In 1850s Manhattan, 18-year-old Georgiana Cartwright witnesses the downfall of her father, a renowned actor who disgraces himself performing under the influence. When he deserts the family, Georgie is expected to save the day by marrying well. But she aspires to the stage, hoping to earn an independent living like her idol, the great actress Charlotte Cushman. Hired as a supporting actress for a prominent theater company, Georgie launches her career with the help of a trio of young friends, including Clementine, a budding scribe determined to make her mark on the literary landscape—and to win Georgie's heart. Early reviews garner Georgie the promise of a bright future, but then unwanted sexual advances from within the company threaten to derail her career. Following Cushman's lead, Georgie regains her footing in “breeches roles” parts written for men but performed by women. A thrilling gender-bending turn in a Shakespearean role boosts her confidence—until her harasser renews his efforts. Will she be able to vanquish him and find success and love on her own terms?

Shaggy Beard wishes to take me to wife! What a monstrous joke. That dog assassin whose breath smells like the mouth of Hell, who makes wind like others make music, who is so ugly and old! Catherine's in trouble. Caught between a mother who is determined to turn her into the perfect medieval lady and a father who wants her to marry her off to much older and utterly repulsive suitor. Luckily, Catherine has a plan. She has experience outwitting suitors and is ready to take matters into her own hands. A fun and vibrant coming-of-age novel about a 14-year-old girl's fight for freedom and right to self-determination.

In 1849 a twelve-year-old girl who calls herself Lucy is distraught when her mother moves the family from Massachusetts to a small California mining town. There Lucy helps run a boarding house and looks for comfort in books while trying to find a way to return "home."

In 1983, Livvie Bliss leaves western North Carolina for New York City, armed with a degree in English and a small cushion of cash from a favorite aunt. Her goal is to launch a career in publishing, but more important, to live openly as a lesbian. A rough start makes Livvie think she should give up and head home, but then a new friend helps her land a job at a literary agency run by the formidable Bea Winston. Bea hopes Livvie’s Southern charm and “boyish” good looks will help her bond with one of the agency’s most illustrious clients—the cranky Modernist writer Clio Hartt, a closeted octogenarian lesbian of the Paris Lost Generation who has rarely left her Greenwich Village apartment in four decades. When Livvie becomes Clio’s gofer and companion, the plan looks like it’s working: The two connect around their shared Carolina heritage, and their rapport gives Clio support and inspiration to think about publishing again. But something isn’t quite right with Clio’s writing. And as Livvie learns more about Clio’s relationship with playwright Flora Haynes, uncomfortable parallels emerge between Livvie’s own circle of friends and the drama-filled world of expatriate artists in the 1920s. In Clio’s final days, the writer shares a secret that could upend Livvie’s life—and the literary establishment.

Examines the life of the androgynous nineteenth-century American actress and her work on the Anglo-American stage

The Newbery Award-winning author of Catherine, Called Birdy and The Midwife's Apprentice tells a heartfelt and humorous story of WWII on the homefront. Millie McGonigle lives in sunny California, where her days are filled with beach and surf. It should be perfect--but times are tough. Hitler is attacking Europe and it looks like the United States may be going to war. Food is rationed and money is tight. And Millie's sickly little sister gets all the attention and couldn't be more of a pain if she tried. It's all Millie can do to stay calm and feel in control. Still--there's sand beneath her feet. A new neighbor from the city, who has a lot to teach Millie. And surfer boy Rocky to admire--even if she doesn't have the guts to talk to him. It's a time of sunshine, siblings, and stress. Will Millie be able to find her way in her family, and keep her balance as the the world around her loses its own?

In rural Virginia in 1960, history professor Gen Rider has secured tenure at Baines College, a private school for white women. A woman in a man’s field, she teaches “Negro” history, which has made her suspect with a powerful male colleague. Even while she’s celebrating her triumph, she’s also mourning the break-up of a long-distance relationship with another woman—a romance she has tightly guarded, even from her straight female mentor. As the fall semester dawns, a male instructor at the college is arrested for having sex with a man in a park. Homosexual panic envelops the college town, launching a “Know Your Neighbor” reporting campaign. The police investigation directly threatens Gen’s friend Fenton, the gay theater director at Baines. But Gen finds herself vulnerable, too, when someone leaves mysterious “gifts” for her, including a suggestive pulp novel and a romantic card. As Gen tentatively embarks on a new relationship, a neighbor reports she’s seen Gen kissing a woman, and hearings into her morality catch her in a McCarthy-like web. With her private life under the microscope, Gen faces an agonizing choice: Which does she value more, the career she’s scraped to build against the odds or her right to a private life?

From the much acclaimed author of Dared and Done: The Marriage of Elizabeth Barrett and Robert Browning, a new book that retrieves the lives of Victorian women--writers, actresses, poets, journalists, sculptors, and social reformers--celebrated in their day but forgotten in ours. Julia Markus focuses in particular on the American Charlotte Cushman, the most famous English-speaking actress of her day, and on the Scottish Jane Welsh Carlyle, a brilliant London hostess who gave up private ambition to become the wife of her friend Thomas Carlyle. Charlotte Cushman became an international star on the New York and London stage, and her Romeo and Hamlet were sensations. An independent woman with shrewd business sense who made her own fortune and supported her entire family, she dressed like a man from the waist up and had a succession of female lovers, each one of whom she planned to live with for life, each of whom she 'married.' Jane Welsh Carlyle, literary hostess, unparalleled letter writer and chronicler of her times--who, after a passionate youthful love affair, resolved to marry genius or not at all--became the wife of the revered and lionized philosopher Thomas Carlyle, a difficult, demanding man with whom she had a sexless marriage. Interweaving the worlds of Charlotte Cushman and Jane Carlyle--the worlds of expatriate Rome, literary London, New York, and St. Louis--Markus gathers together a number of interrelated and renowned women who were relegated in the public eye to the position of Virgin Queen (no matter how much married) or Old Maid, but who were, in fact, privately leading vibrant, independent, sexual lives. Among them: Matilda Hays, translator of George Sand; Harriet Hosmer, who resolved to become the world's first professional woman sculptor; and Emma Stebbins, whom Cushman 'married' and who created the Bethesda Fountain in New York's Central Park. Here, too, are the people who sought the friendship of Cushman and Carlyle, including Ralph Waldo Emerson, Horace Mann, Elizabeth Peabody, President Lincoln's Secretary of State William H. Seward, Geraldine Jewsbury, and Rosa Bonheur. Making use of letters, diaries, newspaper accounts, and journals of the day, many of them overlooked and unpublished, Julia Markus rediscovers lives forgotten in the shadows of convention and shows how these remarkable women--seemingly separated by nationality, class, and sexual inclination--met, formed alliances, and influenced one another, forging changes in themselves and in their time.