The definitive oral history of the cult classic Dazed and Confused, featuring behind-the-scenes stories from the cast, crew, and Oscar-nominated director Richard Linklater. Dazed and Confused not only heralded the arrival of filmmaker Richard Linklater, it introduced a cast of unknowns who would become the next generation of movie stars. Embraced as a cultural touchstone, the 1993 film would also make Matthew McConaughey's famous phrase--alright, alright, alright--ubiquitous. But it started with a simple idea: Linklater thought people might like to watch a movie about high school kids just hanging out and listening to music on the last day of school in 1976. To some, that might not even sound like a movie. But to a few studio executives, it sounded enough like the next American Graffiti to justify the risk. Dazed and Confused underperformed at the box office and seemed destined to disappear. Then something weird happened: Linklater turned out to be right. This wasn't the kind of movie everybody liked, but it was the kind of movie certain people loved, with an intensity that felt personal. No matter what their high school experience was like, they thought Dazed and Confused was about them. Alright, Alright, Alright is the story of how this iconic film came together and why it worked. Combining behind-the-scenes photos and insights from nearly the entire cast, including Matthew McConaughey, Parker Posey, Ben Affleck, Joey Lauren Adams, and many others, and with full access to Linklater's Dazed archives, it offers an inside look at how a budding filmmaker and a cast of newcomers made a period piece that would feel timeless for decades to come.

Uses ads, cartoons, and newspaper articles from the seventies and profiles of characters from the movie to offer a satiric look at the period.

Celebrating 30 years of Dazed’s boundary-pushing storytelling at the forefront of youth culture, this book reveals the past, present, and future of Dazed through its bold cover designs and manifesto-like headlines. In 1991, the first issue of Dazed & Confused was released as a single A2 foldout newsprint by a then 20-year-old Jefferson Hack and the photographer Rankin. Now, 30 years later, what began as a print magazine has gone on to provoke a change in consciousness, becoming a vital cultural manifesto for today. Created for an audience that wants to be both informed and inspired to imagine, its radical approach to publishing means that Dazed is still at the forefront of youth culture today. Split into ten chapters—taken from the magazine’s most memorable cover lines—this book explores how these early manifestos reflect the magazine’s ethos today. Time-traveling from the ’90s to now, a new generation of image makers sit side by side with archival materials to showcase how Dazed has always interpreted celebrity through its own boundary-pushing lens: from Alexander McQueen and David Bowie’s first official, recorded conversation and the designer’s “Fashion-Able?” cover, to a rare appearance and guest-edit by Chelsea Manning, to rapper Young Thug shot by Harley Weir.

Celebrating twenty years of an agenda-setting powerhouse of contemporary style, design, and popular culture. Celebrated for discovering and promoting new artists, musicians, designers, and filmmakers, Dazed & Confused magazine has been a barometer of popular style and culture since its founding in London in 1991 by Jefferson Hack and the photographer Rankin. Quickly renowned for its controversial attitude, Dazed represented a new wave in the British style press, bringing together figures from different creative fields and eras to produce extraordinary interviews and develop artwork for the magazine. From David Bowie to Bjork, Harmony Korine to David Lynch, Kate Moss to Stockhausen, and Rankin to Thom Yorke, the roster of the magazine's subjects and contributing artists alone is a record of the evolution of contemporary pop culture. Edited by its founders, this daringly illustrated book immortalizes the magazine's most enduring features, from legendary photo shoots and iconic covers to controversial interviews, and supplements them with outtakes, ephemera from the editors' offices, original artwork, and contributions from the photographers, designers, and artists behind it all.

Published in association with Dazed & Confused magazine, London.

Entertaining, yet enlightening, Canadaa s "Happy Camper" presents his best adventures - and misadventures -A in the wilderness. These captured moments of a life spent traveling in secluded areas and promoting their importance to all of us aren't just for outdoorsy types.

