The more clues emerge about Geraldine's past, the more questions arise. Did she have a twin sister who drowned? Who is the mysterious benefactor in her hazy recollections? Did he have anything to do with her becoming immortal? Thankfully, she doesn't have to find the answers alone. Cassandra and Onegus are there for her, and so is Shai, the immortal who sets her body on fire. As they work together to solve the mystery, the four of them stumble upon a millennia-old secret that could tip the balance of power between the clan and its enemies.

Geraldine's memories are spotty at best, and many of them are pure fiction. While her family attempts to solve the puzzle with far too many pieces missing, she's forced to confront a past life that she can't remember, a present that's more fantastic than her wildest made-up stories, and a future that might be better than her most heartfelt fantasies. But as more clues are uncovered, the picture starting to emerge is beyond anything she or her family could have ever imagined.

‘This is Northern noir at its very best and wow! Brilliant! – NetGalley Reviewer, 5 Stars THREE LETTERS. THREE MURDERS. THE CLOCK IS TICKING... When the body of a homeless woman is found under Bradford’s railway arches, DS Nikki Parekh and her trusty partner DC Sajid Malik are on the case.

We are not alone. They are here. And there’s no going back. Perfect for fans of The Fifth Wave and the I Am Number Four series, Dark Energy is a thrilling stand-alone science fiction adventure from Robison Wells, critically acclaimed author of Variant and Blackout. Five days ago, a massive UFO crashed in the Midwest. Since then, nothing—or no one—has come out. If it were up to Alice, she’d be watching the fallout on the news. But her dad is director of special projects at NASA, so she’s been forced to enroll in a boarding school not far from the crash site. Alice is right in the middle of the action, but even she isn’t sure what to expect when the aliens finally emerge. Only one thing is clear: everything has changed.

When I wake up at Locklear Academy, I have no memory of how I got here... or any memories at all. Oh, yeah, and did I mention that I'm dead? If I ever want to pass on, I'm going to have to recover my past. Easier said than done. But Locklear, aka Ghost Academy, specializes in helping spirits take care of their unfinished business. There are just a few problems. First, the X-ers, an extremist group whose main goal is to forcibly send ghosts like me into the great whatever beyond, painfully and without that sense of peace we crave. Then there's the polter-ghost who has been following me around since I got here. But my biggest distraction comes in the form of Rafe: a fox shifter with the most adorable dimples, carrying around way more guilt than any ghost deserves. Maybe I shouldn't have a crush in the afterlife, but I'm dead, not blind. As my memories start to resurface, so do the threats from the X-ers. The clock is ticking and every moment I'm here becomes more dangerous. Not just because of the X-ers, but because the more time I spend with Rafe, the less I want to move on.Ghost Academy is a YA paranormal academy / urban fantasy that will contribute to your reading related insomnia. This is book one of the Ghost Academy Duology and a spin off of Blakemore Academy.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

A prescient warning of a future we now inhabit, where fake news stories and Internet conspiracy theories play to a disaffected American populace “A glorious book . . . A spirited defense of science . . . From the first page to the last, this book is a manifesto for clear thought.”—Los Angeles Times How can we make intelligent decisions about our increasingly technology-driven lives if we don’t understand the difference between the myths of pseudoscience and the testable hypotheses of science? Pulitzer Prize-winning author and distinguished astronomer Carl Sagan argues that scientific thinking is critical not only to the pursuit of truth but to the very well-being of our democratic institutions. Casting a wide net through history and culture, Sagan examines and authoritatively debunks such celebrated fallacies of the past as witchcraft, faith healing, demons, and UFOs. And yet, disturbingly, in today's so-called information age, pseudoscience is burgeoning with stories of alien abduction, channeling past lives, and communal hallucinations commanding growing attention and respect. As Sagan demonstrates with lucid eloquence, the siren song of unreason is not just a cultural wrong turn but a dangerous plunge into darkness that threatens our most basic freedoms. Praise for The Demon-Haunted World “Powerful . . . A stirring defense of informed rationality. . . Rich in surprising information and beautiful writing.”—The Washington Post Book World “Compelling.”—USA Today “A clear vision of what good science means and why it makes a difference. . . . A testimonial to the power of science and a warning of the dangers of unrestrained credulity.”—The Sciences “Passionate.”—San Francisco Examiner-Chronicle

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post

“[A] landmark book . . . Solnit illustrates how the uprisings that begin on the streets can upend the status quo and topple authoritarian regimes” (Vice). A book as powerful and influential as Rebecca Solnit’s Men Explain Things to Me, her Hope in the Dark was written to counter the despair of activists at a moment when they were focused on their losses and had turned their back to the victories behind them—and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argues that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of our times in an unforgettable new edition of this classic book. “One of the best books of the 21st century.” —The Guardian “No writer has better understood the mix of fear and possibility, peril and exuberance that’s marked this new millennium.” —Bill McKibben, New York Times–bestselling author of Falter “An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways.” —The New Yorker