DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickcock and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

After just two seasons, the HBO drama Deadwood has become one of cable's highest rated series, a symbol of how great television can be when pushed to its limits. From the masterful acting to the surprisingly credible re-creation of a Western gold-rush town to the provocative dialogue, Deadwood is television made at the highest level of craft. Now, through the eyes of series creator David Milch, the Emmy and Golden Globe Award-winning drama comes to life like never before. Imaginatively rendered and lavishly illustrated, Deadwood- Stories of the Black Hills is an unprecedented look at the people, places, and history of Deadwood, as seen and imagined by the show's creator, chief writer, and executive producer David Milch. Through in-depth discussions of the themes and motivations that run throughout Deadwood - from violence to gold to profane language - Milch sheds light on the characters and events of Deadwood. Fresh interviews with the Deadwood cast, never before seen photographs of the show, and dozens of historical photographs and objects vividly bring the most dangerous settlement in the West to life. Much more than a companion to the series, this book is an integral part of the show's storied mythology, as it examines, in great detail, the fascinating intersection of historical fact and inventive fiction - from Custer's opening of the Black Hills (and defeat by the Sioux), to the compelling story of the frontier Chinese, who endured years of racism in order to survive in the West. Entertaining and illuminating, Deadwood

"Trespassers will be gutted and hung!" --Slagton's unofficial town motto spray-painted on the old company store. Normally, not even drunk on a bet would Violet Parker go to Slagton, a creepy ghost town inhabited by those too stubborn--or deranged--to leave. But a certain bullheaded Deadwood detective has a problem--his informant from Slagton has gone missing. When Violet is shanghaied into taking a hunting trip to the ghost town to search for the missing snitch, she stumbles into trouble that will take more than a double-barreled shotgun to escape. Will Violet survive this new Hell that haunts her, or will she end up on Slagton's growing list of those "gutted and hung"?

Chronicles Deadwood, South Dakota, a typical American frontier and gold rush town, especially the volatile years 1875-1925.

Things that Go Bump at High Noon! Tales of the Weird Wild West from Charlaine Harris, Mike Resnick, D.J. Butler, Stephen Graham Jones, and more. Baen’s Bestselling Western Fantasy and Horror Anthology Returns for Another Showdown! Once again, we return to the Old West with a new posse of top authors spin tales of horror, fantasy, and science fiction. We take no prisoners as they explore what really was, and mix in what might have been. Charlaine Harris [The Sookie Stackhouse Series, Midnight, Texas] shows us a glimpse inside her new series as a tormented gunfighter faces a true demon of her past. Mike Resnick [The Buntline Special] reveals what Doc Holiday thought was so funny on his last day. Jeffrey Mariotte [Desperados, Graveslingers] introduces us to a man who specializes in pictures of the dead who won’t stay dead. Jane Lindskold [The Firekeeper Saga, The Star Kingdom Series (with David Weber)] teaches us not to underestimate a schoolmarm when her students are in jeopardy. And Shane Hensley [Deadlands] cooks up a stew that threatens to send every famous lawman in history to their graves! Plus, a dozen more stories of how the west was wilder than any history book could contain, such as a new Native American legend by Stephen Graham Jones and a Mormon troubleshooter straddling the line between his faith and the supernatural by D.J. Butler. The west that was rides again with west that could have been in this follow-up to Straight Outta Tombstone! Contributors: Mike Resnick D.J. Butler Jane Lindskold Shane Hensely Jeffrey J. Mariotte Steve Ransic Tem Stephen Graham Jones Derrick Ferguson Frog and Esther Jones Cliff Winnig Jennifer Campbell-Hicks Alex Acks Marsheilla Rockwell Mario Acevedo Betsy Dornbusch Travis Heermann At the publisher's request, this title is sold without DRM (Digital Rights Management). About Straight Outta Deadwood: "Cross-genre fans will find this anthology enjoyable . . ."—Publishers Weekly About Sequel Straight Outta Tombstone: “The authors were having fun. Even when they are not playing the stories for laughs, they are taking an opportunity to enjoy an opportunity to tell a story with a fresh twist, and expand out of their expected boundaries. Straight Outta Tombstone is a change-up pitch, which will leave readers laughing on occasion, spooked at times, and entertained throughout.”—Daily News of Galveston County

