Book 3 in the Agatha Award-Winning Series St. Michael's College, Cambridge, is prestigious, stately-and in frightful disrepair. To replenish its dwindling coffers, the College's Master holds a fundraising weekend for wealthy alums. But all goes awry when the glamorous—and despised—Lexy Laurant is found strangled on the grounds. There's a lengthy list of likely suspects: Lexy's debt-ridden Latino lover, her titled ex-husband who left her for another woman, and a garrulous oil-rich Texan with something to hide, among others. As Detective Chief Inspector St. Just weighs clashing egos, he discovers unsavory secrets...and a most shocking twist. Praise: "This third in the series is every bit as good as its predecessors. Longtime cozy fans will be reminded of Golden Age classics starring Dorothy Sayers' Harriet Vane and Edmund Crispin's Gervase Fen."—Booklist (starred review) "G.M. Malliet presents a meticulous novel with sophistication and uncomplicated restraint. She keeps mystery fans guessing without thrusting overwhelming or unnecessary detail into her well-researched scenes."—ForeWord "Fans of Dorothy Sayers's novels and other Golden Age British mysteries will enjoy this contemporary salute, which even includes the traditional gathering of suspects at the end when the detective reveals all."—Library Journal "A witty third cozy."—Publishers Weekly "It certainly shouldn't be missed."—Reviewing the Evidence

Beg, borrow . . . or kill! St. Michael’s College, Cambridge, is prestigious, stately – and in frightful disrepair. To replenish its dwindling coffers, the College’s Master holds a fundraising weekend for wealthy alums. But all goes awry when the glamorous – and despised – Lexy Laurant is found strangled on the grounds. There’s a lengthy list of likely suspects: Lexy’s debt-ridden Latino lover, her titled ex-husband who left her for another woman, and a garrulous oil-rich Texan with something to hide, among others. As Detective Chief Inspector St. Just weighs clashing egos, he discovers unsavoury secrets . . . and a shocking twist.

Sex makes monkeys out of all of us. If you don’t give in to it, you wind up a cold, unfeeling bastard. If you do, you spend the rest of your life picking up the pieces. . . . At the start of senior year at William & Mary, the six-foot-tall, raven-haired beauty Victoria “Vic” Savedge finds her future mapped out in detail. She will marry Charly Harrison, the son of one of Virginia’s most prominent families. Though branded by a fiery streak of independence, Vic hasn’t really considered any other options. Until she meets a woman named Chris. A transfer from Vermont, Chris is new to Southern mores and attitudes. Though instantly captivated by Vic, she is also drawn to the entire quirky but charming Savedge family. But the young women’s friendship is not your basic college-girl variety. For neither can resist their mutual attraction–an attraction that erupts into a passion that will forever change the course of both their lives.

Book 2 in the Agatha Award-Winning Series Cold-blooded murder is, like, totally un-cool As the wildly successful darling of the publishing industry, chick lit mystery writer Kimberlee Kalder is the guest of honor at an exclusive writers' conference at Dalmorton Castle in Scotland. But jealousy and resentment are soon replaced with shock when Kimberlee is found dead at the bottom of the castle's bottle dungeon. Who didn't want to see prima donna Kimberlee brutally extinguished like one of her ill-fated characters? It's up to Detective Chief Inspector St. Just to track down the true killer in a castle full of cagey mystery connoisseurs who live and breathe malicious murder and artful alibis... Praise: Named a Best Book of 2009 by Deadly Pleasures "[In] her superior second cozy, Malliet's satirical take on the mystery scene is spot-on."—Publishers Weekly (starred review) "Malliet excels at stylish writing very reminiscent of the golden age of British mysteries. A real find for old-school mystery fans."—Booklist (starred review) "An absolutely delicious skewering of the world of mystery publishing and its none-too-savory denizens, Death and the Lit Chick is even wittier and more skillfully constructed than her Agatha Award-winning Death of a Cozy Writer."—Denver Post "Delicious. Malliet is laugh-out-loud funny in describing the cadre of crime writers encountered by the sometimes-flustered St. Just."—Mystery Scene "An entertaining diversion"—Kirkus Reviews "A good choice for readers who enjoy intelligent cozies and traditional mysteries."—Library Journal "Readers who enjoy all things British, as well as a good whodunit, will find these novels just the ticket."—Free Lance-Star "The writing is A+—smooth, clever (in the good sense) and a pleasure to read."—Cozy Library "Death and the Lit Chick shows why classics never go out of style...Malliet belongs on your bookshelf."—Reviewing the Evidence "Malliet's old-fashioned style is reminiscent of the traditional whodunits of the past... but with a distinctly humorous flair. The book is a clever mystery as well as a witty satire." —Vickie Britton at Suite 101

