“Fun, fresh—a brilliant love story with a twist.” —Jenny Colgan, author of The Bookshop on the Corner Bridget Jones meets “The Good Place” in this witty and poignant novel about a woman whose untimely death sparks the journey of a lifetime Rule one: anything can happen Daisy Cooper’s life is just getting started, when suddenly it ends. Surprised to find herself in an Afterlife processing center, she is even more stunned to learn that she wasn’t meant to die for another fifty years. One terrible, embarrassing clerical error is behind it—and an administrator named Death is to blame. But death, as they say, is final, and Daisy must now navigate this impossible new world. With the help of an unlikely ally, Daisy begins to realize that letting go isn’t just a challenge faced by those left behind. And as she learns how to survive this strange reality, friendship, hope and love begin to come alive in the most unexpected ways.

*USA Today and Toronto Star bestseller* Full of romance, hijinks, and longing, Good Girl Complex is Elle Kennedy at her very best. She does everything right. So what could go wrong? Mackenzie “Mac” Cabot is a people pleaser. Her demanding parents. Her prep school friends. Her long-time boyfriend. It’s exhausting, really, always following the rules. All she wants to do is focus on growing her internet business, but first she must get a college degree at her parents’ insistence. That means moving to the beachside town of Avalon Bay, a community made up of locals and the wealthy students of Garnet College. Twenty-year-old Mac has had plenty of practice suppressing her wilder impulses, but when she meets local bad boy Cooper Hartley, that ability is suddenly tested. Cooper is rough around the edges. Raw. Candid. A threat to her ordered existence. Their friendship soon becomes the realest thing in her life. Despite his disdain for the trust-fund kids he sees coming and going from his town, Cooper soon realizes Mac isn’t just another rich clone and falls for her. Hard. But as Mac finally starts feeling accepted by Cooper and his friends, the secret he’s been keeping from her threatens the only place she’s ever felt at home.

NEW YORK TIMES BESTSELLER • “A fascinating look at how consumers perceive logos, ads, commercials, brands, and products.”—Time How much do we know about why we buy? What truly influences our decisions in today’s message-cluttered world? In Buyology, Martin Lindstrom presents the astonishing findings from his groundbreaking three-year, seven-million-dollar neuromarketing study—a cutting-edge experiment that peered inside the brains of 2,000 volunteers from all around the world as they encountered various ads, logos, commercials, brands, and products. His startling results shatter much of what we have long believed about what captures our interest—and drives us to buy. Among the questions he explores: • Does sex actually sell? • Does subliminal advertising still surround us? • Can “cool” brands trigger our mating instincts? • Can our other senses—smell, touch, and sound—be aroused when we see a product? Buyology is a fascinating and shocking journey into the mind of today's consumer that will captivate anyone who's been seduced—or turned off—by marketers' relentless attempts to win our loyalty, our money, and our minds.

An instant New York Times bestseller! The second gripping novel in the New York Times bestselling Thursday Murder Club series, soon to be a major motion picture from Steven Spielberg at Amblin Entertainment “It’s taken a mere two books for Richard Osman to vault into the upper leagues of crime writers. . . The Man Who Died Twice. . . dives right into joyous fun." —The New York Times Book Review Elizabeth, Joyce, Ron and Ibrahim—the Thursday Murder Club—are still riding high off their recent real-life murder case and are looking forward to a bit of peace and quiet at Cooper’s Chase, their posh retirement village. But they are out of luck. An unexpected visitor—an old pal of Elizabeth’s (or perhaps more than just a pal?)—arrives, desperate for her help. He has been accused of stealing diamonds worth millions from the wrong men and he’s seriously on the lam. Then, as night follows day, the first body is found. But not the last. Elizabeth, Joyce, Ron and Ibrahim are up against a ruthless murderer who wouldn’t bat an eyelid at knocking off four septuagenarians. Can our four friends catch the killer before the killer catches them? And if they find the diamonds, too? Well, wouldn’t that be a bonus? You should never put anything beyond the Thursday Murder Club. Richard Osman is back with everyone’s favorite mystery-solving quartet, and the second installment of the Thursday Murder Club series is just as clever and warm as the first—an unputdownable, laugh-out-loud pleasure of a read.

Alone in prison.No recollection of the past.A baby grows inside her.In a futuristic world where women are scarce and only the wealthy can afford a wife, Melissa Alexander is trapped in a prison rehabilitation center with no memory of who she is. The unborn child growing inside her is all that keeps them from making her pay for the sins she's committed--sins she cannot recall. But when five sexy strangers, claiming to be her husbands, kidnap her and bring her to safety, Melissa fears she can't trust them. All she can remember is what she was taught under the prison's watchful, vengeful eye: to hate them. But how can she hate--or love--what she can't remember?

This book looks at television comedy, drawn from across the UK and Ireland, and ranging chronologically from the 1980s to the 2020s. It explores depictions of distinctive geographical, historical and cultural communities presented from the insiders’ perspective, simultaneously interrogating the particularity of the lived experience of time, and place, embedded within the wide variety of depictions of contrasting lives, experiences and sensibilities, which the collected individual chapters offer. Comedies considered include Victoria Wood’s work on ‘the north’, Ireland’s Father Ted and Derry Girls, Michaela Coel’s east London set Chewing Gum, and Wales’ Gavin and Stacey. There are chapters on Scottish sketch and animation comedy, and on series set in the Midlands, the North East, the South West and London’s home counties. The book offers thoughtful reflection on funny and engaging representations of the diverse, fragmented complexity of UK and Irish identity explored through the intersections of class, ethnicity and gender.

Originally published: New York: Random House, 1972.

"Learning Statistics with R" covers the contents of an introductory statistics class, as typically taught to undergraduate psychology students, focusing on the use of the R statistical software and adopting a light, conversational style throughout. The book discusses how to get started in R, and gives an introduction to data manipulation and writing scripts. From a statistical perspective, the book discusses descriptive statistics and graphing first, followed by chapters on probability theory, sampling and estimation, and null hypothesis testing. After introducing the theory, the book covers the analysis of contingency tables, t-tests, ANOVAs and regression. Bayesian statistics are covered at the end of the book. For more information (and the opportunity to check the book out before you buy!) visit http://ua.edu.au/ccs/teaching/lsr or http://learningstatisticswithr.com