Originally published in 1989, Day Brought Back My Night explores the lives of people who have lost sight in late life as a result of age-related visual disorders. As life-expectancy in western society has increased, the number of people who fall into this group has grown, yet little had been written on this plight. This major study filled the gap in the literature, and will still be of great value to practitioners, scholars, and students in the fields of social gerontology, medicine, social work, and nursing. Stephen Ainlay surveys the various etiologies of age-related visual disorders and establishes the medical framework of the problem. His primary concern, however, is to understand people’s experience of vision loss, and he makes use of extensive interview data to establish the ways in which people come to terms with their own aging. The stories told here reflect people’s responses to a changing body as well as shifting relationships with friends, family members, medical practitioners, and service providers. They reveal hopes and fears, lost priorities, and new initiatives, relationships that recede and relationships that are newly established. Above all, they comment on the drama that is involved in people’s struggle to find continuity in their lives. In this way, the book is as much an exploration into the problem of identity as it is a study of sensory loss in later life.

This is David Whyte's fourth book of poetry

One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”

The Pleasures of the Damned is a selection of the best poetry from America's most iconic and imitated poet, Charles Bukowski. Celebrating the full range of the poet's extraordinary sensibility and his uncompromising linguistic brilliance, these poems cover a lifetime of experience, from his renegade early work to never-before-collected poems penned during the final days before his death. Selected by John Martin, Bukowski's long-time editor and the publisher of the legendary Black Sparrow Press, this stands as what Martin calls 'the best of the best of Bukowski'.

A poem about the visit that Santa Claus pays to the children of the world during the night before every Christmas.

Cult bestseller The Invitation is more than just a poem. It is a profound invitation to a life that is more fulfilling and passionate, with greater integrity. This book is a word-of-mouth sensation, whose truths have resonated with people all over the world, and is now reissued with a beautiful new cover design.

Perhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, in Lenox, Massachusetts. "Midwinter Day", as Alice Notley notes, "is an epic poem about a daily routine". In six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day -- morning, afternoon, evening, night -- to dreams again: "a plain introduction to modes of love and reason, / Then to end I guess with love, a method to this winter season / Now I've said this love it's all I can remember / Of Midwinter Day the twenty-second of December".

"In late August of 1975 when my wife Gailyn and I and our one-and-a-half-year-old daughter arrived in Bolinas, I was almost 29 years old and had become known for writing minimal poetry sometimes consisting of a single word", Aram Saroyan writes in his introduction to Day and Night. "A young writer's ego is a delicate matter, subject as it is to routine battery and assault. When I wrote the first section of a long poem called 'Lines for My Autobiography' one afternoon on the typewriter in the poet Joanne Kyger's house. I was both exhilarated and uneasy. After all, it was two and a half pages long and I'd never before written a poem of even half its length. I ended up throwing it in the waste basket, but Gailyn fished it out, read it, and told me it was the best thing I'd ever written and to go on writing it". That poem and many others like it -- limpid, direct, revealing, open-hearted essays toward a first-person life story -- make up Saroyan's very appealing book about "big-city boys...becoming farmers" in an eccentric, idealist, crackpot-utopian California beach town in the 1970s. This is an unashamedly youthful book, starry-eyed in its approach to family-starting and community-founding, innocently celebrative of the simple wonders of a life lived close to nature. Glancing back at a glamorous but troubled childhood spent among the bright lights of Manhattan and the luxuriant palms of Beverly Hills, the young Saroyan experiences this new world with a freshness of vision.