Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'" In When I Stop Talking, You'll Know I'm Dead, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen. Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever. And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come." As Weintraub says, "When I stop talking, you'll know I'm dead." With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.

When heiress-turned-cemetery-guide Pepper Martin is forced to participate in a local reality television show called "Cemetery Survivor," a ghost asks for her help to prove that he was wrongly convicted of killing a young woman.

When her Aunt Sapphire takes a tumble down the stairs, meteorologist Zoe Parker reluctantly returns to the town of Everlasting to help her aunt get safely back into her lighthouse home. Almost immediately, strange things start happening with the weather, and Zoe discovers her aunts fall was no accident. With the help of Dane Stanton, an old flame, Zoe attempts to solve the mystery and ensure her aunt's safety.

Pat had been best friends with Joe Murphy since they were kids. But years ago they had a fight. A big one, and they haven't spoken since --- till the day before Joe's funeral. What? On the day before his funeral Joe would be dead, wouldn't he? Yes, he would... Roddy Doyle's first book for the Quick Reads programme to support adult literacy is fast, funny and just a tiny bit spooky.

Renowned crime expert Christopher Berry-Dee has gained the trust of some of the most infamous inmates from around the world, having corresponded with them and even entered their prison lairs to discuss their horrific crimes in detail. Subjects include John Edward Robinson, convicted in 2003 of the murders of several women in Kansas; "Ice Queen" Melanie McGuire of New Jersey, convicted in 2007 of the murder and dismemberment of her husband; Philip Carl Jablonski, convicted of killing five women in California and Utah between 1978 and 1991; 94-year-old Viva Leroy Nash, serving two consecutive life sentences in Utah for murder and robbery; Michael Bruce Ross, executed in 2005 by the state of Connecticut, and "The Happy Face Killer" Keith Hunter Jesperson, serving three consecutive life sentences at the Oregon State Penitentiary.

"Philip Sorgen is not really dead-- it's just that since he received his poetic license he has been dying to use it. Philip has been an actuarial trainee at Metropolitan Life Insurance Company, a Sp4 in the U.S. Army reserve and then for thirty-four rewarding years a mathematics teacher at Great Neck North High School. He plays the piano by ear, composes music (with a pencil) and has tennis elbow, which is a lot less severe than tennis balls. He is the husband of one, a father of two and a grandfather of three. This is the story of his life."--Back cover

Clive January, a black man and successful Wall Street banker. A husband, father and lover of a woman with whom he'd shared an obsessive love since before his marriage to another. And now he's dead, shot in the back at his sumptuous Long Island summer home. When the story opens we see Clive's ghost who has realized that he must work through Bob Greene, the white detective assigned to his case in order to discover his murderer. Clive is trapped in a world between heaven and hell and his only hope for peace is to find out who killed him. Bit by bit, through dreams and by taking over Bob's consciousness, he reveals his life leading up to the murder in the hope that if Bob knows what really happened, he can find Clive's murderer before it's too late. A DEAD MAN SPEAKS is the story of two men who need each other to complete their lives -- one living the other dead --- one to move forward in this life and the other to move forward in the next. It's about two men with two very different lives who are bound together by one murder that neither can escape. Clive January, a black man and brash Wall Street entrepreneur who is hated by many and understood by few and Bob Greene the white detective living in the shadow of a failed career and determined to prove that he's still got it. Bob Greene is psychic and with his gift of clairvoyance, he re-lives the bitter pieces of Clive's life, Clive January the poor boy from the South, who hated himself, never knowing why until it was too late. Clive, the husband and successful Wall street banker whose life had spiraled out of control. Told primarily through Clive's voice and then Detective Bob's, a complex story is layered from their two perspectives, until the truth is revealed in a wrenching ending that neither ever suspected.

What happened to a teenager named Lucy one night in 1966 after a Beatles concert? She rushed the stage, kissed Paul, started home with her friends, and was never seen again-until cemetery guide and unintentional PI to the dead Pepper Martin sees her as a ghost. Lucy's spirit can't rest in peace until her body is found and buried. But how will Pepper track down a missing corpse after forty-five years?

A mesmerizing and thrilling novel—perfect for fans of Tana French and Stieg Larsson—that introduces a modern, unforgettable rookie cop whose past is as fascinating and as deadly as the crimes she investigates. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Boston Globe • The Seattle Times SHE KNOWS WHAT IT’S LIKE. . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy—and long dead—steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer. But D.C. Griffiths is no ordinary cop. She’s earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there’s that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open. Ignoring orders and protocol, Fiona begins to explore far beyond the rich man’s credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she’s only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks—not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time. BONUS: This edition includes an excerpt from Harry Bingham's Love Story, with Murders. Praise for Talking to the Dead “Gritty, compelling . . . a procedural unlike any other you are likely to read this year.”—USA Today “With Detective Constable Fiona ‘Fi’ Griffiths, Harry Bingham . . . finds a sweet spot in crime fiction . . . think Stieg Larsson’s Lisbeth Salander . . . Denise Mina’s ‘Paddy’ Meehan [or] Lee Child’s Jack Reacher. . . . The writing is terrific.”—The Boston Globe “The mystery-thriller genre is already so staffed with masterminds that it’s hard to make room for another. But along comes a book like Talking to the Dead, and suddenly an unadvertised opening is filled. . . . [This] has the feel of something fresh and compelling.”—New York Daily News “A stunner with precision plotting, an unusual setting, and a deeply complex protagonist . . . We have the welcome promise of more books to come about Griffiths.”—The Seattle Times “Recommended highly . . . [a] riveting procedural thriller.”—Library Journal (starred review)

It's 1988 and Lily Bloom, a 65-year-old American lies dying of cancer in a London hospital. As her two daughters buzz around her and the nurses pump her full of morphine, she slides in and out of consciousness, outraged that there is so little time left and so many people still to disparage.