The first in a sweet and colorful cozy mystery series from Jess Dylan, Death in Bloom introduces flower shop owner Sierra Ravenswood. At the Flower House, every rose has its thorn . . . Sierra Ravenswood is the new part-time employee of the Flower House, a flower shop in Aerieville, Tennessee. It's true she didn't expect to be back in her hometown at twenty-eight-years-old, but after her dream of making it as a singer in Nashville crashed and burned, she's just grateful to have found a soft place to land. Because, after all, Sierra firmly believes in being optimistic and positive about life, so she's sure she won't have to work at the Flower House forever. But things take a decidedly negative turn when a customer drops dead in the middle of her new bouquet-arranging workshop at the store. When it's discovered he was poisoned by a snack at the event, everyone at the workshop, including Sierra, is on the suspect list. To make matters worse, her boss has gone AWOL and left the store to her for the cost of one dollar, leaving Sierra in charge of both his store and his high-energy Corgi puppy, Gus. The town is on edge, and Sierra knows that murder is something that an upbeat attitude and a bouquet of sweet-smelling roses can't fix. She's determined to figure out whodunit, before anyone else in town meets an untimely reason for needing funeral flowers.

“The great poems, plays, novels, stories teach us how to go on living. . . . Your own mistakes, accidents, failures at otherness beat you down. Rise up at dawn and read something that matters as soon as you can.” So Harold Bloom, the most famous literary critic of his generation, exhorts readers of his last book: one that praises the sustaining power of poetry. "Passionate. . . . Perhaps Bloom’s most personal work, this is a fitting last testament to one of America’s leading twentieth-century literary minds."—Publishers Weekly “An extraordinary testimony to a long life spent in the company of poetry and an affecting last declaration of [Bloom's] passionate and deeply unfashionable faith in the capacity of the imagination to make the world feel habitable”—Seamus Perry, Literary Review "Reading, this stirring collection testifies, ‘helps in staying alive.’“—Kirkus Reviews, starred review This dazzling celebration of the power of poetry to sublimate death—completed weeks before Harold Bloom died—shows how literature renews life amid what Milton called “a universe of death.” Bloom reads as a way of taking arms against the sea of life’s troubles, taking readers on a grand tour of the poetic voices that have haunted him through a lifetime of reading. “High literature,” he writes, “is a saving lie against time, loss of individuality, premature death.” In passages of breathtaking intimacy, we see him awake late at night, reciting lines from Dante, Shakespeare, Milton, Montaigne, Blake, Wordsworth, Hart Crane, Jay Wright, and many others. He feels himself “edged by nothingness,” uncomprehending, but still sustained by reading. Generous and clear‑eyed, this is among Harold Bloom’s most ambitious and most moving books.

NEW YORK TIMES BESTSELLER • A powerful memoir of a love that leads two people to find a courageous way to part—and a woman’s struggle to go forward in the face of loss—that “enriches the reader’s life with urgency and gratitude” (The Washington Post) “A pleasure to read . . . Rarely has a memoir about death been so full of life. . . . Bloom has a talent for mixing the prosaic and profound, the slapstick and the serious.”—USA Today ONE OF THE BEST BOOKS OF THE YEAR: NPR Amy Bloom began to notice changes in her husband, Brian: He retired early from a new job he loved; he withdrew from close friendships; he talked mostly about the past. Suddenly, it seemed there was a glass wall between them, and their long walks and talks stopped. Their world was altered forever when an MRI confirmed what they could no longer ignore: Brian had Alzheimer’s disease. Forced to confront the truth of the diagnosis and its impact on the future he had envisioned, Brian was determined to die on his feet, not live on his knees. Supporting each other in their last journey together, Brian and Amy made the unimaginably difficult and painful decision to go to Dignitas, an organization based in Switzerland that empowers a person to end their own life with dignity and peace. In this heartbreaking and surprising memoir, Bloom sheds light on a part of life we so often shy away from discussing—its ending. Written in Bloom’s captivating, insightful voice and with her trademark wit and candor, In Love is an unforgettable portrait of a beautiful marriage, and a boundary-defying love.

Ivy I know what love is. After witnessing its devastation, I've shied away from it, Until Atlas. I never thought I'd ignore the red flags and wave a white one. Surrendering to Atlas in the most delectable way, I didn't realize he'd been playing me all along Until I found myself at his mercy. They say love can heal all wounds, But what about the scars left behind? Atlas I don't know what love is. I've never been touched by its light or fallen into its depths, Until Ivy. When I see something I want, I take it. And right now, all I want is her. Each move I make is calculated and methodical, Until I have her exactly where I want her. By the time she realizes it's a trap, it will be too late. She'll never forgive me, and I'll never set her free. But I feel no guilt, nor remorse. Not when I'll own every inch of her; body, heart, and soul. And not even Ivy herself will stop me. Author note: If you're looking for a White Knight, you might want to look elsewhere. Atlas is an Antihero in every sense of the word. This book plays with the darker side of love such as obsession, infatuation, and the power plays made to obtain it. *Coerce is a complete standalone novel* Triggers: It goes without saying that this book contains dark elements that some readers may find uncomfortable including offensive language, graphic violence, and sexual situations. All readers should be over 18 so I don't have to answer any awkward emails from your parents or dodge pitchforks when I'm doing my weekly shopping.

