David Boyd's biography is the story of one man's dedicated struggle to protect and preserve Louisiana's fledgling state university from the cumulative effects of war, Reconstruction, political hostility, and parochial greed. Boyd fought hard to promote his vision of higher education among a largely antagonistic or apathetic citizenry. He died, bitter and disillusioned, in 1899, without realizing his dream. But his life was not wasted. Clearly those who governed the university in more prosperous days owned much of their success to the devotion and self-sacrifice of this heroic figure.

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Includes cumulative subject index of the entire set. 1 v.

Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.

Long overdue for an institutional history, Auburn University possesses a rich and storied past. Dwayne Cox's The Village on the Plain traces the school's history in authoritative detail from its origins as a private college through its emergence as a complex land-grant university. Originally founded prior to the Civil War with an emphasis on classical education, Auburn became the state's land-grant college after the cessation of hostilities. This infused the school with a vision of the South as a commercial and industrial rival to the North. By the 1880s, instruction in applied science had become Auburn's curricular version of this "New South" creed. Like most southern universities, Auburn never enjoyed financial abundance, creating scarcity that intensified internal debate over whether liberal arts or applied disciplines deserved more of the school's limited resources. Meager state funding for higher education complicated Auburn's rise and became a source of competition with the University of Alabama. This rivalry was perhaps most intense between 1908 and 1948, when the two schools did not meet on the gridiron, but blocked and tackled one another in the legislature over the division of state funds. Like many universities founded in somewhat isolated locations during the antebellum period, Auburn developed an insular culture, which hindered the school's progress in issues related to race. Cox traces how this insularity also found expression in the school's resistance to outside academic regulatory organizations as well as in conflicts over the university's governance. Auburn University's history is that of a small private college that transformed itself in the face of sweeping national events and state politics, not only to survive threats but to emerge more complex and resilient. Offering much to students of higher education and Alabama history, as well as readers affiliated with Auburn University, The Village on the Plain tells the story of this complex and fascinating institution.

From the accounts of 18th-century travelers to the interpretations of 21st-century historians, Jumonville lists more than 6,800 books, chapters, articles, theses, dissertations, and government documents that describe the rich history of America's 18th state. Here are references to sources on the Louisiana Purchase, the Battle of New Orleans, Carnival, and Cajuns. Less-explored topics such as the rebellion of 1768, the changing roles of women, and civic development are also covered. It is a sweeping guide to the publications that best illuminate the land, the people, and the multifaceted history of the Pelican State. Arranged according to discipline and time period, chapters cover such topics as the environment, the Civil War and Reconstruction, social and cultural history, the people of Louisiana, local, parish, and sectional histories, and New Orleans. It also lists major historical sites and repositories of primary materials. As the only comprehensive bibliography of the secondary sources about the state, ^ILouisiana History^R is an invaluable resource for scholars and researchers.