Alive, she was worth a fortune . . . dead, she was a racketeer’s life insurance! Mona Ambler sat in the death house with a secret that not even a decent guy like Mike Duval could extract. Just home from Korea, Mike had to go about saving the gal the hard way. Maybe she really had shot and killed a jewelry salesman, maybe she had been the no-good thieving B-girl the papers had reported, but just the same she had also been the beloved wife of Mike’s only brother. The odds were a hundred-to-one that Mona would go to the chair without talking. But Mike Duval was willing to gamble against these odds. The thing he didn’t realize was that the boss of the city rackets was betting against him with every gunman, chiseler, and grafter on his side. Because Mona knew something that could blast the city wide open!

Writing with grace, wit, and remarkable candor, actress Claire Bloom looks back at her crowded life: her accomplishments on stage and screen; her romantic liaisons with some of the great leading men of our era; and at "the most important relationship" of her life--her marriage to author Philip Roth. of photos.

On Halloween 2002, Jan Andersen's 20-year-old son Kristian found a permanent solution to his misery. Suicide. He wrote two suicide notes, took an overdose of Heroine and died on Friday 1st November 2002, leaving behind a one-year-old daughter. The stigma, helplessness and unanswered questions that accompany the suicide of a loved one can isolate grieving families in a wilderness of relentless, silent torture. Chasing Death attempts to put candid, but heartrendering words but often the incommunicable pain that the surving families endure, not only through the telling of Kristian's story, but through the experiences of other families mourning the loss of a child to suicide. It covers topics that will not be found in detached and academic grief recovery books, but does include coping strategies.

Dolls can't move by themselves. . . . Or can they? This special anniversary edition of the hair-raising mystery that's kept readers up at night for thirty-five years features a foreword by Goosebumps creator R.L. Stine. Amy is terrified. She hears scratching and scurrying noises coming from the dollhouse in the attic, and the dolls she was playing with are not where she left them. Dolls can't move by themselves, she tells herself. But every night when Amy goes up to check on the dollhouse, it's filled with an eerie light and the dolls have moved again! Are the dolls trying to tell her something? Could this all be connected to the murders of her great-grandparents? Sinister secrets unravel as Amy gets closer to revealing the mystery of the dolls in this haunting novel that combines complicated family relationships with a bone-chilling mystery. Even readers who love scary stories will want to keep the lights on after finishing! The all-new foreword and jacket art make this spooky classic, an Edgar award nominee, perfect for sharing with a new generation.

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

When the New York Dolls' bassist died suddenly at age 55 in 2004, he left behind not only their timeless music--and many thousands of fans and friends--but a memoir of the Dolls' early years. This distinctive and extroverted voice of an undisciplined showman is presented with an introduction and epilogue by his widow, Barbara. This up close and personal perspective of the band's early days and late nights--including an instance where he locks himself out of the studio in full drag while tripping on LSD--chronicles the glorious, glamorous era of high times, high drama, and low comedy that captures the music, the style, and the life of the all-too-brief existence of the New York Dolls.

In a little house from another time, with lace curtains in every window and paintings hung in gold doily frames, Wildflower, Rockstar, and Miss Selene live a warm and cozy life. They wear fancy dresses, bake play-dough cakes, and spend their days enjoying one another's company. For the three dolls, life is small but good. But life is not good for Madison Blackberry, the owner of the dollhouse. Her grandmother pays more attention to the dolls than to her. The dolls have one another, but she is lonely in her big, empty apartment. Then one day, as things always do—even for dolls—everything changes. This beautiful story from the acclaimed team of Francesca Lia Block, author of such novels as Weetzie Bat, and Barbara McClintock, author and illustrator of many picture books, including Adèle & Simon, brings to life the power of love, family, and friendship.

It was just an old dollhouse. Hidden away in the attic-collecting dust. Amy didn't know that the dollhouse held a secret. A deadly secret that hadn't been talked about in years. And now, the dolls have decided that Amy should be the one to know the truth. The truth about the night of the murder... Book jacket.

A Doll's House/Ghosts/Pillars of the Community/An Enemy of the People 'Our home has never been anything other than a play-house. I've been your doll-wife here, just as at home I was Daddy's doll-child' These four plays established Ibsen as the leading figure in the theatre of his day, sending shockwaves throughout Europe and beyond. A Doll's House scandalized audiences with its free-thinking heroine Nora. Ibsen's even more radical follow-up, Ghosts, exposes family secrets and sexual double-dealing, while Pillars of the Community and An Enemy of the People both explore the hypocrisy and the dark tensions at the heart of society. This new translation, the first to be based on the latest critical edition of Ibsen's works, offers the best version available in English. A new translation by DEBORAH DAWKIN and ERIK SKUGGEVIK With an Introduction by TORE REM General Editor TORE REM