Petals and Poison is the second in a colorful cozy mystery series from Jess Dylan, set in a flower shop with a knack for attracting trouble as well as customers. “Like her protagonist Sierra, Jess Dylan has manifested a charming cozy with humor, folksy dialogue, Southern charm, and a page-turning mystery.” –Peg Cochran, USA Today Bestselling Author Sierra Ravenswood has embraced her role as owner of Flower House floral shop and companion to her former boss's pet, Gus the Corgi. Sierra’s team are enjoying their new jobs too. At least until everyone realizes their lack of experience might be contributing to their lack of customers . . . Sierra decides they need a change in luck, so she creates a special window display featuring lucky bamboo and auspicious flowers. It seems the new arrangement has worked when the shop is flooded with customers the next day, including a van full of college students on a horticulture club field trip. Unfortunately, Sierra doesn't notice that the students’ distracted professor has gone missing until Gus's urgent barking leads her to the storeroom – and the body of the unfortunate professor. With folks now referring to Flower House as “Poison House” and suspects galore, Sierra fears her new business is doomed before it has a chance to get off the ground. Determined to reverse course and see justice served, she sets out to solve the crime and change her luck once more. The Flower House is no place for shrinking violets.

Fatal Flowers is the third in a colorful cozy mystery series from Jess Dylan, set in the Flower House—where you’re as likely to find a killer as a chrysanthemum. As Aerieville, Tennessee’s Flower House finally gains in popularity, Sierra Ravenswood finds herself feeling ready for new challenges. Luckily, the shop has grabbed the attention of the mayor’s daughter, and bride-to-be, Marissa Lakely. Sierra is thrilled, and nervous, to land her most important job yet: providing flowers for the biggest wedding Aerieville has ever seen. Fortunately, Marissa bucks all stereotypes and is far from a bridezilla—but her wedding planner, Taz Banyan, has apparently taken on the role for himself. He’s uptight, intense, and a little intimidating. But Taz aside, everything seems to be under control...until Sierra makes a startling discovery in the great room: the wedding planner, lying in a heap at the bottom of the stairs, in very bad shape. In fact, he survives only long enough to mutter: "It was the snake." As Granny Mae would say, seeing a snake is rarely a good sign, and this was clearly no exception. With the town on edge and the wedding up in the air, Sierra refuses to stop asking questions in her determination to put an end to this latest danger—so both Aerieville and the Flower House can flourish once more.

The literary critic defends the importance of Western literature from Chaucer and Shakespeare to Kafka and Beckett in this acclaimed national bestseller. NOMINATED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD Harold Bloom's The Western Canon is more than a required reading list—it is a “heroically brave, formidably learned” defense of the great works of literature that comprise the traditional Western Canon. Infused with a love of learning, compelling in its arguments for a unifying written culture, it argues brilliantly against the politicization of literature and presents a guide to the essential writers of the western literary tradition (The New York Times Book Review). Placing William Shakespeare at the “center of the canon,” Bloom examines the literary contributions of Dante Alighieri, John Milton, Jane Austen, Emily Dickenson, Leo Tolstoy, Sigmund Freud, James Joyce, Pablo Neruda, and many others. Bloom's book, much-discussed and praised in publications as diverse as The Economist and Entertainment Weekly, offers a dazzling display of erudition and passion. “An impressive work…deeply, rightly passionate about the great books of the past.”—Michel Dirda, The Washington Post Book World

The brilliant, controversial, bestselling critique of American culture that “hits with the approximate force and effect of electroshock therapy” (The New York Times)—now featuring a new afterword by Andrew Ferguson in a twenty-fifth anniversary edition. In 1987, eminent political philosopher Allan Bloom published The Closing of the American Mind, an appraisal of contemporary America that “hits with the approximate force and effect of electroshock therapy” (The New York Times) and has not only been vindicated, but has also become more urgent today. In clear, spirited prose, Bloom argues that the social and political crises of contemporary America are part of a larger intellectual crisis: the result of a dangerous narrowing of curiosity and exploration by the university elites. Now, in this twenty-fifth anniversary edition, acclaimed author and journalist Andrew Ferguson contributes a new essay that describes why Bloom’s argument caused such a furor at publication and why our culture so deeply resists its truths today.

Presents a collection of critical essays about the works of Cormac McCarthy.

The “fascinating” true story behind the HBO Max and Hulu series about Texas housewife Candy Montgomery and the bizarre murder that shocked a community (Los Angeles Times Book Review). Candy Montgomery and Betty Gore had a lot in common: They sang together in the Methodist church choir, their daughters were best friends, and their husbands had good jobs working for technology companies in the north Dallas suburbs known as Silicon Prairie. But beneath the placid surface of their seemingly perfect lives, both women simmered with unspoken frustrations and unanswered desires. On a hot summer day in 1980, the secret passions and jealousies that linked Candy and Betty exploded into murderous rage. What happened next is usually the stuff of fiction. But the bizarre and terrible act of violence that occurred in Betty’s utility room that morning was all too real. Based on exclusive interviews with the Gore and Montgomery families, Edgar Award finalist Evidence of Love is the “superbly written” account of a gruesome tragedy and the trial that made national headlines when the defendant entered the most unexpected of pleas: not guilty by reason of self-defense (Fort Worth Star-Telegram). Adapted into the Emmy and Golden Globe Award–winning television movie A Killing in a Small Town—as well as the new limited series Candy on Hulu and Love and Death on HBO Max—this chilling tale of sin and savagery will “fascinate true crime aficionados” (Kirkus Reviews).