Dazed & Confusedwas conceived as an exploration into the language of style culture, a world where identity fuses with image to leave many would-be protagonists dazed and confused as to the results. D &Cmagazine has today become a platform for many up-and-coming and established artists, film directors, actors, photographers and fashion gurus. With a strong belief in collaborative journalism that utilizes the format of the two-way interview in its most refined form, it turns the tables on established interview techniques to transform the celebrity profile into a hard-hitting exposé on the nature of fame and creativity. With up to 40 interviews with celebrities (Damien Hirst, Jean Baudrillard, Kate Moss, Terry Southern, Isaac Hayes, Noam Chomsky, Bjork and Stockhausen, Lou Reed and Paul Auster, Harmony Korine and Werner Herzog, etc.), the book includes full-page portraits of the personalities featured in the magazine, including photographs by Rankin, Phil Poynter, Martina Hoogland-Ivanhoe, Duane Michals, Dean Chalkley, Andrew Cotterill, Mr Perou, Justin Westover, Jurgen Teller, Mario Testino, Robert Frank, Wolfgang Tillsmans and Dana Lixenberg. The Dazed& Confusedcollected interviews provide a definitive insight into the style culture of the 1990s, forming a unique and singular portrait of a generation of young artists alongside their more established antecedents.

Why did Fonzie hang around with all those high school boys? Is the overwhelming boy-meets-girl content of popular teen movies, music, books, and TV just a cover for an undercurrent of same-sex desire? From the 1950s to the present, popular culture has involved teenage boys falling for, longing over, dreaming about, singing to, and fighting over, teenage girls. But Queering Teen Culture analyzes more than 200 movies and TV shows to uncover who Frankie Avalon’s character was really in love with in those beach movies and why Leif Garrett became a teen idol in the 1970s. In Top 40 songs, teen magazines, movies, TV soap operas and sitcoms, teenagers are defined by their pubescent discovery of the opposite sex, universally and without exception. Queering Teen Culture looks beyond the litany to find out when adults became so insistent about teenage sexual desireand whyand finds evidence of same-sex desire, romantic interactions, and identities that, according to the dominant ideology, do not and cannot exist. This provocative book examines the careers of male performers whose teenage roles made them famous (including Ricky Nelson, Pat Boone, Fabian, and James Darren) and discusses examples of lesbian desire (including I Love Lucy and Laverne and Shirley). Queering Teen Culture examines: Ozzie and Harriet, Father Knows Best, and Leave It to Beaver: Were Ricky, Bud, and Wally sufficiently straight? the juvenile delinquent films of the 1950s: Why weren’t the rebel-without-a-cause bad boys interested in girls? horror, sci-fi, and zombies from outer space: Body of a boy! Mind of a monster! Soul of an unearthly thing! teen idolspretty, androgynous, and feminine: No wonder they were rumored to be funny beach movies: She wants to plan their wedding but he wants to surf, sky-dive and go drag racing with the guys Biker-hippies boys of the late 1960s: I know your scenedon’t think I don’t! the 1950s nostalgia of the 1970s: Why does Fonzie spend all his time with high school boys? teen gore: What makes the psycho-killer angry? and much more, including Gidget, the Brat Pack, buddy dramas, nerds and operators, Saved by the Bell, The Real World, and the incredible shrinking teenager Queering Teen Culture is an essential read for academics working in cultural and gay studies, and for anyone else with an interest in popular culture.

Gathered from the popular website www.StellaAwards.com, The True Stella Awards is an outrageous collection of America’s most frivolous lawsuits Named for Stella Liebeck, the woman who won a multimillion-dollar lawsuit after spilling hot McDonald’s coffee on herself, humorist Randy Cassingham’s popular website chronicles the hard-to-believe and amusing claims brought before the U.S.courts. The most ridiculous of these lawsuits are given the “honorable” Stella Award. In The True Stella Awards, Cassingham documents the most outlandish of these real-life cases, including: * The man who legally changed his name to Jack Ass, and then sued MTV because their TV show and movie Jackass infringed on his trademark and demeaned his “good name” * The songwriter who left a minute’s silence on his record only to be sued by the estate of another songwriter who copyrighted his own “silent” song * The man who sued an amusement park after being the victim of the ultimate “act of God”: He was hit by lightning while standing next to his own car in the parking lot Stunning and hilarious, The True Stella Awards reveals the extremes people will go to in the pursuit of “justice.”

The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).