These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.

Blake's Dantesque illustrations are the result of dialectics involving and questioning the very premises ? political, theological and poetic ? of the Commedia. Yet this very issue did not prevent the artist from rendering, at times more efficaciously and more profoundly than any other illustrator, Dante's unique atmospheres. Blake's approach thus enables us to revisit the Commedia from unaccustomed, privileged angles: on the one hand, we have great visionary poetry reflecting on itself; and on the other, the image that translates the poetic word, ?transforming? it into a new creation able to shed an original light on important aspects of Dante's work and thoughts.

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.

Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XX features The Divine Comedy, the masterpiece by Italian poet DANTE ALIGHIERI (1265-1321). Written in the vernacular-a groundbreaking step for literature-it is considered the greatest work in the Italian language and an important explication of the medieval mindset, particularly regarding religion. The journey of Dante, as his own fictional protagonist, through the afterlife has inspired writers from Geoffrey Chaucer to T.S. Eliot to today's popular novelists, filmmakers and videogame designers, and continues to profoundly influence modern ideas of heaven and hell.

divdivA towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia, or The Divine Comedy. Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works.div /DIVdivBased on Mazzotta’s highly popular Yale course, this book offers a critical reading of The Divine Comedy and selected other works by Dante. Through an analysis of Dante’s autobiographical Vita nuova, Mazzotta establishes the poetic and political circumstances of The Divine Comedy. He situates the three sections of the poem—Inferno, Purgatory, Paradise—within the intellectual and social context of the late Middle Ages, and he explores the political, philosophical, and theological topics with which Dante was particularly concerned./DIV/DIV/DIV

"IN the midway of this our mortal life,I found me in a gloomy wood, astrayGone from the path direct: and e'en to tellIt were no easy task, how savage wildThat forest, how robust and rough its growth,Which to remember only, my dismay...