A central problem for the non-specialist reader over the works of Hume today is that his mellifluous 18th century prose appears strange to our eyes and ears... What follows, therefore, is what the present editors did about it. The central purpose is to open to Hume's original target audience his writings on religious affairs; a subject which was of central importance to him – and which remains of perennial interest to humankind. David Hume's writings on history, politics and philosophy have shaped thought to this day. His bold scepticism ranged from common notions of the 'self ' to criticism of standard theistic proofs. He insisted on grounding understandings of popular religious beliefs in human psychology rather than divine revelation, and he aimed to disentangle philosophy from religion in order to allow the former to pursue its own ends. In this book, Professors David W Purdie and Peter S Fosl decipher some of Hume's most challenging texts for the modern reader, while preserving the sharp intellect and undaunted nerve for which Hume is famous. Hume's spirit is brought alive for contemporary times and his writing is made accessible for its intended audience: the general public.

Hume's Philosophy of Religion brings together for the first time the whole range of Hume's immensely important critique of religion. The major concern is with a clear discussion and presentation of philosophical issues wherever they occur in Hume's writings, but items in the history of ideas, questions of interpretation and biographical details are introduced when they contribute to an understanding of Hume's position. Already reviewed as a standard work on Hume on religion and as a good general introduction to Hume's thought, this new edition has been extensively revised and extended. '...it is hard to imagine how a study of Hume on religion could have been at once more comprehensive, accurate, readable and scholarly than this...it is strongly to be recommended to all who have occasion to study or to teach Hume in colleges or universities.' W.D.Hudson, Expository Times.

This book puts C. S. Lewis, David Hume, and Bertrand Russell in dialogue with one another.

Dialogues Concerning Natural Religion is a philosophical work written by the Scottish philosopher David Hume. Through dialogue, three fictional characters named Demea, Philo, and Cleanthes debate the nature of God's existence. While all three agree that a god exists, they differ sharply in opinion on God's nature or attributes and how, or if, humankind can come to knowledge of a deity. In the Dialogues, Hume's characters debate a number of arguments for the existence of God, and arguments whose proponents believe through which we may come to know the nature of God. Such topics debated include the argument from design - for which Hume uses a house - and whether there is more suffering or good in the world (Argument from evil)

David Hume is one of the most provocative philosophers to have written in English. His Dialogues ask if a belief in God can be inferred from what is known of the universe, or whether such a belief is even consistent with such knowledge. The Natural History of Religion investigates the origins of belief, and follows its development from polytheism to dogmatic monotheism. Together, these works constitute the most formidable attack upon religious belief ever mounted by a philosopher. This new edition includes Section XI of The Enquiry Concerning Human Understanding and a letter by Hume in which he discusses Dialogues.

Dialogues Concerning Natural Religion is a philosophical work by the Scottish philosopher David Hume. Through dialogue, three philosophers named Demea, Philo, and Cleanthes debate the nature of God's existence. Whether or not these names reference specific philosophers, ancient or otherwise, remains a topic of scholarly dispute. While all three agree that a god exists, they differ sharply in opinion on God's nature or attributes and how, or if, humankind can come to knowledge of a deity. In the Dialogues, Hume's characters debate a number of arguments for the existence of God, and arguments whose proponents believe through which we may come to know the nature of God. Such topics debated include the argument from design--for which Hume uses a house--and whether there is more suffering or good in the world (argument from evil). Hume started writing the Dialogues in 1750 but did not complete them until 1776, shortly before his death. They are based partly on Cicero's De Natura Deorum. The Dialogues were published posthumously in 1779, originally with neither the author's nor the publisher's name. Pamphilus is a youth present during the dialogues. In a letter, he reconstructs the conversation of Demea, Philo, and Cleanthes in detail for his friend Hermippus. He serves as the narrator throughout the piece. At the end of the Dialogues he believes that Cleanthes offered the strongest arguments. However, this could be out of loyalty to his teacher, as this does not seem to reflect Hume's own views on the topic. When other pieces on religion by Hume are taken into consideration, it may be noted that they all end with (apparently) ironic statements reaffirming the truth of Christian religious views. While the irony may be less readily evident in the Dialogues, this would suggest a similar reading of this work's ending.[2] Cicero used a similar technique in his Dialogues. Cleanthes is an "experimental theist"--"an exponent of orthodox empiricism"[3]--who bases his beliefs about God's existence and nature upon a version of the teleological argument, which uses evidence of design in the universe to argue for God's existence and resemblance to the human mind. Philo, according to the predominant view among scholars, is the character who presents views most similar to those of Hume.[4] Philo, along with Demea, attacks Cleanthes' views on anthropomorphism and teleology; while not going as far as to deny the existence of God, Philo asserts that human reason is wholly inadequate to make any assumptions about the divine, whether through a priori reasoning or observation of nature. Demea "defends the Cosmological argument and philosophical theism..." He believes that the existence of God should be proven through a priori reasoning and that our beliefs about the nature of God should be based upon revelation and fideism. Demea rejects Cleanthes' "natural religion" for being too anthropomorphic. Demea objects to the abandonment of the a priori arguments by Philo and Cleanthes (both of whom are empiricists) and perceives Philo to be "accepting an extreme form of skepticism.

Dialogues Concerning Natural Religion is a philosophical work by the Scottish philosopher David Hume. Through dialogue, three philosophers named Demea, Philo, and Cleanthes debate the nature of God's existence. Whether or not these names reference specific philosophers, ancient or otherwise, remains a topic of scholarly dispute. While all three agree that a god exists, they differ sharply in opinion on God's nature or attributes and how, or if, humankind can come to knowledge of a deity.

Dialogues Concerning Natural Religion is a philosophical work written by the Scottish philosopher David Hume. Through dialogue, three fictional characters named Demea, Philo, and Cleanthes debate the nature of God's existence. While all three agree that a god exists, they differ sharply in opinion on God's nature or attributes and how, or if, humankind can come to knowledge of a deity. In the Dialogues, Hume's characters debate a number of arguments for the existence of God, and arguments whose proponents believe through which we may come to know the nature of God. Such topics debated include the argument from design - for which Hume uses a house - and whether there is more suffering or good in the world (Argument from evil)

David Hume’s Dialogues Concerning Natural Religion is a philosophical classic that displays a powerful mastery of the critical thinking skills of reasoning and evaluation. Hume’s subject, the question of the existence and possible nature of God, was, and still is, a persistent topic of philosophical and theological debate. What makes Hume’s text a classic of reasoning, though, is less what he says, than how he says it. As he noted in his preface to the book, the question of ‘natural religion’ was unanswerable: so ‘obscure and uncertain’ that ‘human reason can reach no fixed determination with regard to it.’ Hume chose, as a result, to cast his thoughts on the topic in the form of a dialogue – allowing different points of view to be reasoned out, evaluated and answered by different characters. Considering and judging different or opposing points of view, as Hume’s characters do, is an important part of reasoning, and is vital to building strong persuasive arguments. Even if, as Hume suggests, there can be no final answer to what a god might be like, Dialogues Concerning Natural Religion shows high-level reasoning and evaluation at their best.