ones emotionally and spiritually close by incorporating their memories into our daily lives. As we draw comfort from their sustaining presence, we can have a positive impact on those around us. Recent research shows that the trauma of loss can stimulate creativity which leads to new pportunities for happiness and success. Katie Couric and Rosie O'Donnell are just a few people in this book who have coped with loss in unique and special ways. Including tips on how to preserve our memories, create lasting family histories, and reach out to others, Don't Let Death Ruin Your Life shows how the experience of grieving helps us to heal, learn, and grow. Filled with gentle guidance and practical advice, this indispensable handbook takes readers on a journey that will motivate, inspire, and transform their lives. "Should be on everyone's bookshelf . . . Charts a survival course with dignity and hope." (The New York Post)

“Perhaps the finest and most profound account of ethnographic fieldwork and discovery that has ever entered the anthropological literature.” —The Wall Street Journal “If you want to experience a profoundly different culture without the exhausting travel (to say nothing of the cost), this is an excellent choice.” —The Washington Post As a young anthropologist, Don Kulick went to the tiny village of Gapun in New Guinea to document the death of the native language, Tayap. He arrived knowing that you can’t study a language without understanding the daily lives of the people who speak it: how they talk to their children, how they argue, how they gossip, how they joke. Over the course of thirty years, he returned again and again to document Tayap before it disappeared entirely, and he found himself inexorably drawn into their world, and implicated in their destiny. Kulick wanted to tell the story of Gapuners—one that went beyond the particulars and uses of their language—that took full stock of their vanishing culture. This book takes us inside the village as he came to know it, revealing what it is like to live in a difficult-to-get-to village of two hundred people, carved out like a cleft in the middle of a tropical rainforest. But A Death in the Rainforest is also an illuminating look at the impact of Western culture on the farthest reaches of the globe and the story of why this anthropologist realized finally that he had to give up his study of this language and this village. An engaging, deeply perceptive, and brilliant interrogation of what it means to study a culture, A Death in the Rainforest takes readers into a world that endures in the face of massive changes, one that is on the verge of disappearing forever.

Nazi Germany's assault on the Soviet Union in the summer of 1941, Operation Barbarossa, was the largest invasion in history. Almost 3.5 million men smashed into Stalin's Red Army, reaching the gates of Leningrad, Moscow and Sevastopol. But not all of this vast army was German; indeed by the summer of 1942 over 500,000 were Romanians, Italians, Hungarians, Slovaks and Croatians. As part of the German offensive that year, armies advanced to the Don only to be utterly annihilated in the Red Army's Saturn and Uranus winter offensives. Hundreds of thousands were killed, wounded or captured. Poorly equipped, often badly led and totally unprepared for the war they were asked to fight, Death on the Don tells the story of one of the greatest military disasters of the Second World War.

“We Don’t Die: A Skeptic’s Discovery of Life After Death” gives credible evidence of life after death. The goal of “We Don’t Die” is to have people believe that their deceased loved ones are still near them, help them navigate through the grieving process and educate that we are ‘eternal souls having a human experience. It is unique because it teaches people about the grieving process, keeping relationships whole, gives awe inspiring exercises that the reader experiences that we must be ‘more than our bodies.’ It gets readers in touch with the purpose of their lives and gets them on the path to producing results. Readers will no longer fear death, their pain of losing someone will be lessened, they will have hope, faith, and powerful access to live a successful life.

Digte. Addresses race, class, sexuality, faith, social justice, mortality, and the challenges of living HIV positive at the intersection of black and queer identity

Godfather Don Giovanni clings to the traditions of a bygone era. He is at a Louis XIV desk is a room filled with bean bag chairs. The tired crime lord must battle a pudgy daughter who wants to be a rock star, a son who writes bad poetry, an older daughter for whom he is arranging a marriage and his eldest son who thinks they should invest in a 976 franchise. Even his wife is tired of black dresses, no vacations and blood splattered laundry. It's King Lear meets the Godfather. When the don is murdered during his daughter's wedding, everyone is under suspicion. Add a reluctant groom, an angry mistress, a missing will and a secret passageway and you have a one set, two act shotgun wedding Italian style!

The New York Times–bestselling true crime author reveals the gruesome tale of a family falling victim to assault and murder on the waters of Tampa Bay. For Joan Rogers and her two teenaged daughters, a Florida sunset cruise was a dream come true. While on a family vacation, they gladly accepted a ride on beautiful Tampa Bay with friendly boat owner Oba Chandler. But behind Chandler’s gracious façade lurked the twisted mind of a killer. As the sun set on the Gulf of Mexico, Chandler shut down the engines, dropped anchor . . . and turned into a sadistic torturer. Hog-tying and brutally raping all three, Chandler tossed them overboard—alive—with forty-pound cement blocks tied to their necks. But the waters of Tampa Bay refused to hold his monstrous secret, and after only three days, the bodies of his victims surfaced. Thanks to a dedicated team of detectives, and clues provided by Chandler’s neighbors, the depraved killer was apprehended before he could prey on his next victim.

Part diatribe, part cool reflection on the state of Australia’s public language, Don Watson’s Death Sentence is scathing, funny and brilliant. ‘ ... in public life the language has never been held in less regard. It withers in the dungeons of the technocratic mind. It is butchered by the media. In politics it lacks all qualifications for the main game.’ Almost sixty years ago, George Orwell described the decay of language and why this threatened democratic society. But compared to what we now endure, the public language of Orwell's day brimmed with life and truth. Today's corporations, government departments, news media, and, perhaps most dangerously, politicians – speak to each other and to us in cliched, impenetrable, lifeless sludge. Don Watson can bear it no longer. In Death Sentence, part diatribe, part cool reflection on the state of Australia's public language, he takes a blowtorch to the words – and their users – who kill joy, imagination and clarity. Scathing, funny and brilliant, Death Sentence is a small book of profound weight – and timeliness.

Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.