In a terrifyingly short time, a male college instructor and his female student descend from a discussion of her grades into a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship, and abuse.

This collection of specially written essays offers both student and theatregoer a guide to one of the most celebrated American dramatists working today. Readers will find the general and accessible descriptions and analyses provide the perfect introduction to Mamet's work. The volume covers the full range of Mamet's writing, including now classic plays such as American Buffalo and Glengarry Glen Ross, and his more recent work, Boston Marriage, among others, as well as his films, such as The Verdict and Wag the Dog. Additional chapters also explore Mamet and acting, Mamet as director, his fiction, and a survey of Mamet criticism. The Companion to David Mamet is an introduction which will prepare the reader for future work by this important and influential writer.

David Mamet is widely considered to be the voice of contemporary American Theatre. His use of what is taken to be realistic language together with minimalist staging creates a postmodern combination that pushes an audience in conflicting directions. The result is that initial audiences for Oleanna were aroused to applaud and loudly react to the ending of the play when a male teacher beats a female student. The issues the play raises about political correctness are turned on their head. Oleanna is a particularly complex play in terms of both form and content and this guide offers a theoretically informed introductory analysis. It provides students with a comprehensive critical introduction to the play and includes new interpretations of the text in light of recent developments in Mamet's playwriting and the intervening shifts in the political landscape.

In a Chicago junk shop three small-time crooks plot to rob a man of his coin collection, the showpiece of which is a valuable "Buffalo nickel". These high-minded grifters fancy themselves businessmen pursuing legitmate free enterprise. But the reality of the three--Donny, the oafish junk shop owner; Bobby, a young junkie Donny has taken under his wing; and "Teach"; a violently paranoid braggart--is that they are merely pawns caught up in their own game of last-chance, dead-end, empty pipe dreams.

These seven imaginative short theatre pieces by one of America's most inventive and highly regarded playwrights range widely in content, mood and style. The plays offer a stimulating challenge in terms of selecting, arranging, and mounting the diverse com

A new drama by the Pulitzer Prize-winning author of Glengarry Glen Ross.

If theatre were a religion, explains David Mamet in his opening chapter, "many of the observations and suggestions in this book might be heretical." As always, Mamet delivers on his promise: in Theatre, the acclaimed author of Glengarry Glen Ross and Speed the Plow calls for nothing less than the death of the director and the end of acting theory. For Mamet, either actors are good or they are non-actors, and good actors generally work best without the interference of a director, however well-intentioned. Issue plays, political correctness, method actors, impossible directions, Stanislavksy, and elitists all fall under Mamet's critical gaze. To students, teachers, and directors who crave a blast of fresh air in a world that can be insular and fearful of change, Theatre throws down a gauntlet that challenges everyone to do better, including Mamet himself.

Since Tenured Radicals first appeared in 1990, it has achieved a stature as the leading critique of the ways in which the humanities are now taught and studied at American universities. Trenchant and witty, it lays bare the sham of what now passes for serious academic pursuit in too many circles. In this new edition, completely reset, Roger Kimball has brought the text up to date and has added a new Introduction. Those who have never read Tenured Radicals are in for a treat; others may find a second reading worth their while. "Mr. Kimball names his enemies precisely.... This book will breed fistfights."-Roger Rosenblatt, New York Times Book Review. "All persons serious about education should see it."-Allan Bloom, author of The Closing of the American Mind. "Tenured Radicals is a withering critique."-Jonathan Yardley, Washington Post Book World. "A bravado performance of critical journalism...a vivid, up-to-the-minute account, alternately amusing and dismaying, of the takeover of the academy by ideology."-Robert Alter, Newsday. "A stinging account.... The commonsense approach of Tenured Radicals provokes constant reflections and occasional laughter at the squirming victims."-Roger Shattuck, author of The Banquet Years.

THE STORY: A young boy, John, comes downstairs to tell about his upcoming trip with his dad to the family friend, Dell. Mother, Donnie, is in the kitchen making tea. Soon the three are discussing the excitement of the trip, why John can't sleep, an

As prima ballerina of the Royal Ballet for over 40 years, Margot Fonteyn inspired generations of younger ballerinas with the characteristics of her dance style. This biography covers those aspects that Fonteyn herself chose to ignore in her Autobiography and describes the last years of her life. It also discusses her long relationship with the conductor and composer Constant Lambert, the most influential lover of her youth, who conceived several ballets for her. The book also reveals the importance of Fonteyn's mother to her career, and describes her marriage to Tito de Arias. Recreating many of Fonteyn's most famous roles, the author illumines them with some of her rare words about her repertory. He also charts her collaboration with the choreographer Frederick Ashton, and her three dance partnerships - with Robert Helpmann, Michael Somes and, most famously, Rudolf Nureyev.