The first terrifying chapter of the Dead Texas spinoff. It's Day Zero and the Texas zombie virus is quickly spreading throughout the nation. In a desperate race against the clock, two special forces teams are given an impossible mission. Turn the football stadium in Charlotte into a fortress, and rescue some of the brightest minds in the world to help with the coming war. Dead America: The First Week focuses on the national response to the Texas zombie outbreak. There will be multiple mini-series within The First Week focused on several regions of the nation and how they are dealing with the crisis.

Examines how Day of the Dead celebrations among America's Latino communities have changed throughout history, discussing how the traditional celebration has been influenced by mass media, consumer culture, and globalization.

Digte. Addresses race, class, sexuality, faith, social justice, mortality, and the challenges of living HIV positive at the intersection of black and queer identity

Contains over 750 alphabetically-arranged entries that provide information about the rock group Grateful Dead, featuring profiles of band members and associated musicians, filmmakers, photographers, composers, and others, and descriptions of the band's albums and solo releases.

Colby Buzzell has always been a loner. An autodidact who never went to college, he was dubbed “the voice of a generation” by Robert Kurson for his daring and critically acclaimed book, My War: Killing Time in Iraq. Half a decade later, overwhelmed by the birth of his son and the death of his mother, Buzzell finds himself rudderless. Desperate to escape the constraints of his postwar existence, he packs his things, gets in the car, and, for five months, drives across America—no map, no destination. In his 1965 Mercury Comet, Buzzell travels through the bowels of a country steeped in economic turmoil and political malaise. With a bottle of whisky in one hand and a pack of cigarettes in the other, he takes us on a tour of big-box stores, grimy gas stations, abandoned warehouses, strip clubs, and flophouses. He captures the distinct voices and vivid stories of a forgotten America—Cheyenne, Omaha, Salt Lake City, Des Moines, Detroit, and San Francisco’s Tenderloin. Buzzell unearths America’s bones in all their beauty and starkness. And like the veterans of Hemingway’s Lost Generation, he struggles to reconcile his wanderlust with his responsibilities as a man and a father. Lost in America is a stunning account of the ravages of war on one individual. It also reveals deep truths about a more universal journey: the struggle to find our place in the world—without a map.

Winner of the Bolton-Johnson Prize Winner of the Utley Prize Winner of the Distinguished Book Award, Society for Military History “The Dead March incorporates the work of Mexican historians...in a story that involves far more than military strategy, diplomatic maneuvering, and American political intrigue...Studded with arresting insights and convincing observations.” —James Oakes, New York Review of Books “Superb...A remarkable achievement, by far the best general account of the war now available. It is critical, insightful, and rooted in a wealth of archival sources; it brings far more of the Mexican experience than any other work...and it clearly demonstrates the social and cultural dynamics that shaped Mexican and American politics and military force.” —Journal of American History It has long been held that the United States emerged victorious from the Mexican–American War because its democratic system was more stable and its citizens more loyal. But this award-winning history shows that Americans dramatically underestimated the strength of Mexican patriotism and failed to see how bitterly Mexicans resented their claims to national and racial superiority. Their fierce resistance surprised US leaders, who had expected a quick victory with few casualties. By focusing on how ordinary soldiers and civilians in both countries understood and experienced the conflict, The Dead March offers a clearer picture of the brief, bloody war that redrew the map of North America.

From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.

Surrounded by a horde of zombies, Terrell must get creative to save himself and the other survivors. At the Charlotte fortress, Frank and his team's much deserved break is cut short by a new, unexpected threat. Dead America: The First Week focuses on the national response to the Texas zombie outbreak. There will be several mini-series within The First Week focused on several regions of the nation and how they are dealing with the crisis.

The murderous one-percent are playing their last deadly card. They are not sure if it will work or not. They are scared shitless and hiding like spineless cowards even though they have hired armed soldiers to protect them. Out there amid the developing conflagration, a few unprotected yet extremely talented and dedicated men and women have the guns, the survival skills, and the terrorist death squad training to exact horrible revenge against whoever their tormentors might be. You are about to travel into a mind zone where you have never been. Hold on tightly. You are now nothing more than a helpless page turner. You are unable to stop yourself from ravenously ingesting page after page of this indescribable trip into madness.

Normandy, Flanders Field and other overseas cemeteries of the American Battle Monument Commission (ABMC) are well known. However, lesser-known burial sites of American war dead exist all over the world--in Australia and across the Pacific Rim, in Canada and Mexico, Libya and Spain, most of Europe and as far north as the Russian Arctic. This is the history of American soldiers buried abroad since the American Revolution. It traces the evolution of American attitudes and practices about war dead and provides the names and locations of those still buried abroad in non-ABMC locations.