Winner of the 2008 Agatha Award for Best First Novel From deep in the heart of his eighteenth century English manor, millionaire Sir Adrian Beauclerk-Fisk writes mystery novels and torments his four spoiled children with threats of disinheritance. Tiring of this device, the portly patriarch decides to weave a malicious twist into his well-worn plot. Gathering them all together for a family dinner, he announces his latest blow—a secret elopement with the beautiful Violet...who was once suspected of murdering her husband. Within hours, eldest son and appointed heir Ruthven is found cleaved to death by a medieval mace. Since Ruthven is generally hated, no one seems too surprised or upset—least of all his cold-blooded wife Lillian. When Detective Chief Inspector St. Just is brought in to investigate, he meets with a deadly calm that goes beyond the usual English reserve. And soon Sir Adrian himself is found slumped over his writing desk—an ornate knife thrust into his heart. Trapped amid leering gargoyles and stone walls, every member of the family is a likely suspect. Using a little Cornish brusqueness and brawn, can St. Just find the killer before the next-in-line to the family fortune ends up dead? Death of a Cozy Writer was chosen by Kirkus Reviews as a Best Book of 2008, nominated for a Left Coast Crime award (the Hawaii Five-O for best police procedural), short-listed for the Macavity Award for Best First Mystery, nominated for the Anthony Award for Best First Novel and was a finalist for the David G. Sasher, Sr. Award for Best Mystery Novel. Praise: "Fans of English detective work will welcome Malliet's droll debut, the first in a new series."—Publishers Weekly "Malliet's debut combines devices from Christie and Clue to keep you guessing until the dramatic denouement."—Kirkus Reviews "Malliet's skillful debut demonstrates the sophistication one would expect of a much more established writer. I'm looking forward to her next genre-bender, Death and the Lit Chick."—Mystery Scene "Almost every sentence is a polished, malicious gem, reminiscent of Robert Barnard...the book is perfect for the lover of the classical detective story or the fan of great sentences."—Deadly Pleasures "In her series debut, Malliet, who won a Malice Domestic Grant to write this novel, lays the foundation for an Agatha Christie—like murder mystery."—Library Journal "An affectionate homage to the Golden Age of British crime fiction by a skilled writer rapidly attracting attention."—The Sherbrook Record "This tale cleverly adds modern touches to an Agatha Christie style classic house mystery."—Mystery Women Magazine "Wicked, witty and full of treats!"—Peter Lovesey, recipient of Lifetime Achievement Awards from the Crime Writer's Association and Malice Domestic "The traditional British cozy is alive and well. Delicious. I was hooked from the first paragraph."—Rhys Bowen, award-winning author of Her Royal Spyness "Death of a Cozy Writer is a romp, a classic tale of family dysfunction in a moody and often humourous English country house setting."—Louise Penny, author of the award-winning Armand Gamache series of murder mysteries "The connections made by St. Just are nothing short of Sherlock Holmes at his most coherent. A most excellent first mystery!"—Midwest Book Review

The poignant, “powerful” (The Boston Globe) look at how to appreciate life from an extraordinary professor who teaches about death: “Poetic passages and assorted revelations you’ll likely not forget” (Chicago Tribune). Why does a college course on death have a three-year waiting list? When nurse Norma Bowe decided to teach a course on death at a college in New Jersey, she never expected it to be popular. But year after year students crowd into her classroom, and the reason is clear: Norma’s “death class” is really about how to make the most of what poet Mary Oliver famously called our “one wild and precious life.” Under the guise of discussions about last wills and last breaths and visits to cemeteries and crematoriums, Norma teaches her students to find grace in one another. In The Death Class, award-winning journalist Erika Hayasaki followed Norma for more than four years, showing how she steers four extraordinary students from their tormented families and neighborhoods toward happiness: she rescues one young woman from her suicidal mother, helps a young man manage his schizophrenic brother, and inspires another to leave his gang life behind. Through this unorthodox class on death, Norma helps kids who are barely hanging on to understand not only the value of their own lives, but also the secret of fulfillment: to throw yourself into helping others. Hayasaki’s expert reporting and literary prose bring Norma’s wisdom out of the classroom, transforming it into an inspiring lesson for all. In the end, Norma’s very own life—and how she lives it—is the lecture that sticks. “Readers will come away struck by Bowe’s compassion—and by the unexpectedly life-affirming messages of courage that spring from her students’ harrowing experiences” (Entertainment Weekly).

For over sixty years, American guitarist John Fahey (1939–2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns. Fahey voraciously consumed ideas: in the classroom, the counterculture, the civil rights struggle, the new left; through his study of philosophy, folklore, African American blues; and through his experience with psychoanalysis and southern paternalism. From these, he produced a profoundly and unexpectedly refracted vision of America. To read Fahey is to vicariously experience devastating critical energies and self-soothing uncertainty, passions emerging from a singular location—the place where lone, white rebel sentiment must regard the rebellion of others. Henderson shows the nuance, contradictions, and sometimes brilliance of Fahey's words that, though they were never sung to a tune, accompanied his music.