"Dawn O'Hara" is a singular written by Edna Ferber, an American author acknowledged for her insightful and individual-pushed works. The narrative revolves across the life of the titular character, Dawn O'Hara, a younger and formidable newspaperwoman. Set in opposition to the backdrop of early 20th-century New York City, the novel offers a compelling exploration of Dawn's adventure as she navigates the demanding situations and triumphs of each her private and professional lifestyles. Ferber's storytelling captures the spirit of the times, addressing troubles alongside gender roles, social expectations, and the evolving panorama of journalism. Dawn O'Hara, together with her wit and resolution, will become a relatable and dynamic protagonist. The novel delves into Dawn's stories, relationships, and her quest for achievement in a male-dominated career. "Dawn O'Hara" displays Ferber's keen observations of human nature and her functionality to combination humor with poignant insights. The narrative is not best an individual observe however additionally a social commentary on the converting dynamics of girls’ roles within the early twentieth century. With a combination of romance, humor, and societal critique, Ferber's artwork remains a noteworthy contribution to American literature, showcasing her expertise for shooting the complexities of lifestyles at some stage in this transformative length.

Trapped in an isolating newspaper reporter job in New York City with her husband in an insane asylum, Dawn O’Hara has not yet reached 30 and she already fears she will never be happy again. Set in the USA in the 1910s, Dawn O’Hara, The Girl Who Laughed is narrated by fiery journalist Dawn. After the doctor sends the New York-based writer back to her hometown in Michigan, she finds herself in the loving charge of her married sister, Norah. Fighting to improve her health, Dawn receives specialist care from Dr Ernst von Gerhard, and the two soon develop a close friendship. As she returns to full health, she decides to take her career in a new direction and begins working for a newspaper in Milwaukee. As she finds a new lease on life and meets new people, Dawn is haunted by reminders of her husband and struggles to truly embrace these freedoms. Written by prominent Jazz Age author Edna Ferber, Dawn O’Hara, The Girl Who Laughed is a darkly comedic novel full of Ferber’s famous wit. Originally published in 1911, this volume was Ferber’s first published fiction and is an essential read for collectors of Ferber’s work.

"Dawn O'Hara" is a singular written by Edna Ferber, an American author acknowledged for her insightful and individual-pushed works. The narrative revolves across the life of the titular character, Dawn O'Hara, a younger and formidable newspaperwoman. Set in opposition to the backdrop of early 20th-century New York City, the novel offers a compelling exploration of Dawn's adventure as she navigates the demanding situations and triumphs of each her private and professional lifestyles. Ferber's storytelling captures the spirit of the times, addressing troubles alongside gender roles, social expectations, and the evolving panorama of journalism. Dawn O'Hara, together with her wit and resolution, will become a relatable and dynamic protagonist. The novel delves into Dawn's stories, relationships, and her quest for achievement in a male-dominated career. "Dawn O'Hara" displays Ferber's keen observations of human nature and her functionality to combination humor with poignant insights. The narrative is not best an individual observe however additionally a social commentary on the converting dynamics of girls’ roles within the early twentieth century. With a combination of romance, humor, and societal critique, Ferber's artwork remains a noteworthy contribution to American literature, showcasing her expertise for shooting the complexities of lifestyles at some stage in this transformative length.

Dawn O’Hara: The Girl Who Laughed (1911) is a novel by Edna Ferber. Written while the author was recovering from a bout of anemia, Ferber’s debut marked the beginning of an illustrious literary career. Inspired by her experience as a reporter in the city and countryside, Dawn O’Hara: The Girl Who Laughed is the story of a young woman who recognizes the unhappiness in her life and decides to risk it all for something better. Lighthearted in nature, Ferber’s novel recalls the best of Fitzgerald in its unswerving commitment to humanity in all its beauty and terror. “‘Newspaper reporting, h'm? In New York? That's a devil of a job for a woman. And a husband who... Well, you'll have to take a six months' course in loafing, young woman. And at the end of that time, if you are still determined to work, can't you pick out something easier—like taking in scrubbing, for instance?’” As though suffering a mental breakdown wasn’t bad enough, Dawn is forced to listen to the snide advice of a doctor who seems to know more about her home and professional life than she does. Determined to maintain her career as a reporter, she decides to move to a small town and start fresh. Away from the hustle and bustle of New York City, she hopes to find success while learning more about herself in the process. With a beautifully designed cover and professionally typeset manuscript, this edition of Edna Ferber’s Dawn O’Hara: The Girl Who Laughed is a classic work of American literature reimagined for modern readers.

The definitive biography of short story writer John O’Hara.

There are a number of things that are pleasanter than being sick in a New York boarding-house when one's nearest dearest is a married sister up in far-away Michigan. Some one must have been very kind, for there were doctors, and a blue-and-white striped nurse, and bottles and things. There was even a vase of perky carnations-scarlet ones. I discovered that they had a trick of nodding their heads, saucily. The discovery did not appear to surprise me. "Howdy-do!" said I aloud to the fattest and reddest carnation that overtopped all the rest. "How in the world did you get in here?" The striped nurse (I hadn't noticed her before) rose from some corner and came swiftly over to my bedside, taking my wrist between her fingers. "I'm very well, thank you," she said, smiling, "and I came in at the door, of course." "I wasn't talking to you," I snapped, crossly, "I was speaking to the carnations; particularly to that elderly one at the top-the fat one who keeps bowing and wagging his head at me." "Oh, yes," answered the striped nurse, politely, "of course. That one is very lively, isn't he? But suppose we take them out for a little while now." She picked up the vase and carried it into the corridor, and the carnations nodded their heads more vigorously than ever over her shoulder. I heard her call softly to some one. The some one answered with a sharp little cry that sounded like, "Conscious!"