Few authors have written more mesmerizingly about Victorian London than Anne Perry. Readers enter her world with exquisite anticipation, and experience a rich variety of characters and class: aristocrats living in luxury, flower sellers on street corners, ladies of the evening seeking customers on gaslit streets, gentlemen in hansom cabs en route to erotic diversions unknown in their Mayfair mansions. Now Perry gives her myriad fans the book they’ve been waiting for—the novel in which William Monk breaks through the wall of amnesia and discovers at last who he once was. DEATH OF A STRANGER For the prostitutes of Leather Lane, nurse Hester Monk’s clinic is a lifeline, providing medicine, food, and a modicum of peace—especially welcome since lately their ailments have escalated from bruises and fevers to broken bones and knife wounds. At the moment, however, the mysterious death of railway magnate Nolan Baltimore in a sleazy neighborhood brothel overshadows all else. Whether he fell or was pushed, the shocking question in everyone’s mind is: What was such a pillar of respectability doing in a seedy place of sin? Meanwhile, brilliant private investigator William Monk acquires a new client, a mysterious beauty who asks him to ascertain beyond a shadow of a doubt whether or not her fiancé, an executive in Nolan Baltimore’s thriving railway firm, has become enmeshed in fraudulent practices that could ruin him. As Hester ventures into violent streets to learn who is responsible for the brutal abuse of her patients, Monk embarks upon a journey into the English countryside, where the last rails are being laid for a new line. But the sight of tracks stretching into the distance revives memories once stripped from his consciousness by amnesia—as a past almost impossible to bear returns, eerily paralleling a fresh tragedy that has already begun its inexorable unfolding.

The remarkable memoir of healing and forgiveness from Julie Chimes, who survived a horrific stabbing on her own driveway In 1986, Julie Chimes allowed an emotionally distressed acquaintance to wait in her cottage for Julie's doctor boyfriend to return. Before he could, the woman - who was suffering from paranoid schizophrenia and, unknown to all, had stopped taking her medication - attacked Julie with a carving knife. This book describes what happened in detail, and the long period of healing and coming to terms with the attack that followed. Julie tells of her out-of-body experiences during the crisis, as well as the dreams and premonitions leading up to it. She describes what it feels like to die, and then unforeseeably, to live to tell the tale. But most remarkably of all, she tells of her hardest journey: learning to forgive.

From Robert Barnard, the internationally acclaimed Diamond Dagger–winning crime writer . . . Kit Philipson has always felt like something of a stranger in his family. Growing up as the only child of professional parents in Glasgow, Scotland, he had every advantage. His mother was a teacher; his father, a journalist, escaped from Nazi Germany at the age of three on one of the 1939 Kindertransports. But on her deathbed, Kit’s mother tells him he was adopted and that his birth name was Novello. Soon, vague memories of his early life begin to surface: his nursery, pictures on the wall, the smell of his birth mother when she’d been cooking. And, sometimes, there are more disturbing memories—of strangers taking him by the hand and leading him away from the only family he had ever known. A search of old newspaper files reveals that a three-year-old boy named Peter Novello was abducted from his parents’ holiday hotel in Sicily in 1989. Now the young man who has known himself only as Kit sets out to rediscover his past, the story of two three-year-old boys torn from their mothers in very different circumstances. Kit’s probing inquiries are sure to bring surprises. They may also unearth dangerous secrets that dare never be revealed. With sharp wit and deep insight, Robert Barnard sweeps away all preconceptions in this powerful study of maternal love and the danger of obsession.

It's January 1943. Australia is at war and Perth is buzzing. US troops have permanently docked in the city in what local men refer to bitterly as the American occupation, and Perth women are having the time of their lives. The Americans have money, accents like movie stars, smart tailored uniforms and good manners. What's more, they love to dance and show a girl a good time, and young women are throwing caution to the wind and pushing social boundaries with their behaviour. Not Meg Eaton, however. The war has brought her nothing but heartbreak, stealing her young love eighteen months ago. Until, in the middle of a Perth heat-wave, she meets her lost lover's brother, Tom standing over a dead body in her neighbour's backyard. Suddenly, Meg finds herself embroiled in the murder mystery, and increasingly involved with Tom Lagrange. But is he all that he seems? And what exactly was his relationship with the dead woman? Debut author Deborah Burrows has brought her skills as a historian to the fore with this meticulously researched and thoroughly entertaining novel of love and intrigue.

In our global, multicultural world, how we understand and relate to those who are different from us has become central to the politics of immigration in western societies. Who we are and how we perceive ourselves is closely associated with those who are different and strange. This book explores the pivotal role played by ‘the stranger’ in social theory, examining the different conceptualisations of the stranger found in the social sciences and shedding light on the ways in which these discourses can contribute to an analysis of cross-cultural interaction and cultural hybridity. Engaging with the work of Simmel, Park and Bauman and arguing for the need for greater theoretical clarity, Theories of the Stranger connects conceptual questions with debates surrounding identity politics, multiculturalism, online ethnicities and cross-cultural dialogue. As such, this rigorous, conceptual re-examination of the stranger will appeal to scholars across the social sciences with interests in social theory and the theoretical foundations of discourses relating to migration, cosmopolitanism, globalisation and multiculturalism.

Arthur Sutherland places before us our fear of meeting the “other” and the “stranger” in an increasingly global, and frequently dangerous, village. Various social, political, and historical factors have conspired to leave us in a veritable crisis: the decline of hospitality. Why is this a crisis? Why should we practice hospitality? What is it about Christian theology that compels us to think about hospitality in the first place? Sutherland offers a passionate plea to recover and rediscover hospitality, and to respond to the divine appeal to welcome the stranger. Therein lies the central concern of the book: that hospitality is not simply the practice of a virtue but is integral to the very nature of Christianity’s position toward God, self, and the world—it is at the very center of what it means to be a Christian and to think theologically. He offers a challenging definition of hospitality and calls us to a practice that is the virtue by which the church stands or falls. Drawing on modern theologians (including Howard Thurman, Dietrich Bonhoeffer, Karl Barth, Martin Luther King Jr., and Letty Russell) and considering American slavery, the Holocaust, feminism, and prisons, Sutherland eloquently presents a Christian theology of hospitality.

A book-length poem evokes the horror, anguish, and brutality of 20th century history.