One man's discovery into soaring flight. An aviation memoir written for prospective and novice pilots as well as anyone who hasn't stopped dreaming and daring. Praised as "insightful" and "revealing" by Thomas L. Knauff, member of the United States Soaring Hall of Fame and glider pilot from the 1999 motion picture The Thomas Crown Affair.

Definitive, broadly representative anthology of poets born after 1960

Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin M. Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.

A wry collection of poems in three parts, one of which is devoted to the dangers of love and the love of danger. A sample: "Beauty, danger and dismay / Met me on the public way. / Whichever I chose, I chose dismay." The other two parts comprise songs on political violence. By the author of Children in Exile.

When first published in 2004, Danger on Peaks was the poet's first new collection of poems in twenty years. Perhaps his most personal, autobiographical collection, it begins with the young poet ascending Mt. St. Helens in 1945, a climb accidentally timed with the bombing of Hiroshima and Nagasaki. He was 15 years old. Almost sixty years later, after the great Buddhas at Bamiyan Valley were bombed and with the victims of the World Trade Center also "turned to dust," the poet composed a prayer while at Short Grass Temple in Senso–ji, a pilgrim on the path of Kannon, Goddess of Mercy. This remarkable collection was greeted with broad praise, and as Julia Martin proclaimed, "Moving between relative and absolute ways of seeing, [Snyder] responds to the experience of global conflict and personal pain by reminding readers of the continuity of wildness, affirming the value of art, and invoking an ancient practice of wisdom and compassion."

The poems in Catherine Pierce's new Danger Days celebrate our planet while also bearing witness to its collapse. In poems steeped deep in the 21st century, Pierce weaves superblooms and Legos, gun violence and ghosts, glaciers and contaminant masks, urging us to look closely at both the horror and beauty of our world. As Pierce writes in "Planet," "I'm trying to see this place even as I'm walking through it."

Stephen Zerance's Safe Danger is an anxious book about desire, dread, worry, wonder, about how it's possible to fear what feeds us. These marvelously brutal poems speak the body always on the verge of its own undoing, the body that is "all meat, learning how to suffer." Artfully written, painfully naked, and radically disruptive.

A reinvestigation of chemical biological weapons dropped on the Hmong people in the fallout of the Vietnam War In this staggering work of documentary, poetry, and collage, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the United States abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos starting in the mid-1970s. This substance, known as “yellow rain,” caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties. A Cold War scandal erupted, wrapped in partisan debate around chemical arms development versus control. And then, to the world’s astonishment, American scientists argued that yellow rain was the feces of honeybees defecating en masse—still held as the widely accepted explanation. The truth of what happened to the Hmong, to those who experienced and suffered yellow rain, has been ignored and discredited. Integrating archival research and declassified documents, Yellow Rain calls out the erasure of a history, the silencing of a people who at the time lacked the capacity and resources to defend and represent themselves. In poems that sing and lament, that contend and question, Vang restores a vital narrative in danger of being lost, and brilliantly explores what it means to have access to the truth and how marginalized groups are often forbidden that access.

A baby transforms into a reverse mermaid in a baptism gone wrong. After being stepped on, a snail exacts revenge. In Danger Flower, Jaclyn Desforges leads enlightened witnesses through a wild garden where archetypal tales are treated with tongue-in-cheek irreverence. Amidst nesting dolls and opossums, poison oak and Tamagotchis, the poet navigates gender roles, sexual indiscretions, episodic depression, and mothering, forming essential survival strategies for a changing world. Danger Floweris a necessary debut.

National Book Award finalist Alberto Ríos returns with his signature desert Southwest magical-realism.