The definitive story of a South Carolina newspaper editor’s murder at the hands of a 1902 gubernatorial candidate, and the dramatic trial that ensued. On January 15, 1903, South Carolina lieutenant governor James H. Tillman shot and killed Narciso G. Gonzales, editor of South Carolina’s most powerful newspaper, the State. Blaming Gonzales’s stinging editorials for his loss of the 1902 gubernatorial race, Tillman shot Gonzales to avenge the defeat and redeem his “honor” and his reputation as a man who took bold, masculine action in the face of an insult. James Lowell Underwood investigates the epic murder trial of Tillman to test whether biting editorials were a legitimate exercise of freedom of the press or an abuse that justified killing when camouflaged as self-defense. This clash—between the revered values of respect for human life and freedom of expression on the one hand and deeply engrained ideas about honor on the other—took place amid legal maneuvering and political posturing worthy of a major motion picture. One of the most innovative elements of Deadly Censorship is Underwood’s examination of homicide as a deterrent to public censure. He asks the question, “Can a man get away with murdering a political opponent?” Deadly Censorship is courtroom drama and a true story. Underwood offers a painstaking re-creation of an act of violence in front of the State House, the subsequent trial, and Tillman’s acquittal, which sent shock waves across the United States. A specialist on constitutional law, Underwood has written the definitive examination of the court proceedings, the state’s complicated homicide laws, and the violent cult of personal honor that had undergirded South Carolina society since the colonial era. “Since the 1920s, the United States has had dozens of sensational trials—all of which have been labeled “the trial of the century.” There is no question had the trial of Lieutenant Governor James Tillman for the murder of N. G. Gonzales, the editor of the State newspaper, occurred in our time that it would have had the same appellation. . . . Riveting . . . as gripping as any contemporary courtroom drama.” —Walter Edgar, author of South Carolina: A History “An insightful and in-depth look at the assassination of Columbia newspaper editor N.G. Gonzales by South Carolina Lt. Gov. James H. Tillman in 1903. Jim Underwood’s carefully researched work not only reports on the killing and ensuing trial, it explains the forces that created a society where it was acceptable to kill a man to silence his pen.” —Jay Bender, Reid H. Montgomery Freedom of Information Chair, University of South Carolina “Finally, Jim Underwood has unraveled the killing, the murder trial, and the aftermath, and through his narrative tells a story of unfettered freedom of the press versus hot-bloodied Southern manhood honor. Without question, Deadly Censorship is a remarkable, eloquent, and important book.” —W. Lewis Burke, Director of Clinical Legal Studies, School of Law, University of South Carolina

A veteran of the Central Intelligence Agency unmasks its culture of lethal lies in this devastating exposé, now with a new foreword by David MacMichael. Ralph W. McGehee was a patriot, dedicated to the American way of life and the international fight against Communism. Following his graduation with honors from Notre Dame, McGehee was recruited by the Central Intelligence Agency in 1952 and quickly became an able and enthusiastic cold warrior. Stationed in Southeast Asia in the mid-1960s, he worked to stem the Communist tide that was sweeping through the region, first in Thailand and later in Vietnam. But despite his notable successes in reversing enemy influence among the local peasants and villagers, McGehee found himself increasingly alienated from a company culture built on deceit and wholesale manipulation of the truth. While his country was being pulled deeper and deeper into the Vietnam quagmire, McGehee awoke to a chilling reality: The CIA was not a gatherer of actual intelligence to be employed in a legitimate war against dangerous enemies, but a tool of the president’s foreign-policy staff designed solely to stifle the truth and fabricate “facts” that supported the agency’s often immoral agenda. With courage and candor, Ralph McGehee illuminates the CIA’s dark catalog of misdeeds in his stunning, no-holds-barred memoir of a life in the service of deception. Startling, eye-opening, and infuriating, Deadly Deceits is an honest and unflinching insider’s look at a toxic government agency that the author cogently argues has no useful purpose and no moral right to exist.

More than 75 essays—many freshly composed by Mumia with the cartridge of a ball-point pen, the only implement he is allowed in his death-row cell—embody the calm and powerful words of humanity spoken by a man on Death Row. Abu-Jamal writes on many different topics, including the ironies that abound within the U.S. prison system and the consequences of those ironies, and his own case. Mumia's composure, humor, and connection to the living world around him represents an irrefutable victory over the "corrections" system that has for two decades sought to isolate and silence him. The title, All Things Censored, refers to Mumia's hiring as an on-air columnist by National Public Radio's "All Things Considered," and subsequent banning from that venue under pressure from law and order groups.

