Deadheads may disagree on which Grateful Dead concert was their best ever, but no one would argue that their performance at Englishtown on Sept. 3, 1977, was something special. For Jim Daley, who saw the band for the first time on that date, it was a life-changing experience that he looks back on with fondness more than forty years later. Like many others, he does n’t remember much about that day ... but he sure does remember the music. In this tribute to the band he loves so much, the author commemorates the landmark concert by sharing memories from those who were there.Together, the tapestry of recollections reveals a detailed picture of what that day was like, and why it was a defining moment for the band. Some people remember the day quite vividly, while others are a little foggy on details. For most people, however, the music is at the forefront of their recollections. Discover what it was really like on that hot, humid day at Raceway Park in Old Bridge,New Jersey, and how – at least for the day – the Grateful Dead got everything “Just exactly perfect”.

Chronicles 10 years of my life on the road, from 1979 thru 1989, following the Grateful Dead on tour across America with a core group of friends while recording the music along the way. I share my stories while introducing my real life traveling companions.

A Tale of Twisted Fate chronicles Bob Dylan's rapid ascent to immortality as the preeminent songwriter of his time, and contrasts that with the Grateful Dead's long strange trip, during which they went from being a psychedelic band with a cult following to the most popular touring act in America. When Dylan & the Dead launched their historic 1987 tour, Dylan's popularity was declining and he was out of touch with his muse. On the other hand, the Grateful Dead basked in the unexpected commercial success of their hit MTV video "Touch of Grey." Inspired by his time with the Dead, Dylan experienced a rebirth as a performing artist. A Tale of Twisted Fate explores the influences, innovations, and legacies of the iconic careers of Bob Dylan and Jerry Garcia.

Celebrate the fiftieth anniversary of the most popular and enduring band ever: “Even the most hardcore Deadheads will be impressed by this obsessively complete look at the Grateful Dead’s lyrics” (Publishers Weekly). The Complete Annotated Grateful Dead Lyrics is an authoritative text, providing standard versions of all the original songs you thought you knew forwards and backwards. These are some of the best-loved songs in the modern American songbook. They are hummed and spoken among thousands as counterculture code and recorded by musicians of all stripes for their inimitable singability and obscure accessibility. How do they do all this? To provide a context for this formidable body of work, of which his part is primary, Robert Hunter has written a foreword that goes to the heart of the matter. And the annotations on sources provide a gloss on the lyrics, which goes to the roots of Western culture as they are incorporated into them. An avid Grateful Dead concertgoer for more than two decades, David Dodd is a librarian who brings to the work a detective’s love of following a clue as far as it will take him. Including essays by Dead lyricists Robert Hunter and John Perry and Jim Carpenter’s original illustrations, whimsical elements in the lyrics are brought to light, showcasing the American legend that is present in so many songs. A gorgeous keepsake edition of the Dead’s official annotated lyrics, The Complete Annotated Grateful Dead Lyrics is an absolute must-have for the fiftieth anniversary—you won’t think of this cultural icon the same way again. In fact, founding band member Bob Weir said: “This book is great. Now I’ll never have to explain myself.”

The author presents a profile of the Jerry Garcia Band, including band personnel from 1975-1979, concert set lists, essays of the author's first-hand concert experiences, and concert photos from the author's personal archives.

The author chronicles the year 1977 in the career of the Grateful Dead and the lives of their fans.

As the Grateful Dead's musical odyssey unfolded over the course of four decades, their persistent touring produced an innovative live archive that was avidly devoured by their zealous fans. In Deadology, Howard Weiner selects the band's most productive dates throughout the years and dissects their finest jams, segues, sets, and shows. The narrative of each essential day and month flows like a unique mini-documentary-thirty-three shades of Grateful Dead history. Deadology is a thorough, timeless, and distinctive chronicle that illuminates the prodigious output of a band beyond description.

The Dead's music reflected the people's tide of emotions and changing lives throughout the 1960s. Allen updates the Grateful Dead's history through the fall of 2013. He provides a thorough account of the Dead's career, from their inception, through the death of Jerry Garcia, and on to their incarnations over the years.

The untold story of life on the road with the Grateful Dead, written by an insider who lived it from the early days to today. Steve Parish was never one to walk the straight-and-narrow, even during his childhood growing up in Flushing Meadow, Queens. Busted as a teenager for selling acid in the summer of 1968, Parish landed in Riker's Island. The experience changed him and after getting out he did his best to stay out of trouble, securing a job moving music equipment at the New York State Pavilion. The first show he worked was a Grateful Dead concert in July of 1969 and Parish was captivated by the music. A life seemingly headed nowhere had suddenly found its calling as he fell in quickly with a band of likeminded misfits who formed the nucleus of what would be the greatest road crew in rock 'n' roll history. Parish traveled to California where his apprenticeship began. Working for the band for free and learning his craft, Parish got to know Jerry, Bobby, Phil, Billy and Mickey and through the years their relationships forged an unbreakable bond. He became very close with Garcia in particular, acting as his personal roadie and later manager for his solo performances and Garcia Band shows. He was there during times of trouble (like when a pimp held Garcia hostage at gunpoint in a New York hotel room), spending hours by his bedside when Garcia was in a coma in 1986, and performing the duties of best man at his wedding. He was also the last friend to see Garcia alive. Throughout the Dead's historic run, there were parties of biblical proportion and celebrity run-ins with everybody from Bob Dylan to Frank Sinatra--but there was a dark side to life on the road and tragedy didn't just strike the musicians. But Home Before Daylight is a story of friendship, of music and redemption. It is a piece of music history, one that reflects the American spirit of adventure and brotherhood. Seen through Steve Parish's eyes and experiences, The Grateful Dead's wild ride has never been so revealing.

In the 1720s and 1730s, Jean-Baptiste Oudry established himself as the preeminent painter in France of hunts, animals, still lifes, and landscapes. Oudry’s Painted Menagerie focuses on a suite of eleven life-size portraits of exotic animals from the royal menagerie at Versailles, painted by Oudry between 1739 and 1752. These paintings eventually found their way into the ducal collection in Schwerin, Germany. Among them is the magnificent portrait of Clara, an Indian rhinoceros who became a celebrity in mid-eighteenth-century Europe. Her portrait has been out of public view for more than a century, and it is presented here in its newly conserved state.