Beneath our feet is a secret world – and you can visit it. The 50 underground adventures featured in this book are not just for intrepid potholers and other daredevils. Hidden beneath Britain are plenty of attractions open to everyone. This is the definitive guide to the best days out underground. From caves to nuclear bunkers, sewers to secret railways, as well as abandoned mines, ancient crypts and labyrinthine tunnels, these unique tourist attractions are a journey through Britain's hidden history going back thousands of years. Travel writer Peter Naldrett explores each location with evocative, light-hearted text that reveals the fascinating history of why it came to be constructed, or how it was first discovered. As well as information about facilities and accessibility, Peter also includes essential advice about how to get there and when to go. There are atmospheric full colour photographs throughout, and boxes that highlight precisely why you should visit, as well as things to look out for when you do. Days Out Underground has something to excite everyone, especially families – here's how you entertain the kids on those wet-weather weekends!

Detailing how to plan and prepare for a school trip, this text provides advice on the right and wrong way to approach trips that will both educate and entertain. A directory of places of interest grouped into subject-specific sections is included.

Travel under the streets of London with this lavishly illustrated exploration of abandoned, modified, and reused Underground tunnels, stations, and architecture.

"Have you heard about: the boys' soccer team trapped inside a flooded cave system? A school bus full of kids desparately fleeing a raging wildfire? The deaf hiker who was saved by a dog that appeared out of nowhere? You will never forget these and other true stories of courage and heroism." --P. [4] of cover.

In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans “of the ruins of Rome for a sequin apiece” and the Pope’s “bless’d beads”, to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.