From #1 Amazon, New York Times & USA Today bestselling author Gemma Halliday comes an average day in an average high school that suddenly turns deadly... When Hartley Grace Featherstone heard the rumor that her boyfriend, Josh, was playing "hide the pom-poms" with the president of the Herbert Hoover High Chastity Club, she was crushed. When she found proof of his cheating, she was downright angry. But when she found the dead body of Miss Chastity herself, Courtney Cline, shoved into her boyfriend's closet, Hartley was something else altogether... scared for her life. Now Hartley's boyfriend Josh—scratch that, ex-boyfriend—is the #1 suspect in a murder, the police are watching Hartley's every move, and the only thing spreading faster than the gossip about Hartley is the fear that someone else at school may be next. Along with her faithful best friend and an unlikely ally in the bad-boy editor of the school paper, it's up to Hartley to find out who really offed her school's queen of mean. Before Hartley becomes the killer's next victim. Hartley Grace Featherstone Mysteries: Deadly Cool – book #1 Killer Looks – book #2 Wicked Games – book #3 "Irreverently funny voice... wicked pace... explosive conclusion!" ~ Booklist "Halliday balances the comedy and suspense notes well, keeping her characters intriguing and her narrative bright. Suspenseful fun." ~ Kirkus Reviews "This fun and outrageous mystery is a perfect mix of humor and horror that will have readers laughing while they try to figure out 'whodunit.'" ~ School Library Journal "I absolutely adore this series and these characters... it's smart, funny and full of heart." ~ The Book Life Rating: This book does not contain any scenes with graphic gore, violence, or sexual content. Its rating would be similar to a PG13 movie or Hallmark Channel mystery. Themes encountered by real teens are explored (including teen sex vs. abstinence), while keeping the overall rating and content appropriate for younger- and pre-teens. Consequences are shown for behaviors, and negative actions are not glorified.

This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.

The George Floyd riots that have precipitated great changes throughout American society were not spontaneous events. Americans did not suddenly rise up in righteous anger, take to the streets, and demand not just that police departments be defunded but that all the structures, institutions, and systems of the United States—all supposedly racist—be overhauled. The 12,000 or so demonstrations and 633 related riots that followed Floyd’s death took organizational muscle. The movement’s grip on institutions from the classroom to the ballpark required ideological commitment. That muscle and commitment were provided by the various Black Lives Matter organizations. This book examines who the BLM leaders are, delving into their backgrounds and exposing their agendas—something the media has so far refused to do. These people are shown to be avowed Marxists who say they want to dismantle our way of life. Along with their fellow activists, they make savvy use of social media to spread their message and organize marches, sit-ins, statue tumblings, and riots. In 2020 they seized upon the video showing George Floyd’s suffering as a pretext to unleash a nationwide insurgency. Certainly, no person of good will could object to the proposition that “black lives matter” as much as any other human life. But Americans need to understand how their laudable moral concern is being exploited for purposes that a great many of them would not approve.

The yearly volumes of Censored, in continuous publication since 1976 and since 1995 available through Seven Stories Press, is dedicated to the stories that ought to be top features on the nightly news, but that are missing because of media bias and self-censorship. The top stories are listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories.

Drawing on extensive research in the Spanish National Archive, Alejandro Herrero-Olaizola examines the role played by the censorship apparatus of Franco's Spain in bringing about the Latin American literary Boom of the 1960s and 1970s. He reveals the negotiations and behind-the-scenes maneuvering among those involved in the Spanish publishing industry. Converging interests made strange bedfellows of the often left-wing authors and the staid officials appointed to stand guard over Francoist morality and to defend the supposed purity of Castilian Spanish. Between these two uneasily allied groups circulated larger-than-life real-world characters like the Barcelona publisher Carlos Barral and the all-powerful literary agent Carmen Balcells. The author details the fascinating story of how novels by Mario Vargas Llosa, Guillermo Cabrera Infante, Gabriel García Márquez, and Manuel Puig achieved publication in Spain, and in doing so reached a worldwide market. This colorful account underpins a compelling claim that even the most innovative and aesthetically challenging literature has its roots in the economics of the book trade, as well as the institutions of government and the exigencies of everyday politics and ideology.

The new and improved "Censored," detailing the top censored stories and media analysis of 2020. Our nation's oldest news-monitoring group, Project Censored, refreshes its longstanding yearbook series, Censored, with State of the Free Press 2021. This edition offers a more succinct and comprehensive survey of the most important but underreported news stories of 2020; in addition to a comparative analysis of the current state of corporate and independent news media, and its effect on democracy. The establishment media sustains a decrepit post-truth era, as examined the lowlight features: "Junk Food News"-frivolous stories that distract the public from actual news-and-"News Abuse"-important stories covered in ways that undermine public understanding. The alternative media provokes a burgeoning critical media literacy age, as evaluated in the highlight feature: "Media Democracy in Action"-relevant stories responsibly reported on by independent organizations. Finally, in an homage to the history of the annual report, the editors reinstate the "Déjà vu News" feature-revisited stories from previous editions. State of the Free Press 2021 endows readers with the critical thinking and media literacy skills required to hold the corporate media to account for distorting or censoring news coverage, and thus, to revitalize our democracy.