No one ever talks about what happens in Little Compton... When David left home three years ago, he never looked back. Now, the only connection to his tiny New England hometown is his grandmother Maggie, whose mind is unraveling as she slowly succumbs to dementia. But when her best friend turns up dead and she may be the sole witness to the crime, David has no choice but to return to a place that never accepted his trans identity and only ever wanted him gone. Maggie's testimony is shrouded in doubt—in between moments of lucidity she talks about things that never happened, about apparitions, disappearances, and murders. But are they really only stories? After a man's death sets off a hauntingly familiar chain of events, it seems there's some truth to Maggie's words. With a body count on the rise, David begrudgingly tunes back into the rural voices of the tight-knit community to seek out the truth. And while David returns home a changed man, he finds that the ghosts of his past have waited for him. He'll have to face them head-on before he can begin to unravel his grandmother's story and finally put to rest the mysteries of this little town, lost in the fog. Even if no one talks about what happens in Little Compton, the dark currents beneath the silence create baffling crime puzzles for transgender sleuth David to unravel, and promise that the past is never sunk as deep as we think.

THE FIRST AGENT OF HEL NOVEL! “Jacqueline Carey proves her versatility with this compelling and delightful piece of urban fantasy.”—#1 New York Times Bestselling Author Charlaine Harris The Midwestern resort town of Pemkowet boasts a diverse population: eccentric locals, wealthy summer people, and tourists by the busload—not to mention fairies, sprites, vampires, naiads, ogres, and a whole host of eldritch folk, presided over by Hel, a reclusive Norse goddess. To Daisy Johanssen, fathered by an incubus and raised by a single mother, it’s home. And as Hel’s enforcer and the designated liaison to the Pemkowet Police Department, it’s up to her to ensure relations between the mundane and eldritch communities run smoothly. But when a young man from a nearby college drowns—and signs point to eldritch involvement—the town’s booming paranormal tourism trade is at stake. Teamed up with her childhood crush, Officer Cody Fairfax, a sexy werewolf on the down-low, Daisy must solve the crime—and keep a tight rein on the darker side of her nature. For if she’s ever tempted to invoke her demonic birthright, it could accidentally unleash nothing less than Armageddon.

THE FIRST AGENT OF HEL NOVEL! “Jacqueline Carey proves her versatility with this compelling and delightful piece of urban fantasy.”—#1 New York Times Bestselling Author Charlaine Harris The Midwestern resort town of Pemkowet boasts a diverse population: eccentric locals, wealthy summer people, and tourists by the busload—not to mention fairies, sprites, vampires, naiads, ogres, and a whole host of eldritch folk, presided over by Hel, a reclusive Norse goddess. To Daisy Johanssen, fathered by an incubus and raised by a single mother, it’s home. And as Hel’s enforcer and the designated liaison to the Pemkowet Police Department, it’s up to her to ensure relations between the mundane and eldritch communities run smoothly. But when a young man from a nearby college drowns—and signs point to eldritch involvement—the town’s booming paranormal tourism trade is at stake. Teamed up with her childhood crush, Officer Cody Fairfax, a sexy werewolf on the down-low, Daisy must solve the crime—and keep a tight rein on the darker side of her nature. For if she’s ever tempted to invoke her demonic birthright, it could accidentally unleash nothing less than Armageddon.

It’s been three months since former enforcer Amaranthe Lokdon and the notorious assassin Sicarius thwarted kidnappers and saved the emperor’s life. The problem? Nobody knows they were responsible for this good deed. Worse, they’re being blamed for the entire scheme. With enforcers and bounty hunters stalking them, and the emperor nursing a personal hatred for Sicarius, it’s going to be hard to earn exoneration. When Amaranthe’s team discovers mutilated bodies in the city aqueducts and a mysterious illness incapacitates thousands of citizens, she and Sicarius see an opportunity to solve the mystery and prove their loyalty. But they’ll have to defeat vengeful shamans, man-eating predators, and deadly mechanical constructs, all while dodging imperial soldiers who would rather kill them than accept their help. Nobody said exoneration would be easy. A heroic fantasy novel in an age of steam. 105,000 words.

It's been three months since former enforcer Amaranthe Lokdon and the notorious assassin Sicarius thwarted kidnappers and saved the emperor's life. The problem? Nobody knows they were responsible for this good deed. Worse, they're being blamed for the entire scheme. With enforcers and bounty hunters stalking them, and the emperor nursing a personal hatred for Sicarius, it's going to be hard to earn exoneration. When Amaranthe's team discovers mutilated bodies in the city aqueducts and a mysterious illness incapacitates thousands of citizens, she and Sicarius see an opportunity to solve the mystery and prove their loyalty. But they'll have to defeat vengeful shamans, man-eating predators, and deadly mechanical constructs, all while dodging imperial soldiers who would rather kill them than accept their help. Nobody said exoneration would be easy.

In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm.

Imperial law enforcer Amaranthe Lokdon is good at her job: she can deter thieves and pacify thugs, if not with a blade, then by toppling an eight-foot pile of coffee canisters onto their heads. But when ravaged bodies show up on the waterfront, an arson covers up human sacrifices, and a powerful business coalition plots to kill the emperor, she feels a tad overwhelmed.Worse, Sicarius, the empire's most notorious assassin, is in town. He's tied in with the chaos somehow, but Amaranthe would be a fool to cross his path. Unfortunately, her superiors order her to hunt him down. Either they have an unprecedented belief in her skills... or someone wants her dead.

Winner, 2022 Children's Literature Association Book Award, given by the Children's Literature Association Winner, 2020 World Fantasy Awards Winner, 2020 British Fantasy Awards, Nonfiction Finalist, Creative Nonfiction IGNYTE Award, given by FIYACON for BIPOC+ in Speculative Fiction Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

French philosopher Gilles Deleuze is known as a thinker of creation, joyous affirmation, and rhizomatic assemblages. In this short book, Andrew Culp polemically argues that this once-radical canon of joy has lost its resistance to the present. Concepts created to defeat capitalism have been recycled into business mantras that joyously affirm “Power is vertical; potential is horizontal!” Culp recovers the Deleuze’s forgotten negativity. He unsettles the prevailing interpretation through an underground network of references to conspiracy, cruelty, the terror of the outside, and the shame of being human. Ultimately, he rekindles opposition to what is intolerable about this world. Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

What will become of us in these trying times? How will we pass the time that we have on earth? In gorgeously rendered graphic form, Light in Dark Times invites readers to consider these questions by exploring the political catastrophes and moral disasters of the past and present, revealing issues that beg to be studied, understood, confronted, and resisted. A profound work of anthropology and art, this book is for anyone yearning to understand the darkness and hoping to hold onto the light. It is a powerful story of encounters with writers, philosophers, activists, and anthropologists whose words are as meaningful today as they were during the times in which they were written. This book is at once a lament over the darkness of our times, an affirmation of the value of knowledge and introspection, and a consideration of truth, lies, and the dangers of the trivial. In a time when many of us struggle with the feeling that we cannot do enough to change the course of the future, this book is a call to action, asking us to envision and create an alternative world from the one in which we now live. Light in Dark Times is beautiful to look at and to hold – an exquisite work of art that is lively, informative, enlightening, deeply moving, and inspiring.