Cutty, One Rock takes the reader on a wild journey by airplane, bus, ferry, and foot from childhood to early manhood in the company of a New Jersey family in equal measures cultivated and deranged. We witness scenes of passionate, even violent intensity that give rise to meditations on eros and literature, the solitariness of travel, and the poetics of place. These individual pieces, most of which first appeared in The London Review of Books and won an international cult following, are by turns "poignant, surreal, down home and lyrical, a mixture of qualities that inheres in his language with uncommon delicacy and effect" (Leonard Michaels). Together they make up an intellectual and emotional autobiography on the run. The book's final section, about Kleinzahler's adored, doomed older brother, is unforgettable, and since its appearance last year in the LRB, has already entered the literature as one of the most moving contemporary memoirs.

August Kleinzahler has earned admiration for his musical, precise, wise, and sometimes madcap poems that are grounded in the wide array of places, people, and most especially voices he has encountered in his real and imaginative worlds. Snow Approaching on the Hudson is a collection that moves seamlessly through the often hypnogogic, porous realms of dreams, the past and present, inner and outer landscapes. His haunting, shifting atmospheres are peopled by characters, intimately portrayed, that are at one historical and invented. The poet's signature rhythmic propulsion serves as the engine for his newest collection, and his always masterful free verse conveys a life thoroughly lived and brilliantly perceived.

A thrilling new collection from one of the most original poets of his generation "His work is a modernist swirl of sex, surrealism, urban life and melancholy with a jazzy backbeat." That praise appeared in the pages of The New York Times in 2005, but it applies no less to August Kleinzahler's newest collection. Kleinzahler's poetry is, as ever, concerned with permeability: Voices, places, the real and the dreamed, the present and the past, all mingle together in verses that always ring true. Whether the poem is three lines long or spans several pages; whether the voice embodied is that of "an adult male of late middle age, // about to weep among the avocados and citrus fruits / in a vast, overlit room next to a bosomy Cuban grandma" as in "Whitney Houston," or that of the title character in "Hootie Bill Do Polonius," who is bidding "adios compadre // To a most galuptious scene Kid"—Kleinzahler finds the throbbing human heart at the core of experience. This is a poet searching for—and finding—a cadence to suit life as it's lived today. Kleinzahler's verses are, as noted in the judges' citation for the 2004 Griffin Poetry Prize (which he won for his collection The Strange Hours Travelers Keep), "ferociously on the move, between locations, between forms, between registers." The Hotel Oneira finds Kleinzahler at his shape-shifting, acrobatic best, unearthing the "moments of grace" buried under the detritus of our hectic, modern lives.

This is a book of jazzy, edgy, adventuresome poems from the author of Earthquake Weather and Like Cities, Like Storms. Ever aware, ever vivid, ever focused, Kleinzahler's are some of the finest lyrics being produced in American poetry today. "Pieces of ordinary talk are Kleinzahler's strong suit," as Helen Vendler observed in Parnassus, "because they occur in his glancing, alert rhythms. . . . [His] jaunty skips and riffs solace the ear." Red Sauce, Whiskey and Snow presents an experimental poetry of exceptional wit and control.

The ever-changing look of Versace couture, as seen--and modeled--by the kings, queens, mega-models, and jokers of rock & roll. 280 illustrations, 200 in color.

Those aren't stars, darling That's your nervous system Nanna didn't take you to planetariums like this --from "Hyper-Berceuse: 3 A.M." August Kleinzahler's new poems stretch and go places he has never gone before: they have his signature high color and rhythmic jump, but they take on a breadth of voice and achieve registers that his earlier work only hinted at. Ranging from Vegas and Mayfair to the Asian steppes and contemporary Berlin, these poems touch down at will in tableaux where Liberace unceremoniously meets with St. Kevin and Attila with Zsa Zsa Gabor. Surprise after surprise, nothing seems to lie outside Kleinzahler's purview. This is the strongest collection to date from a poet with "the vision and confident skill to make American poetry new" (Clive Wilmer, The Times [London]).

The first broad retrospective of August Kleinzahler’s career, Sleeping It Off in Rapid City gathers poems from his major works along with a rich portion of new poems that visit different voice registers, experiment with form and length, and confirm Kleinzahler as among the most inventive and brilliant poets of our time. Travel—actual and imaginary—remains a passion and inspiration, and in these pages the poet also finds “This sanctified ground / Here, yes, here / The dead solid center of the universe / At the heart of the heart of America.”

The First World War was a catastrophe that engulfed not just the continent, but the rest of the world as well. It cost millions of lives, and changed the course of the century. 'Lest We Forget' provides an accessible overview of that titanic struggle, which was the foundation for the modern world and modern Britain, covering both life in the trenches and also life on the Home Front. It draws out the key events and themes that occurred throughout the conflict. The book provides both narrative and argument and will appeal to military historians and also students and soldiers interested in the Great War. It is split into 28 easy to read sections, including the following: The Road to War The Race to the Sea Life in the Trenches War Literature and Poetry The Battle of the Somme The War at Sea The Home Front Women and the War War in the Air Gallipoli The War around the World The Russian Revolution Armistice Stephen Liddell is a writer and historian and when not writing runs Ye Olde England Tours. He writes regularly for various publications as well as his own website www.stephenliddell.co.uk. His other works include 'Planes, Trains and Sinking Boats', 'How to Get Rich Using Airbnb', as well as the historical fiction trilogy 'The Promise', 'The Messenger' and 'Forever and Until'.

After finding out the real reason for Robin's betrayal, the Straw Hats are in a madcap race to rescue her from CP9, the Navy's elite assassin group. But first they'll have to find a way to sail through the tidal wave known as Aqua Laguna. Will the Rocketman be seaworthy for the task at hand, or will it be a runaway train to catastrophe?! -- VIZ Media

Thom Gunn was an Elizabethan poet in modern guise, though there's nothing archaic, quaint, or sepia-toned about his poetry. His method was dispassionate and rigorous, uniquely well suited for making a poetic record of the tumultuous time in which he lived. Gunn's dozens of brilliantly realized poems about nature, friendship, literature, sexual love, and death are set against the ever-changing backdrop of San Francisco—the druggy, politically charged sixties and the plague years of AIDS in the eighties. Perhaps no contemporary poet was better equipped—by temperament, circumstance, or poetic gift—to engage the subjects of eros and thanatos than Thom Gunn. This new Selected Poems, edited and with an introduction by the poet August Kleinzahler, supplants the 1979 Selected, presenting more of the later work and providing a fuller retrospective account of the breadth and magnitude of Gunn's extraordinary achievement.