This book "renders the singular arc of a woman's life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted"--

2021 National Jewish Book Award Winner - Children's Picture Book 2022 Sydney Taylor Book Award Honor for Picture Books Chicago Public Library Best Informational Books for Younger Readers 2021 The Best Jewish Children's Books of 2021, Tablet Magazine A Junior Library Guild Selection March 2022 The Best Children's Books of the Year 2022, Bank Street College 2022 First Place—Children's Book Nonfiction, Press Women of Texas 2022 First Place—Children's Book Nonfiction, National Federation of Press Women Eliza Davis believed in speaking up for what was right. Even if it meant telling Charles Dickens he was wrong. In Eliza Davis's day, Charles Dickens was the most celebrated living writer in England. But some of his books reflected a prejudice that was all too common at the time: prejudice against Jewish people. Eliza was Jewish, and her heart hurt to see a Jewish character in Oliver Twist portrayed as ugly and selfish. She wanted to speak out about how unfair that was, even if it meant speaking out against the great man himself. So she wrote a letter to Charles Dickens. What happened next is history.

本书根据实际工作需要,将大量经典写作范例与讲解说明相结合,使读者能够迅速理解各种文体的写作特征并根据需要模仿写出规范的文章。

Parker, I never meant for any of this to happen, to fall for you. It doesn't matter that we're both adults, or how much we want this to work. The college policy is clear. I can't see a way around this without one of us getting hurt. If I would've known who you were when we met online, I would have never pursued a relationship. I'm new to all of this, and besides my daughter, getting to know you has been the best thing to ever happen to me. But I can't make you hide again. I won't. It's not fair to either of us. Deepest regrets, Donovan **** Dear Mr. Brody, You're right, we are adults. I'm twenty-four years old, and I think I can decide for myself what's best for me. If this is about you losing your job, I'll walk away. But if this is you trying to protect me, then you're an idiot. I want you. I care about you. My past isn't an issue. What we're doing... it isn't the same thing. If we have to hide, so be it. I'm not ready to let you go. Your Lost Boy, Parker Dear Mr. Brody is a 93,000-word interconnected standalone, contemporary, MM slow burn romance that is light on angst and features, dating app shenanigans, student/professor fraternization, single dad swoonery, waffles, "Peter Pan" references, and a fish named Tony. TW: Brief mention of a past assault on page without graphic detail.

People living through the Victorian and Edwardian eras have one thing in common with the people of the 21st century – the need to express their message clearly in writing. This is what this eternal book teaches. Although written a hundred years ago, its advice still applies to our time. The author gives many examples and explanations about the differences between the American and British correspondence styles.