Stephanie Gage's father has been kidnapped--by a dangerous man who wants to make a trade. Her beloved dad for a multimillion-dollar family heirloom that's gone missing. Either Stephanie finds the valuable violin or her father dies. But to track it down, she must rely on Tate Fuego--the man who broke her heart years ago. Stephanie knows that Tate's reasons for helping have nothing to do with her. And that the handsome demolitions expert knows more about destroying things than saving lives. But trusting Tate is all that stands between Stephanie and a madman's ultimate revenge.

A Juilliard-trained musician and professor of history explores the fascinating entanglement of classical music with American foreign relations. Dangerous Melodies vividly evokes a time when classical music stood at the center of twentieth-century American life, occupying a prominent place in the nation’s culture and politics. The work of renowned conductors, instrumentalists, and singers—and the activities of orchestras and opera companies—were intertwined with momentous international events, especially the two world wars and the long Cold War. Jonathan Rosenberg exposes the politics behind classical music, showing how German musicians were dismissed or imprisoned during World War I, while numerous German compositions were swept from American auditoriums. He writes of the accompanying impassioned protests, some of which verged on riots, by soldiers and ordinary citizens. Yet, during World War II, those same compositions were no longer part of the political discussion, while Russian music, especially Shostakovich’s, was used as a tool to strengthen the US-Soviet alliance. During the Cold War, accusations of communism were leveled against members of the American music community, while the State Department sent symphony orchestras to play around the world, even performing behind the Iron Curtain. Rich with a stunning array of composers and musicians, including Karl Muck, Arturo Toscanini, Wilhelm Furtwängler, Kirsten Flagstad, Aaron Copland, Van Cliburn, and Leonard Bernstein, Dangerous Melodies delves into the volatile intersection of classical music and world politics to reveal a tumultuous history of twentieth-century America.

Melody is excited to sing her first solo and gleans inspiration from her brother's love of Motown and the words of Martin Luther King, Jr., but it soon becomes clear that things in the country are not fair for African Americans like her.

* "A natural fit for Stranger Things fans." - Booklist, starred review From New York Times bestselling author Lauren DeStefano comes an atmospheric and spine-tingling story about four children who dream in tandem. Tucked deep in the woods and surrounded by a great iron fence lies Brassmere Academy for the Extraordinary, a school for orphans with strange and wonderful gifts. Twelve-year-old Plum has lived there for as long as she can remember. Each night, she ventures into her dreams alongside her three best friends, Vien, Gwendle, and Artem to fight monsters and journey on dangerous quests. But one night, Plum gets a mysterious warning that she and her friends are no longer safe. And the next morning, Artem is nowhere to be found. As Plum, Vien, and Gwendle search for their friend--in both the dreaming and waking worlds--they start to uncover alarming secrets about Brassmere and its intentions. Will they be able to find Artem before it's too late, or will they be next to disappear?

Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust.

His heart beats for the music. She's his favorite song. Lyric Cassidy knows a thing or two about bad boy rock stars with raspy vocals. In fact, her heart was just played by one. So when she takes an assignment as road manager for the world famous rock star, Wolf, she's prepared to take him on, full suit of heart-armor intact. Wolf is the sexy lead singer for the hottest rock band around with a line-up of guaranteed one night stands. Lyric Cassidy isn't one of them. That's fine with him. Women like Lyric come with fairytale expectations, so it should be easy to stay away. Too bad she's hot as sin with a fiery temper and a mouth that drives him wild. She's also got something to hide. Something he discovers. Something he wants ... Sharing a tour bus, neither of them are prepared for the miles of road ahead and the fierce attraction they feel toward one another-a dangerous combination.

When she saw him for the first time, on the night of the full moon, he was the wild wolf and plundered her beauty at no allowance.When she met him again, he was the Duke of the United Kingdom."From now on, when I stand you cannot sit, when I lie down you must sit on me and move yourself!""No revealing clothing, no contact with any other male except me......" "..."All of the rules restricted her freedom. And at last, she couldn't stand him any longer, she shouted： "Stop, Duke! I've had enough with this!""You want me to stop? Sweetie, if you stay with me, you only can let me 'do not stop'..."Damn it, she's had the bad luck of her life to mess with the wolfish Duke..." This is Book 2 of Stop,Your Grace!（5 books）

A DANGEROUS CHOICE On the brink of death, Cassidy DiRocco demands that New York City’s master of the supernatural, Dominic Lysander, transform her—reporter, Night Blood, sister, human—into the very creature she’s feared and fought against for months: a vampire. The pain is brutal, she could lose the career she’s worked so hard to achieve, and her world will never be the same. But surviving is worth any risk, especially when it means gaining the strength to fight against Jillian Allister, the sister who betrayed Dominic, attacked Cassidy, and is leading a vampire uprising that will destroy all of New York City . . . When she awakens, however, Cassidy realizes the cost of being transformed might be more than she was willing to sacrifice. But if Cassidy hopes to right the irrevocable wrongs that Jillian and her army of the Damned have wrought on New York City, she’ll need to not only accept her new senses, body, and cravings, but wield them in her favor. Irresistible and enigmatic as Dominic is, he no longer has command over the city or its vampires. Only Cassidy has the connections to convince the humans, Day Reapers, and the few vampires still loyal to Dominic to join forces. And maybe, if Dominic can accept her rising power over the coven he once commanded for the past several hundred years, the two of them together might forge a bond more potent than history has ever known. . .

Melody is on a quest to discover her real identity and purpose when she encounters a dryad on Ealing Common! After hearing the dryad's prophecy, Melody's day becomes even stranger when she spots a unicorn in Oxford Street, and follows it into the mysterious Otherworld. Returning to the human world, further adventures finally lead Melody to Tower Bridge and a confrontation with a dragon... Melody's Unicorn is the first volume in a new children's fantasy trilogy which continues with Melody’s Dragon and Melody’s World.