Daphne Ballinger has learned to accept her deceased, eccentric aunt’s strange request that she marry in order to inherit her estate, along with taking over her aunt’s hometown paper’s advice column. But knowing and accepting that God’s will be done becomes harder when a new neighbor, a divorced socialite, learns of Daphne’s predicament and takes on the task of finding her the perfect man, even if it includes speed dating. When God does open Daphne’s heart, it is instead to take in a young girl left parentless and in the care of her dying grandmother. It may be a temporary arrangement until the girl’s uncle returns from the Marines, but God uses Daphne to speak His heavenly love and protection into the life of the child -- whom Daphne soon discovers has a very handsome and single uncle.

A woman required to marry within the next year in order to inherit her eccentric late aunt's sizeable estate finds greater rewards in helping a young, parentless girl than in another round of speed dating.

With high hopes, Daphne Ballinger lands her dream job at The New York Times. But it's not long until writing about weddings becomes a painful reminder of her own failed romance, and her love of the city slowly sours as well. Is it time to give up the Big Apple for her small hometown of Appleton? When her eccentric Aunt Dee passes away and leaves a sizeable estate to Daphne, going back home is an easy choice. What isn’t easy is coming to terms with the downright odd clauses written into the will. Daphne only stands to inherit the estate if she agrees to her aunt's very specific posthumous terms -- personal and professional. And if she fails to comply, the sprawling old Victorian house shall be bequeathed to . . . Aunt Dee’s cats. And if Daphne thinks that’s odd, wait until she finds out an array of secrets about Aunt Dee's life, and how imperfect circumstances can sometimes lead to God's perfect timing.

A thrilling new voice in fiction injects the absurd into the everyday to present a startling vision of modern life, “[as] if Kafka and Camus and Bradbury were penning episodes of Black Mirror” (Chang-Rae Lee, author of My Year Abroad). “Stories so sharp and ingenious you may cut yourself on them while reading.”—Kelly Link, author of Get In Trouble With a focus on the weird and eerie forces that lurk beneath the surface of ordinary experience, Kate Folk’s debut collection is perfectly pitched to the madness of our current moment. A medical ward for a mysterious bone-melting disorder is the setting of a perilous love triangle. A curtain of void obliterates the globe at a steady pace, forcing Earth’s remaining inhabitants to decide with whom they want to spend eternity. A man fleeing personal scandal enters a codependent relationship with a house that requires a particularly demanding level of care. And in the title story, originally published in The New Yorker, a woman in San Francisco uses dating apps to find a partner despite the threat posed by “blots,” preternaturally handsome artificial men dispatched by Russian hackers to steal data. Meanwhile, in a poignant companion piece, a woman and a blot forge a genuine, albeit doomed, connection. Prescient and wildly imaginative, Out There depicts an uncanny landscape that holds a mirror to our subconscious fears and desires. Each story beats with its own fierce heart, and together they herald an exciting new arrival in the tradition of speculative literary fiction.

With holidays approaching in the charming town of Appleton, and Daphne Ballinger's deadline to "get hitched" drawing closer, Daphne finds herself happily distracted with the unexpected tasks of "motherhood." Young Mabel is enjoying the attention, but the clock is ticking and unless love comes her way, Daphne's delightful life will start unraveling by spring.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

When Daphne's man changes his mind about marriage, Daphne focused on a good life for herself and her new daughter, leaving what will be up to God.

“A funny, perceptive, and much-needed book telling a much-needed story.” —Celeste Ng, author of the New York Times bestseller Little Fires Everywhere First-generation American LatinX Liliana Cruz does what it takes to fit in at her new nearly all-white school. But when family secrets spill out and racism at school ramps up, she must decide what she believes in and take a stand. Liliana Cruz is a hitting a wall—or rather, walls. There’s the wall her mom has put up ever since Liliana’s dad left—again. There’s the wall that delineates Liliana’s diverse inner-city Boston neighborhood from Westburg, the wealthy—and white—suburban high school she’s just been accepted into. And there’s the wall Liliana creates within herself, because to survive at Westburg, she can’t just lighten up, she has to whiten up. So what if she changes her name? So what if she changes the way she talks? So what if she’s seeing her neighborhood in a different way? But then light is shed on some hard truths: It isn’t that her father doesn’t want to come home—he can’t…and her whole family is in jeopardy. And when racial tensions at school reach a fever pitch, the walls that divide feel insurmountable. But a wall isn’t always a barrier. It can be a foundation for something better. And Liliana must choose: Use this foundation as a platform to speak her truth, or risk crumbling under its weight.

Trudy Hulst has no idea if her husband survived his attempted escape past the Berlin Wall, but she bears the consequences of his actions. Now branded the wife of a defector, she faces a life in prison. With no real choice, she is forced to follow, praying she can find a way to claim their child once she's in West Berlin.

WINNER OF THE ORANGE PRIZE • Set in 1828 on a Louisiana sugar plantation, this novel from the bestselling author of Mary Reilly presents a “fresh, unsentimental look at what slave-owning does to (and for) one's interior life.... The writing—so prised and clean limbed—is a marvel" (Toni Morrison, Nobel Prize-winning author of Beloved). Manon Gaudet, pretty, bitterly intelligent, and monstrously self-absorbed, seethes under the dominion of her boorish husband. In particular his relationship with her slave Sarah, who is both his victim and his mistress. Exploring the permutations of Manon’s own obsession with Sarah against the backdrop of an impending slave rebellion, Property unfolds with the speed and menace of heat lightning, casting a startling light from the past upon the assumptions we still make about the powerful and powerful.