The concept of Purgatory in Middle English didactic writings is explored through examination of visions of the afterlife, sermons, homiletic treatises, and lyrics. Purgatory has been the focus of much literary and historical attention since Jacques Le Goff's important Naissance du Purgatoire(1981), but this is the first book-length study to trace its development, reception and influence in Middle English literature.Following a survey of the doctrine of Purgatory and its cultural reception, the book explores the two major Middle English genres in which it is discussed, visions of the afterlife, and didactic andhomiletic treatises on death. In a detailed examination of these, along with sermons and lyrics, the author argues that such writings tend to be structured around the dualism of salvation and damnation, heaven and hell, with no intermediary alternative; at the same time the efficacy of intercession in the alleviation of suffering is repeatedly stressed. The book goes on to suggest that the influence of Purgatory was to provide a more pragmatic and optimistic attitude towards death and the afterlife, as reflected in such poems as the Vernon lyrics. TAKAMI MATSUDAis Associate Professor in the Department of English and American Literature at Keio University.

"Conceptually well organized, stylistically clear, intellectually thoughtful, and pedagogically useful." - Thomas Head, Speculum "For its humane and learned approach to its enormous canvas, as well as for the cogency with which it penetrates at speed to the essentials of a vanished historical epoch, this History of the Church in the Middle Ages deserves a very wide audience indeed." - Barrie Dobson, English Historical Review "To have written a scholarly and very readable history of the Western Church over a millennium is a remarkable tour de force, for which Donald Logan is to be warmly congratulated." - C.H Lawrence, The Tablet "A feat of historical synthesis, most confident in its telling of the coming of Christianity. Books like Logan's are needed more than ever before." - Miri Rubin, TLS In this fascinating survey, F. Donald Logan introduces the reader to the Christian church, from the conversion of the Celtic and Germanic peoples to the discovery of the New World. He reveals how the church unified the people of Western Europe as they worshipped with the same ceremonies and used Latin as the language of civilized communication. From remote, rural parish to magnificent urban cathedral, A History of the Church in the Middle Ages explores the role of the church as a central element in determining a thousand years of history. This new edition brings the book right up to date with recent scholarship, and includes an expanded introduction exploring the interaction of other faiths - particularly Judaism and Islam - with the Christian church.

Setting out to explain his longtime fascination with the ghost of Hamlet's father, Stephen Greenblatt provides an account of the rise and fall of purgatory as both a belief and a lucrative institution - as well as a new reading of the power of Hamlet.

The debate about when the middle ages ended and the modern era began, has long been a staple of the historical literature. In order to further this debate, and illuminate the implications of a longue durée approach to the history of the Reformation, this collection offers a selection of essays that address the medieval-modern divide. Covering a broad range of topics - encompassing legal, social, cultural, theological and political history - the volume asks fundamental questions about how we regard history, and what historians can learn from colleagues working in other fields that may not at first glance appear to offer any obvious links. By focussing on the concept of the medieval-modern divide - in particular the relation between the Middle Ages and the Reformation - each essay examines how a medievalist deals with a specific topic or issue that is also attracting the attention of Reformation scholars. In so doing it underlines the fact that both medievalists and modernists are often involved in bridging the medieval-modern divide, but are inclined to construct parallel bridges that end between the two starting points but do not necessarily meet. As a result, the volume challenges assumptions about the strict periodization of history, and suggest that a more flexible approach will yield interesting historical insights.

The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.

This is a late-15th-century translation of the late-12th-century 'Visio Monachi de Eynsham'. It recounts a vision of purgatory and paradise, peopled by contemporary figures such as King Henry II, experienced by the author's brother at the monastery of Eynsham in 1196.

Aims to provide both background information on and assessments of the lyric. This work includes features of formal and thematic importance: they are rhyme scheme, stanzaic form, the carol genre, love poetry in the manner of the troubadour poets, and devotional poems focusing on the love, and suffering and compassion of Christ and the Virgin Mary.

The late thirteenth-century, monolingual Oxford manuscript, Bodleian Library, MS Laud Misc. 108, bears singular importance to medieval studies, for it preserves and anthologizes unique versions of several seminal Middle English texts, including South English Legendary, Havelok the Dane, and King Horn and Somer Soneday. While critics have traditionally classified these poems by genre, this book returns them to their manuscript context in a comprehensive examination of this vernacular codex. Considering the manuscript as a “whole book” rather than a miscellany of romances, saints' lives, and religious poems, these inter-connected essays focus on the physical, contextual, and critical intersections of Bodleian Library, MS Laud Misc. 108. Codicological evidence foregrounds the manuscript’s investment in a particular vision of an English Christian identity. Contributors are A.S.G. Edwards, Thomas R. Liszka, Murray J. Evans, Andrew Taylor, Diane Speed, Susanna Fein, Robert Mills, Andrew Lynch, Daniel Kline, Christina M. Fitzgerald, and J. Justin Brent.

"How was time experienced in the Middle Ages? What attitudes informed people's awareness of its passing - especially when tensions between eternity and human time shaped perceptions in profound and often unexpected ways? Is it a human universal or culturally specific - or both? The essays here offer a range of perspectives on and approaches to personal, artistic, literary, ecclesiastical and visionary responses to time during this period. They cover a wide and diverse variety of material, from historical prose to lyrical verse, and from liturgical and visionary writing to textiles and images, both real and imagined, across the literary and devotional cultures of England, Italy, Germany and Russia. From anxieties about misspent time to moments of pure joy in the here and now, from concerns about worldly affairs to experiences of being freed from the trappings of time, the volume demonstrates how medieval cultures and societies engaged with and reflected on their own temporalities."--Publisher's website.

Here, Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material.