The true life histories of Wild Bill Hickok, Calamity Jane, and other residents of the lawless town known as Deadwood—the inspiration for the award-winning HBO® series and film. With a cast of historically rich characters, The Real Deadwood explores the lives of Wild Bill Hickok, Al Swearengen, Seth Bullock, Calamity Jane, Sol Star, and a host of others who walked the streets of Deadwood. An historical crossroad of the American west, even Wyatt Earp came to Deadwood, only to bump heads with Sheriff Seth Bullock. Other celebrated visitors over the years include Buffalo Bill Cody, the Sundance Kid, Bat Masterson, and Teddy Roosevelt. Looking at the world of primitive medicine, prostitution, and law from lawlessness, The Real Deadwood separates the facts from the fiction in its overview of a town violent enough to rival the likes of Tombstone, Dodge City, and Abilene. This is the true story of life on the frontier—when roughing it was truly rough. It's good versus evil and civilization versus anarchy. It's the real Deadwood.

They had beaten the harsh odds of the frontier. But for the two powerful ranchers, the most formidable trail lay ahead. There had never been a trail drive like this before... The only riches Texans had left after the Civil War were five million maverick longhorns and the brains, brawn, and boldness to drive them to market along treacherous trails. Now, Ralph Compton brings this violent and magnificent time to life in an extraordinary series based on the history-blazing trail drives. For veteran ranchers Nelson Story of Montana, and Benton McCaleb of Wyoming, it was an opportunity a man didn't pass up. In gold camps of the Black Hills, miners were hungry for beef, at boomtown prices. But within the two outfits were Indians, gunmen, Texans, lovesick cowboys, and high-spirited women. Worse, the drive would pass through Crow and Sioux territory, when Custer's defeat at the Little Big Horn was just hours away. The drives were tangled by violent grudges, stampeding herds, and dangerous deception. The two brawling outfits had one thing in common: a deadly surprise awaiting them at the end of the trail...

bibliography, index, eight-page photo essay

Women Writing the West WILLA Award Finalist From “the reigning royalty of Minnesota murder mysteries” (The Rake) comes a striking new heroine: a young Irish immigrant caught up in a deadly plot in nineteenth-century Deadwood When I was fifteen and my brother Seamus sixteen, we attended our own wake. Our family was in mourning, forced to send us off to America. The year is 1880, and of all the places Brigid Reardon and her brother might have dreamed of when escaping Ireland’s potato famine by moving to America, Deadwood, South Dakota, was not one of them. But Deadwood, in the grip of gold fever, is where Seamus lands and where Brigid joins him after eluding the unwanted attentions of the son of her rich employer in St. Paul—or so she hopes. But the morning after her arrival, a grisly tragedy occurs; Seamus, suspected of the crime, flees, and Brigid is left to clear his name and to manage his mining claim, which suddenly looks more valuable and complicated than he and his partners supposed. Mary Logue, author of the popular Claire Watkins mysteries, brings her signature brio and nerve to this story of a young Irish woman turned reluctant sleuth as she tries to make her way in a strange and often dangerous new world. From the famine-stricken city of Galway to the bustling New York harbor, to the mansions of Summit Avenue in St. Paul, and finally to the raucous hustle of boomtown Deadwood, Logue’s new thriller conjures the romance and the perils, and the tricky everyday realities, of a young immigrant surviving by her wits and grace in nineteenth-century America.

Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this “haunted” house was recently the stage for a two-act, murder-suicide tragedy. Ghost or no ghost, Violet knows this can’t be as bad as the last house of horrors she tried to sell, but sexy Doc Nyce has serious doubts. Her only hope of hanging on to her job is to prove that the so-called, ghostly sightings are merely the eccentric owner’s optical delusions. But someone—or something—in the house wants Violet stopped...dead.