Published on the occasion of the exhibition Damien Hirst, Tate Modern, 4 April - 9 September 2012.

A provocative collection of Damien Hirst's ideas and obsessions, created in collaboration with designer Jonathan Barnbrook. Pieces of his artwork are set against a visual narrative of drawings, words, photography, typography, pop-ups and other special effects. An essay by novelist Gordon Burn looks at Hirst's work and the breadth of its impact.

Combining recent insights from animal studies, critical plant studies and the new materialisms, Danielle Sands reads fiction and philosophy alongside each other to propose a method of thinking of and with animals that draws on a bestiary of affects. She challenges the claim that empathy should be primary mode of engagement with nonhuman life. Instead, she looks at the stories that we tell, and are told, by insects - beings at the edges of animal life. The indifference, even disgust, that these creatures evoke in us forms the basis for a new ethics not limited by empathy. Along the way she encounters fiction writers Yann Martel, Karen Joy Fowler, Han Kang and Jim Crace beside the philosophy of Graham Harman, Donna Haraway, Jacques Derrida and Roger Caillois.

This book features the major prints and drawings from the largest collectionn Australia - over 20,000 works. Includes works from the NGV's largeollections of Rembrandt, Blake, Turner, Durer and Constable.

Experience the uplifting power of art on this breathtaking visual tour of 2,500 paintings and sculptures created by more than 700 artists from Michelangelo to Damien Hirst. This beautiful book brings you the very best of world art from cave paintings to Neoexpressionism. Enjoy iconic must-see works, such as Leonardo da Vinci's Last Supper and Monet's Waterlilies and discover less familiar artists and genres from all parts of the globe. Art That Changed the World covers the full sweep of world art, including the Ming era in China, and Japanese, Hindu, and Indigenous Australian art. It analyses recurring themes such as love and religion, explaining key genres from Romanesque to Conceptual art. Art That Changed the World explores each artist's key works and vision, showing details of their technique, such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Dejeuner sur l'herbe (Lunch on the Grass), which scandalized society, and traces how one genre informed another - showing how the Impressionists were inspired by Gustave Courbet, for example, and how Van Gogh was influenced by Japanese prints. Lavishly illustrated throughout, look no further for your essential guide to the pantheon of world art.

Connecting Museums explores the boundaries of museums and how external relationships are affected by internal commitments, structures and traditions. Focusing on museums’ relationship with heath, inclusion, and community, the book provides a detailed assessment of the alliances between museums and other stakeholders in recent years. With contributions from practitioners and established and early-career academics, this volume explore the ideas and practices through which museums are seeking to move beyond what might be called one-off contributions to society, to reach places where the museum is dynamic and facilitates self-generation and renewal, where it can become not just a provider of a cultural service, but an active participant in the rehabilitation of social trust and democratic participation. The contributors to this volume provide conceptual critiques and clarification of a number of key ideas which form the basis of the ethics of museum legitimacy, as well as a number of reports from the front line about the experience of trying to renew museums as more valuable and more relevant institutions. Providing internal and external perspectives, Connecting Museums presents a mix of applied and theoretical understandings of the changing roles of museums today. As such, the book should be of interest to academics, researchers and students working in the broad fields of museum and heritage studies, material culture, and arts and museum management.

Contemporary artists from the Americas, Europe, Africa, and Asia map the show into five areas of multimedia installations that examine cultural differences in the construction of time: Time Collapsed, Transgressive Bodies, Liquid Time, Trans-Histories, Mobility/Immobility.

Following on from his acclaimed book, The Battle for Wau, Phillip Bradley turns his attention to the Salamaua campaign - the first of the New Guinea offensives by the Australian Army in the Second World War. Opening with the pivotal air-sea battle of the Bismarck Sea, this important title recounts the fierce land campaign that was fought for the ridges that guarded the Japanese base at Salamaua. From Mount Tambu to Old Vickers and across the Francisco River, the Australians and their American allies fought a desperate struggle to keep the Imperial Japanese Army diverted from the strategic prize of Lae. To Salamaua covers the entire campaign in one volume for the first time. From the strategic background of the campaign and the heated conflicts, to the mud and blood of the front lines, this is the extraordinary story.