Emma cares for Mr. Butler's daughters and has been promised that she will never be sold as a slave. When he breaks his promise and sells her on auction day, Emma runs away, gets married and eventually gains her freedom in Canada.

What was it like to be a slave? Listen to the words and learn about the lives of countless slaves and ex-slaves, telling about their forced journey from Africa to the United States, their work in the fields and houses of their owners, and their passion for freedom. You will never look at life the same way again.

Following #1 Sunday Times bestseller The Burning Chambers, New York Times bestseller Kate Mosse returns with The City of Tears, a sweeping historical epic about love in a time of war. "Mosse is a master storyteller."—Madeline Miller, #1 New York Times bestselling author of Circe Alliances and Romance August 1572: Minou Joubert and her husband Piet travel to Paris to attend a royal wedding which, after a decade of religious wars, is intended to finally bring peace between the Catholics and the Huguenots. Loyalty and Deception Also in Paris is their oldest enemy, Vidal, in pursuit of an ancient relic that will change the course of history. Revenge and Persecution Within days of the marriage, thousands will lie dead in the street, and Minou’s family will be scattered to the four winds . . .

Sherman Alexie meets William Gibson. Louise Erdrich meets Franz Kafka. Leslie Marmon Silko meets Philip K. Dick. However you might want to put it, this is Native American fiction in a whole new world. A surrealistic revisiting of the Cherokee Removal, Riding the Trail of Tears takes us to north Georgia in the near future, into a virtual-reality tourist compound where customers ride the Trail of Tears, and into the world of Tallulah Wilson, a Cherokee woman who works there. When several tourists lose consciousness inside the ride, employees and customers at the compound come to believe, naturally, that a terrorist attack is imminent. Little does Tallulah know that Cherokee Little People have taken up residence in the virtual world and fully intend to change the ride’s programming to suit their own point of view. Told by a narrator who knows all but can hardly be trusted, in a story reflecting generations of experience while recalling the events in a single day of Tallulah’s life, this funny and poignant tale revises American history even as it offers a new way of thinking, both virtual and very real, about the past for both Native Americans and their Anglo counterparts.

When a woman becomes pregnant, miscarriage is usually the furthest thing from her mind. Such was the case for Jessalyn Hutto when she became pregnant with her first baby. But as is all too common in our post-fall world, the life she carried came to an abrupt end. Death had visited her womb, and the horrors of miscarriage had become a part of her life’s story. ••• Ultimately, she would lose two children in the womb, at 6 and 15 weeks gestation. Through these painful losses, a whole new world of suffering opened up to her. It seemed that everywhere she looked women were quietly mourning the loss of their unborn children. Yet this particular type of loss has been grossly overlooked by the church. ••• Couples navigating the unique sorrow of losing a child are often left with little biblical counsel to draw upon. Well-meaning friends and family often offer empty platitudes and Christian clichés. But what these couples truly need is the hope of the gospel. ••• Short, sensitive, and theologically robust, Inheritance of Tears offers hope and comfort to those who are called to walk through the painful trial of miscarriage, and shows pastors and church members how to effectively minister to these parents in their time of need.

It is June first and twelve-year-old Mary does not really understand what is happening: she does not understand the hatred and greed of the white men who are forcing her Cherokee family out of their home in New Echota, Georgia, capital of the Cherokee Nation, and trying to steal what few things they are allowed to take with them, she does not understand why a soldier killed her grandfather--and she certainly does not understand how she, her sister, and her mother, are going to survive the 1000 mile trip to the lands west of the Mississippi.

A sixth-generation North Carolinian, highly-acclaimed author John Ehle grew up on former Cherokee hunting grounds. His experience as an accomplished novelist, combined with his extensive, meticulous research, culminates in this moving tragedy rich with historical detail. The Cherokee are a proud, ancient civilization. For hundreds of years they believed themselves to be the "Principle People" residing at the center of the earth. But by the 18th century, some of their leaders believed it was necessary to adapt to European ways in order to survive. Those chiefs sealed the fate of their tribes in 1875 when they signed a treaty relinquishing their land east of the Mississippi in return for promises of wealth and better land. The U.S. government used the treaty to justify the eviction of the Cherokee nation in an exodus that the Cherokee will forever remember as the “trail where they cried.” The heroism and nobility of the Cherokee shine through this intricate story of American politics, ambition, and greed. B & W photographs

Vale of Tears: New Essays in Religion and Reconstruction offers a window into the exciting work being done by historians, social scientists, and scholars of religious studies on the epoch of Reconstruction. A time of both peril and promise, Reconstruction in America became a cauldron of transformation and change. This collection argues that religion provided the idiom and symbol, as often the very substance, of those changes. The authors of this collection examine how African Americans and white Southerners, New England Abolitionists and former Confederate soldiers, Catholics and Protestants on both sides of the Mason-Dixon line brought their sense of the sacred into collaboration and conflict. Together, these essays mark an important new departure in a still-contested period of American history. Interdisciplinary in scope and content, it promises to challenge many of the traditional parameters of Reconstruction historiography. The range of contributors to the project, including Gaines Foster and Paul Harvey, will draw a great deal of attention from Southern historians, literary scholars, and scholars of American religion.

From childhood, willful, intelligent Saira Qader broke the boundaries between her family's traditions and her desire for independence. A free-spirited and rebellious Muslim-American of Indo-Pakistani descent, she rejected the constricting notions of family, duty, obligation, and fate, choosing instead to become a journalist, the world her home. Five years later, tragedy strikes, throwing Saira's life into turmoil. Now the woman who chased the world to uncover the details of other lives must confront the truths of her own. In need of understanding, she looks to the stories of those who came before—her grandparents, a beloved aunt, her mother and father. As Saira discovers the hope, pain, joy, and passion that defined their lives, she begins to face what she never wanted to admit—that choice is not always our own, and that faith is not just an intellectual preference.

An eleven-year-old orphan is reconnected to her mother's family, but her courage and strength are tested as she is put to work in a textile mill. Flora is a young, imaginative girl who has dreamt of having a family to call her own since her parents died from pleurisy when she was three. She dreams of family dinners. She dreams of friends. But mostly she dreams of leaving the orphanage. As the diary begins, Flora is still in an orphanage in Kingston, but her Auntie Janet has just married, and she and her husband James send for Flora to come and live with them in Almonte, Ontario. Once she arrives at her aunt's, Flora begins work in the Almonte Mill, even though she is underage -- typical for many children of the era. She works from dawn to dusk, near huge and noisy machines, and she sees the effects of the mill on workers who have lost an arm or their hearing. Still, this life is better than going back to the orphanage. But when Uncle James loses several fingers at the weaving machine and can't work anymore, money is really tight, and it's up to Flora and her aunt to find a way out of the predicament. Through all her trials, Flora writes down her feelings in a journal, one she addresses to "Dear Papa and Mama", because it makes her feel close to the parents she lost when she was young. Days of Toil and Tears includes historical background giving readers the social context of young mill workers, and a map of the textile industry of Canada, as well as fascinating photographs from this era.