What ails the Indo-Pakistani relationship? Rivalry between the two states has persisted since the partition of the British Indian Empire in 1947, and despite negotiations, four wars and multiple crises, India and Pakistan remain locked in a long-standing dispute. Evaluating relations from 1999 through to 2009, Sumit Ganguly seeks to understand this troubled relationship and why efforts at peace-making and conflict resolution, which have included unilateral Indian concessions, have not been more fruitful. Charting key sources of tension throughout the decade, including the origins and outcomes of the Kargil War in 1999, developments in the Indian-controlled portion of the state of Kashmir, the attack on the Indian parliament in December 2001 and the onset of the 2001–2 crisis, Deadly Impasse sets out to discover whether the roots of this hostile relationship stem from security dilemmas or reflect the dynamics between a status quo power and a predatory state.

Evaluating state relations from 1999 to 2009, Deadly Impasse seeks to explore what ails the Indo-Pakistani relationship and perpetuates the enduring rivalry.

The official monthly record of United States foreign policy.

The first anthology to focus exclusively on queer readings of Spanish, Latin American, and US Latina lesbian literature and culture, Tortilleras interrogates issues of gender, national identity, race, ethnicity, and class to show the impossibility of projecting a singular Hispanic or Latina Lesbian. Examining carefully the works of a range of lesbian writers and performance artists, including Carmelita Tropicana and Christina Peri Rossi, among others, the contributors create a picture of the complicated and multi-textured contributions of Latina and Hispanic lesbians to literature and culture. More than simply describing this sphere of creativity, the contributors also recover from history the long, veiled existence of this world, exposing its roots, its impact on lesbian culture, and, making the power of lesbian performance and literature visible.

Wormwood Scrubs is Britain's most ‘media-soaked' prison. Its celebrity inmates have provided the tabloids with many good stories, from Rolling Stone Keith Richards - banged up for drugs offences - to notorious spy George Blake, whose escape enthralled the country. It has entertained the Master of the Queen’s music, Sir Michael Tippett, socialist scrapper Fred Copeman, rebellious soul Pete Doherty, influential writer Joe Orton, lifetime litigant Lord Alfred Douglas, fraudster John Stonehouse and professional con Charles Bronson. In this book, you’ll read about the forgotten, as well as the famous; the plain as well as the extraordinary. It is an enthralling gallery of rogues, liars, spies, mountebanks, lovers of courtroom strife and general, all-round villains who did anything to get rich.

In Gambling with Violence, Yelena Biberman tackles a global problem that is particularly consequential for Pakistan and India: state outsourcing of violence to ordinary civilians, criminals, and ex-insurgents. Why would these countries gamble with their own national security by outsourcing violence - arming nonstate actors inside their own borders? Drawing on over 200 interviews, archival research, and fieldwork conducted across Asia, Europe, and North America, Biberman introduces the "balance-of-interests" thesis to deepen our understanding of state-nonstate alliances in civil war. This framework centers on the distribution of power during war and shows how various combinations of interests result in distinct types of coalitions. Incorporating case studies of civil war and counterinsurgency, her book sheds light on how militias, alliances, and South Asian security connect today.

From 1955 to 1964, American television was awash in adult Westerns, as much as one quarter of all prime-time programming. During its six seasons (1957-1963), Have Gun-Will Travel was recognized as one of the best shows on television--politically the most liberal, and intellectually and aesthetically the most sophisticated, largely because of Richard Boone. This work places the series in its larger historical context, exploring why the Western was so popular at the time, and examines how the early history of television affected the shows. A brief biography of Boone is included, revealing how his values and experiences shaped the series. Behind-the-scenes life on the show is compared with that of its most popular competitors, Gunsmoke, Wagon Train and Bonanza. Major themes and patterns of the shows are compared, in particular the figures of the lawman, the gunfighter and the outlaw, racial and ethnic minorities, and women.