Fans of Louise Penny will love the Emily Kincaid mysteries by Elizabeth Kane Buzzelli! “Every woman who’s ever struggled with saying no, fitting in, and balancing independence against loneliness will adore first-timer Emily.” —Kirkus Reviews Following an ugly divorce and the death of her father, Emily Kincaid decides what she needs most is peace and quiet and time to think, so the part-time journalist and full-time struggling mystery writer relocates to a remote house in the woods of northern Michigan. When a severed head shows up in her garbage can, Emily knows she’s been singled out, and suddenly her peaceful solitude feels a lot like isolation and vulnerability. Discovering that the victim was a member of the Women of the Moon, a group of older local ladies who sing and dance around a bonfire in the woods late at night, Emily’s at a loss to know why anyone would want to hurt one of them. The women claim it’s a harmless act in praise of Mother Earth, a way to feel young again, but certain townspeople don’t see it that way. As Emily digs deeper, more of the women are turning up dead. Knowing she’ll have to root out a killer to save her peaceful paradise, Emily teams up with the cantankerous Deputy Dolly and begins navigating between eccentric town gossips and reclusive neighbors who would rather be left alone. When the killer gets too close for comfort, Emily knows she’ll have to put aside her fears before the natural life she’s chosen comes to a grisly and very unnatural end. Rave reviews for the Emily Kincaid Mysteries: Dead Dogs and Englishmen A Kirkus Reviews Best Book of 2011! “Buzzelli will have you packing your bags for a move to northern Michigan.” —Kirkus Reviews (starred review) “Emily is a detective for our times: She can’t afford health care, but she can make flour out of cat tails and work three jobs at once.” —Christian Science Monitor Dead Sleeping Shaman “Buzzelli’s well-crafted third Emily Kincaid . . . [features] sharp prose and spirited characterizations.” —Publishers Weekly “The appeal of this third in the series comes both from Emily—a likable character forging a new life after her divorce—and the evocatively described, nicely detailed small-town setting.” —Booklist Praise for A Most Curious Murder: “Fans of [Lewis] Carroll will delight in Zoe’s flights of fancy, and the northern Michigan setting in all its splendor is a charmer . . . an entertaining series with a quirky premise and captivating characters.” —Library Journal “This quirky, clever cozy series launch . . . [is] hard to resist.” —Publishers Weekly “Quirky main characters, lyrical dialogue and a story sure to appeal to bookworms as well as cozy mystery fans are all elements that give this novel a distinctive voice. A clever mystery and intriguing supporting cast round out the mix.” —RT Book Reviews (four star review)

Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and dancers deeply engaged with the legacies of a brutal Japanese colonial era, the almost unimaginable devastation of the Pacific War, and a long American military occupation that still casts its shadow over the islands. The ethnographic research that Nelson conducted in Okinawa in the late 1990s—and his broader effort to understand Okinawans’ critical and creative struggles—was inspired by his first visit to the islands in 1985 as a lieutenant in the U.S. Marine Corps. Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old.

Fans of Louise Penny will love the Emily Kincaid mysteries by Elizabeth Kane Buzzelli! “The appeal of this third in the series comes both from Emily—a likable character forging a new life after her divorce—and the evocatively described, nicely detailed small-town setting.” —Booklist The End Timers, a cult-like group, have descended on part-time journalist and aspiring mystery author Emily Kincaid’s small Michigan town. With dire warnings that the end of the world is just two weeks away, the entire community has been disrupted by psychics, cult followers, believers and disbelievers alike. But when Emily’s latest job assignment leads her to an eerily motionless woman propped against a tree, she realizes that at least one person’s world has come to an end all too soon. Emily soon learns that the victim, an eccentric psychic and leader of a shamanic healing group, harbored painful memories of the area and had mysterious ties to certain members of the cult. Turning to her friend Deputy Dolly Wakowski for help, she’s stunned to learn that Dolly has turned in her badge and joined the cult, leaving Emily to fear for her friend’s sanity and forcing her to try to solve the case on her own. As the days tick away to the end of the world, Emily has to navigate her way through a crowd of true believers, a group of shamanic well-wishers, and a suspiciously secretive cult leader to rescue her friend and catch a killer—all the while dreading that these few precious days may be her last. “Buzzelli’s well-crafted third Emily Kincaid . . . [features] sharp prose and spirited characterizations.” —Publishers Weekly Rave reviews for the Emily Kincaid Mysteries: Dead Dogs and Englishmen A Kirkus Reviews Best Book of 2011! “Buzzelli will have you packing your bags for a move to northern Michigan.” —Kirkus Reviews (starred review) “Emily is a detective for our times: She can’t afford health care, but she can make flour out of cat tails and work three jobs at once.” —Christian Science Monitor Dead Dancing Women “Every woman who’s ever struggled with saying no, fitting in, and balancing independence against loneliness will adore first-timer Emily.” —Kirkus Reviews Dead Floating Lovers “A mystery that keeps you guessing, together with the story of a woman slowly finding her voice” —Kirkus Reviews Praise for A Most Curious Murder: “Fans of [Lewis] Carroll will delight in Zoe’s flights of fancy, and the northern Michigan setting in all its splendor is a charmer . . . an entertaining series with a quirky premise and captivating characters.” —Library Journal “This quirky, clever cozy series launch . . . [is] hard to resist.” —Publishers Weekly “Quirky main characters, lyrical dialogue and a story sure to appeal to bookworms as well as cozy mystery fans are all elements that give this novel a distinctive voice. A clever mystery and intriguing supporting cast round out the mix.” —RT Book Reviews (four star review)

