In this thought-provoking and sensitive book, a noted Jungian scholar explores the deepest elements in the American psyche that need healing to bring forth the best in both of the worlds we walk in: the highly differentiated and technologically developed Western civilization and the indigenous native "soul" that is the essence of each human being. The author demonstrates that this soul is forcefully represented in America in the experience of the Native American peoples and their relationship to the land and to the ancient "indigenous one" at the heart of our human rights.The author explores not only the best of Native American spiritual thought to rediscover that soul, but also the terrible psychic damage done to later settlers by five hundred years of violence against the original peoples. He sketches positive directions that will create a partnership between the two worlds of our past and bring them together in a "dance" that will encourage a more redemptive spiritual order+

Fields in Motion: Ethnography in the Worlds of Dance examines the deeper meanings and resonances of artistic dance in contemporary culture. The book comprises four sections: methods and methodologies, autoethnography, pedagogies and creative processes, and choreographies as cultural and spiritual representations. The contributors bring an insiders insight to their accounts of the nature and function of these artistic practices, giving voice to dancers, dance teachers, creators, programmers, spectators, students, and scholars. International and intergenerational, this collection of groundbreaking scholarly research points to a new direction for both dance studies and dance anthropology. Traditionally the exclusive domain of aesthetic philosophers, the art of dance is here reframed as cultural practice, and its significance is revealed through a chorus of voices from practitioners and insider ethnographers.

“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle

In this thought-provoking and sensitive book, a noted Jungian scholar explores the deepest elements in the American psyche that need healing to bring forth the best in both of the worlds we walk in: the highly differentiated and technologically developed Western civilization and the indigenous native "soul" that is the essence of each human being. The author demonstrates that this soul is forcefully represented in America in the experience of the Native American peoples and their relationship to the land and to the ancient "indigenous one" at the heart of our human rights. The author explores not only the best of Native American spiritual thought to rediscover that soul, but also the terrible psychic damage done to later settlers by five hundred years of violence against the original peoples. He sketches positive directions that will create a partnership between the two worlds of our past and bring them together in a "dance" that will encourage a more redemptive spiritual order +

Capoeira is an Afro-Brazilian martial art now spreading over the rest of the world and this book, the only complete history of the art in the English language, traces the history of the martial art and examines its influence.

The Divine Dance has become a classic for fans of Richard Rohr and an important book on Christian mysticism, it provides a fresh perspective for anyone studying or teaching the trinity. The Trinity is the central doctrine of Christianity, but it is still widely considered a mystery we won't ever fully understand. Should we still try to understand it, even so? If we could, how would it transform our relationship with God? In this stimulating and thought-provoking book, internationally recognised teacher Richard Rohr explores the nature of God and the paradoxical idea of the Holy Trinity as both three and one. With clear, surefooted wisdom, he encourages us to build on the early Christian understanding of the relationship between Father, Son and Spirit as a flow and dance - a Divine Dance - that we are invited to join in. An engaging, accessible look at the nature of God, The Divine Dance will challenge the way you think about the Trinity and give you a much fuller understanding of the triune relationship that is at the heart of Christian doctrine. It will leave you with a faith that is renewed and strengthened, and show you how you can engage more deeply in your relationship with God and the world through the Trinity.

This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of religion, on the one hand, and theology, on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religio

As the story of BETWEEN TWO WORLDS begins to unfold, in this, the second of the Folk of the Twill trilogy, we are reacquainted with Jack Cornwood - a hemp farmer, who comes across a mid-eighteenth century manuscript; Buttercup takes her Arts of Concealment Test; and Clay Dock goes to the Marsh Gate for some pickled duckweed. But then something totally unexpected happens; and we are taken to new places and meet new characters - some lovely, some loathsome, and some in between; but all very colourful (even if they are not).

[This book is in both English and French language] A light in the darkness . . . Hey, my name is Lily and in this volume the nightmare truly begins. So Alia Reven, the rest of the group and I finally prepare a plan to stop the two worlds from merging. We had everything planned out, or so we thought . . . When the Telepathies sisters did the spell of Senyria, they awakened a hidden dark force that is out to destroy the world, which goes by the name of the black mist, or Devoile. Friends get possessed, new worlds are unlocked, hidden mysteries are discovered, and, worst of all, our friends, the world and realms are all in danger because in this volume the nightmare begins! Une lumière dans le noire . . . Bonjour mon est Lily et dans cette tome le cauchemar a commencé. Alors Alia, Reven, tout le rest du groupe et moi ont finalement trouvé un plan pour arrêter les deux mondes de se réunir. Nous avons prévu chaque étape ou alors nous pensions . . . Quand les soeurs Telepathie ont fait le sortilège de Senyria, elles ont réveillé une nouvelle force du mal qui s'appelle la brume noire aussi appellé Devoile. Nos amis deviennent possedés, deux nouveaux mondes se montrent, des secrets inconnu sont révélés. Mais le plus pire: nos amis, l'univers et tout le monde sont en danger car dans cette tome le cauchemar a commencé!

In the 1600s, over 350,000 intrepid English men, women, and children migrated to America, leaving behind their homeland for an uncertain future. Whether they settled in Jamestown, Salem, or Barbados, these migrants-entrepreneurs, soldiers, and pilgrims alike-faced one incontrovertible truth: England was a very, very long way away.In Between Two Worlds, celebrated historian Malcolm Gaskill tells the sweeping story of the English experience in America during the first century of colonization. Following a large and varied cast of visionaries and heretics, merchants and warriors, and slaves and re.