In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.

Life as Art brings the resources of contemporary aesthetics since Nietzsche to bear on the problems of how one integrates the aesthetic emphases of meaning, liberation, and creativity into one's daily life. By linking together the aesthetic and ethical accounts of critical theorists, phenomenologists, and existentialists into a coherent view on the artful life, Life as Art shows the ways in which much of contemporary Continental theory has been concerned with alternative ways of constructing one's own life. Seen as a unified phenomenon, life as art signifies an active attempt to create a life which bears the resistance, openness, and creativity found in artworks.

Finally she considers the case of Walter Benjamin, whose early interpreters, especially Hannah Arendt and Theodor Adorno, challenged his seriousness and originality by alluding to his supposed 'feminine' qualities of vagabondage and sloth. In each of these cases, Meltzer shows how a threat to a writer's status as creator betrays the larger fraud of the originality myth itself.

Dandyism's queerness, both in the traditional sense of its strangeness and oddness regarding conventionality and in the contemporary sense of resisting and contesting imprisoning gender and sexual labels, including homosexuality, underscores reading Machado and his poetry differently. Given the poet's fondness for the visual arts, as well as the pictorial quality of his verse, the image of the museum functions as an appropriate phenomenological space where to house, organize, categorize and display Machado's diverse poetry in order to examine and analyze the desires of this dandy period."--Jacket.

In Dandyism in the Age of Revolution, Elizabeth Amann shows that in France, England, and Spain, daring dress became a way of taking a stance toward the social and political upheaval of the period. France is the centerpiece of the story, not just because of the significance of the Revolution but also because of the speed with which both its politics and fashions shifted. Dandyism in France represented an attempt to recover a political center after the extremism of the Terror, while in England and Spain it offered a way to reflect upon the turmoil across the Channel and Pyrenees. From the Hair Powder Act, which required users of the product implications of the feather in Yankee Doodle's hat, Amann aims to revise our understanding of the origins of modern dandyism and to recover the political context from which it emerged. -- from back cover.

After Pearl Harbor, a shortage of steel quickly slowed the American arms buildup. The country needed scrap metal. This is the story of the great Nebraska scrap drive of 1942 that provided a template for the national drive.

Durrell's best-known work fused Western notions of time and space with Eastern metaphysics. Very little has been written about Durrell's work before the Second World War. With A Smile in His Mind's Eye, Ray Morrison seeks to redress this neglect.

In this second volume of his study of the Anglo-Irish novelist Lawrence Durrell (following the appearance in 1988 of The Dandy and the Herald: Manners, Mind and Morals from Brummell to Durrell Richard Pine examines in detail Durrell's unique contribution to the development of the modern novel, concentrating in particular on the evidence of Durrell's private notebooks and diaries. Pine's twenty-year friendship with Burrell has resulted in an intimate portrait of a singular mind whose extraordinary career, both as a writer and as a British colonial official, is hallmarked by the creation of 'the Heraldic Universe', an imaginative realm within which the artist reigns supreme.