Dennis Lehane meets Megan Miranda in this “dark beauty of a novel” (William Kent Krueger, New York Times bestselling author) about the first female sheriff in rural Bad Axe County, Wisconsin, as she searches for a missing girl, battles local drug dealers, and seeks the truth about the death of her parents twenty years ago—all as a winter storm rages in her embattled community. Fifteen years ago, Heidi White’s parents were shot to death on their Bad Axe County farm. The police declared it a murder-suicide and closed the case. But that night, Heidi found the one clue she knew could lead to the truth—if only the investigators would listen. Now Heidi White is Heidi Kick, wife of local baseball legend Harley Kick and mother of three small children. She’s also the interim sheriff in Bad Axe. Half the county wants Heidi elected but the other half will do anything to keep her out of law enforcement. And as a deadly ice storm makes it way to Bad Axe, tensions rise and long-buried secrets climb to the surface. As freezing rain washes out roads and rivers flood their banks, Heidi finds herself on the trail of a missing teenaged girl. Clues lead her down twisted paths to backwoods stag parties, derelict dairy farms, and the local salvage yard—where the body of a different teenage girl has been carefully hidden for a decade. As the storm rages on, Heidi realizes that someone is planting clues for her to find, leading her to some unpleasant truths that point to the local baseball team and a legendary game her husband pitched years ago. With a murder to solve, a missing girl to save, and a monster to bring to justice, Heidi is on the cusp of shaking her community to its core—and finding out what really happened the night her parents died. With “striking prose, engaging characters, and a searing story of crimes rooted in the heartland,” Bad Axe County is a “darkly irresistible thriller” (Kirkus Reviews, starred review) that you won’t be able to put down.

A former stripper turned suburban housewife is exposed as a brutal killer in this shocking true crime tale of a loving husband beheaded in Phoenix. Phoenix, Arizona, 2004. Marjorie Orbin filed a missing person’s report on her husband, Jay. She claimed that the successful art dealer had left town on business after celebrating their son’s birthday more than a month before. But no one believed that Jay would abandon the family he loved. Authorities suspected foul play . . . As the search for Jay made local headlines, Marjorie’s story starting coming apart. Why did she wait so long before going to police? If Jay was away on business, why were there charges made to his credit card in Phoenix? Then, the unthinkable happened. Jay’s headless, limbless torso was discovered on the outskirts of the Phoenix desert—and all evidence pointed to Marjorie as the killer. The investigation revealed surprising details about her life—six previous marriages, an ongoing affair with a man from her gym, and alleged ties to the New York mafia.

Photographer and Grateful Dead insider Rosie McGee tells dozens of previously-untold stories of living, traveling and working with the Dead during their first decade as a band. The book is illustrated with 200 of her rare and candid photographs, many never before seen in print. Not just for Deadheads or baby boomers-this book is for anyone seeking a woman's intimate account of the San Francisco rock music community in the Sixties, rare in a field of such books most often written by men. Included are firsthand stories of Autumn Records; The Matrix nightclub; the Acid Tests; Olompali; life in the Haight-Ashbury; the Human Be-In; the Grateful Dead (and the author's) bust at 710 Ashbury; New York, Toronto and Montreal with the Dead and Jefferson Airplane; Monterey Pop; Altamont; the Dead's Europe '72 tour; and encounters with individuals as diverse as Tom Donahue, Phil Spector, Lenny Bruce, Janis Joplin, Owsley Stanley, Timothy Leary, Jesse Colin Young, Julie Christie and many others.

“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle

Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.

The first authoritative history of tap dancing, one of the great art forms—along with jazz and musical comedy—created in America. Finalist for the National Book Critics Circle Award in Nonfiction Winner of Anisfield-Wolf Book Award An Economist Best Book of 2015 What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap’s origins as a hybrid of the jig and clog dancing and dances brought from Africa by slaves. He tracks tap’s transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits. Seibert chronicles tap’s spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners and illuminates the cultural exchange between blacks and whites, the interplay of imitation and theft, as well as the moving story of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step. “Tap is America’s great contribution to dance, and Brian Seibert’s book gives us—at last!—a full-scale (and lively) history of its roots, its development, and its glorious achievements. An essential book!” —Robert Gottlieb, dance critic for The New York Observer and editor of Reading Dance “What the Eye Hears not only tells you all you wanted to know about tap dancing; it tells you what you never realized you needed to know. . . . And he recounts all this in an easygoing style, providing vibrant descriptions of the dancing itself and illuminating commentary by those masters who could make a floor sing.” —Deborah Jowitt, author of Jerome Robbins: His Life, His Theater, His Dance and Time and the Dancing Image