Dahomey’s Royal Architecture examines the West African kingdom of Dahomey, located in present-day Republic of Benin. The book explores the Royal Palace of Dahomey’s relationship to the religious, cultural, and national identity of the pre-colonial Kingdom of Dahomey (c. 1625–1892), colonial Dahomey (1892–1960) and post-colonial Benin (1960–present). The Royal Palace of Dahomey covers more than 108 acres and was surrounded by a wall over two miles long. When the French colonial army arrived in Abomey in 1892, the ruling king set fire to the palace to keep it from falling into enemy hands. Though much of the palace structure was subsequently left to ruin, a portion of it was restored from which the French ruled for a short period. In 1945, the colonial administration transformed part of the palace into a museum, and in 1985 the entire palace was added to UNESCO’s World Heritage list. This book documents the palace’s physical transformations in relation to its changing purposes and explores how the space maintained religious significance despite change. The palace’s construction, destruction, and restorations demonstrate how architecture can be manipulated and transformed according to the agendas of governments or according to the religious and cultural needs of a populace. The palace functions as a historic record by discussing aspects of documentation, revision, language, and interpretation. Covering almost four centuries of Dahomey’s history, this book will be of interest to researchers and students of African art and architecture, religious studies, west African history, and post-colonial studies.

This volume examines political life in the Kingdom of Dahomey, located in the Republic of Bénin.

The Republic of Benin in West Africa is home to more than forty ethnic groups, the largest of which is the Fon. In the early seventeenth century, the Fon established a society ruled by a dynasty of kings, who over the years forged the powerful kingdom of Dahomey. In their capital city of Abomey, they built a remarkable complex of palaces that became the center of the kingdom's political, social, and religious life. The palace walls were decorated with colorful low-relief sculptures, or bas-reliefs, which recount legends and battles and glorify the history of the dynasty's reign. Over the centuries, these visual stories have represented and perpetuated the history and myths of the Fon people. The Palace Sculptures of Abomey combines lavish color photographs of the bas-reliefs with a lively history of the Dahomey kingdom, complemented by period drawings, rare historical photographs, and colorful textile art. The book provides a vivid portrait of these exceptional narrative sculptures and the equally remarkable people who crafted them. Also included are a reading of the stories on the walls and details of the four-year collaboration between the Benin Ministry of Culture and Communications and the Getty Conservation Institute to conserve the bas-reliefs of Abomey. Final chapters describe the Historic Museum of Abomey, now housed in the palace complex, and discuss the continuing popularity of bas-reliefs in contemporary West African art.

A desire for intimacy in domestic spaces – motivated by a growing sense of individualistic expression, an incentive to conceal the labor or enslavement taking place, and an appetite for solace and comfort – led to interiors taking on more specific roles in the eighteenth century. By examining the architectural, visual, and material culture of eighteenth-century spaces, Intimate Interiors foregrounds the interrelated concepts of intimacy, privacy, informality, and sociability in order to show how these ideas played an increasingly integral role in the period's architectural and material design. Across eleven innovative chapters that explore issues of gender, politics, travel, exoticism, imperialism, sensorial experiences, identity, interiority, and modernity, this volume demonstrates how intimacy was a fundamental goal in the planning of private quarters. In doing so, the political nature of private spaces is uncovered, whilst highlighting the contradictions and complexities of these highly performative “private” interiors. Employing distinct methodological perspectives across various geographical sites, from Turkey to Versailles, Britain to Benin, Intimate Interiors draws as-yet untraced connections between Enlightenment Europe, imperial outposts, and major metropolitan centers across the globe.

From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).

The Archaeology of Slavery grapples with both the benefits and complications of a comparative approach to the archaeology of slavery. Contributors from different archaeological subfields, including American, African, prehistoric, and historical, consider how to define slavery, identify it in the archaeological record, and study slavery as a diachronic process that covers enslavement to emancipation and beyond. Themes include how to define slavery, how to identify slavery archaeologically, enslavement and emancipation, and the politics and ethics of slavery-related research.

This volume examines the archaeology of precolonial West African societies in the era of the trans-Atlantic slave trade. Using historical and archaeological perspectives on landscape, this collection of essays sheds light on how involvement in the commercial revolutions of the early modern period dramatically reshaped the regional contours of political organization across West Africa. The essays examine how social and political transformations occurred at the regional level by exploring regional economic networks, population shifts, cultural values and ideologies. The book demonstrates the importance of anthropological insights not only to the broad political history of West Africa, but also to an understanding of political culture as a form of meaningful social practice.

Argues that Dutch Brazil is integral to Atlantic history and made an impact well beyond the colonial and national narratives in the Netherlands and Brazil.

An Archaeology of the British Atlantic World, 1600–1700 is the first book to apply the methods of modern-world archaeology to the study of the seventeenth-century English colonial world. Charles E. Orser, Jr explores a range of material evidence of daily life collected from archaeological excavations throughout the Atlantic region, including England, Ireland, western Africa, Native North America, and the eastern United States. He considers the archaeological record together with primary texts by contemporary writers. Giving particular attention to housing, fortifications, delftware, and stoneware, Orser offers new interpretations for each type of artefact. His study demonstrates how the archaeological record expands our understanding of the Atlantic world at a critical moment of its expansion, as well as to the development of the modern, Western world.

Elite troops of women soldiers contributed to the military power of the Kingdom of Dahomey in the eighteenth and nineteenth centuries. Admired in their country and feared by their adversaries, these formidable warriors never fled from danger. The troops were dissolved after the fall of Behanzin (Gbehanzin), the last King of Dahomey, during French colonial expansion at the end of the nineteenth century.